{"id":1289,"date":"2017-11-10T18:49:38","date_gmt":"2017-11-10T17:49:38","guid":{"rendered":"https:\/\/www.profartspla.info\/wordpress\/cimaise\/"},"modified":"2026-07-12T14:34:51","modified_gmt":"2026-07-12T12:34:51","slug":"cimaise","status":"publish","type":"glossary","link":"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/","title":{"rendered":"Cimaise"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong><a class=\"glossaryLink\" title=\"Dico : Cimaise\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Cimaise&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Cimaise&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Ce m&ecirc;me mot d&eacute;signe &amp;lt;strong&amp;gt;deux &eacute;l&eacute;ments diff&eacute;rents&amp;lt;\/strong&amp;gt; li&eacute;es aux dispositifs de pr&eacute;sentation, d&amp;#039;exposition, de monstration des oeuvres.&amp;nbsp;&amp;lt;br\/&amp;gt;- C&amp;#039;est la tige suspendue &agrave; une corni&egrave;re ou corniche le long d&amp;#039;un mur qui permet de &amp;lt;strong&amp;gt;fixer des tableaux&amp;lt;\/strong&amp;gt; &agrave; des hauteurs variables.&amp;lt;br\/&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large is-resized&amp;quot;&amp;gt;&amp;lt;\/figure&amp;gt;&amp;lt;div style=&amp;quot;height:100px&amp;quot; aria-hidden=&amp;quot;true&amp;quot; class=&amp;quot;wp-block-spacer&amp;quot;&amp;gt;&amp;lt;\/div&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large&amp;quot;&amp;gt;&amp;lt;figcaption class=&amp;quot;wp-element-caption&amp;quot;&amp;gt;Salle des peintures espagnoles au(...)&amp;lt;\/figcaption&amp;gt;&amp;lt;\/figure&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Cimaise<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce m&ecirc;me mot d&eacute;signe <strong>deux &eacute;l&eacute;ments diff&eacute;rents<\/strong> li&eacute;es aux dispositifs de <a class=\"glossaryLink\" title=\"Dico : Pr&eacute;sentation\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Pr&eacute;sentation&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Pr&eacute;sentation&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Voir aussi &agrave; repr&eacute;sentation. Ces deux mots ne s&amp;#039;opposent pas, ils se compl&egrave;tent.&amp;lt;br\/&amp;gt;&amp;lt;iframe src=&amp;quot;https:\/\/prezi.com\/p\/embed\/FJ3FGiZD89Tm9Htfus0F\/&amp;quot; id=&amp;quot;iframe_container&amp;quot; frameborder=&amp;quot;0&amp;quot; webkitallowfullscreen=&amp;quot;&amp;quot; mozallowfullscreen=&amp;quot;&amp;quot; allowfullscreen=&amp;quot;&amp;quot; allow=&amp;quot;autoplay; fullscreen&amp;quot; height=&amp;quot;600&amp;quot; width=&amp;quot;100%&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;https:\/\/prezi.com\/p\/edit\/zkuz2-clu-cd\/ ou https:\/\/prezi.com\/view\/Hvbdjc0zPcqWN4SrfHQZ\/&amp;lt;br\/&amp;gt;&amp;lt;iframe id=&amp;quot;iframe_container&amp;quot; webkitallowfullscreen=&amp;quot;&amp;quot; mozallowfullscreen=&amp;quot;&amp;quot; allowfullscreen=&amp;quot;&amp;quot; src=&amp;quot;https:\/\/prezi.com\/embed\/ddukgxg4lyj2\/?bgcolor=ffffff&amp;amp;lock_to_path=0&amp;amp;autoplay=0&amp;amp;autohide_ctrls=0&amp;amp;landing_data=bHVZZmNaNDBIWnNjdEVENDRhZDFNZGNIUE43MHdLNWpsdFJLb2ZHanI5ejdzbjJFckM1SVc1Rm85OXBDY25nV3RRPT0&amp;amp;landing_sign=lVFjFanM2m6NZlwvTVPdgWUC15KdWo4fCYrx1s4mmoU&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;600&amp;quot; frameborder=&amp;quot;0&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;iframe src=&amp;quot;https:\/\/onedrive.live.com\/embed?cid=435CFFAA0495B0C1&amp;amp;resid=435CFFAA0495B0C1%2144752&amp;amp;authkey=AI9GjeojCHKIXw8&amp;amp;em=2&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;900&amp;quot; frameborder=&amp;quot;0&amp;quot; scrolling=&amp;quot;no&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;strong&amp;gt;Merci &agrave; Fred pour ce prezi : https:\/\/prezi.com\/user\/ouhk3hxwf44x\/ &amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5325px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 3251px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5396px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 230px; left:(...)&amp;lt;\/span&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>, d&rsquo;<a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, de <a class=\"glossaryLink\" title=\"Dico : Dispositif de monstration\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Dispositif de monstration&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Dispositif de monstration&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Qu&amp;#039;est-ce qu&amp;#039;un&amp;nbsp;dispositif&amp;nbsp;en art ?&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Ensemble d&rsquo;&eacute;l&eacute;ments (espace architectural, &eacute;l&eacute;ments de design, luminosit&eacute;, mise en sc&egrave;ne, d&eacute;cors, discours, modalit&eacute;s de pr&eacute;sentation, d&amp;#039;accrochage, de monstration, ...) agenc&eacute;s pour une oeuvre en vue de donner &agrave; (la) penser, &agrave; (la)(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dispositif-de-monstration\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dispositif-de-monstration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monstration<\/a> des oeuvres.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&ndash; C&rsquo;est la tige suspendue &agrave; une corni&egrave;re ou <a class=\"glossaryLink\" title=\"Dico : Corniche\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Corniche&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&nbsp;&amp;lt;br\/&amp;gt;En architecture classique, la corniche est la partie sup&eacute;rieure de l&amp;#039;entablement formant une saillie sur la frise horizontale d&amp;#039;un &eacute;difice.&amp;lt;br \/&amp;gt;Une corniche poss&egrave;de un larmier, moulure inf&eacute;rieure creus&eacute;e en forme de canal, pour pr&eacute;server les parois des murs des eaux pluviales.&amp;lt;br \/&amp;gt;&amp;lt;br \/&amp;gt;Plus g&eacute;n&eacute;ralement, la(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corniche\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corniche\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">corniche<\/a> le long d&rsquo;un mur qui permet de <strong>fixer des tableaux<\/strong> &agrave; des hauteurs variables.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/cimaises.png?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/cimaises.png?resize=734%2C730&#038;ssl=1\" alt=\"\" style=\"width:734px;height:730px\" width=\"734\" height=\"730\"\/><\/a><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"925\" height=\"696\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?resize=925%2C696&#038;ssl=1\" alt=\"\" class=\"wp-image-11262\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?resize=1024%2C771&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?resize=768%2C579&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/peintures_espagne_louvre_paris.webp?w=1500&amp;ssl=1 1500w\" sizes=\"auto, (max-width: 925px) 100vw, 925px\"\/><\/a><figcaption class=\"wp-element-caption\">Salle des <a class=\"glossaryLink\" title=\"Dico : Peinture\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Peinture&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Peinture&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Pratique bidimensionnelle, peindre est souvent consid&eacute;r&eacute; comme un remplissage. Peindre sans dessiner au pr&eacute;alable permet de faire &eacute;voluer cette repr&eacute;sentation et de faire des choix en fonction d&amp;#039;intentions. Explorer la peinture en termes de formes, de passages d&rsquo;une couleur &agrave;(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a> espagnoles au <a class=\"glossaryLink\" title=\"Dico : Mus&eacute;e\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Mus&eacute;e&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Mus&eacute;e&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;On distingue le mus&eacute;e et le centre d&amp;#039;art car un mus&eacute;e d&eacute;tient une r&eacute;serve et une collection permanente. En revanche, un centre d&amp;#039;art comme le Centre Pompidou Metz ne dispose pas de r&eacute;serve, ni de collection permanente. Les expositions sont n&eacute;cessairement temporaires et rassemblent des(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Mus&eacute;e<\/a> du Louvre &agrave; Paris<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">&ndash; C&rsquo;est aussi <strong>les &laquo;&nbsp;faux&nbsp;&raquo; murs des <a class=\"glossaryLink\" title=\"Dico : Espace\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Espace&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;Espace&amp;lt;br\/&amp;gt;L&rsquo;espace est celui dans lequel l&rsquo;&oelig;uvre s&rsquo;inscrit mat&eacute;riellement. Il est donc essentiel de rencontrer des &oelig;uvres &amp;lt;em&amp;gt;de visu&amp;lt;\/em&amp;gt; afin de prendre conscience de leur existence mat&eacute;rielle au-del&agrave; des reproductions qui sont diffus&eacute;es. En sculpture, on sera particuli&egrave;rement attentif aux relations(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a> d&rsquo;<a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> (mus&eacute;es, galeries)<\/strong>, construits au gr&eacute; des sc&eacute;nographies, le plus souvent en bois (contreplaqu&eacute;) ou plaques de pl&acirc;tre, peints.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/cimaises.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/cimaises.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><a class=\"glossaryLink\" title=\"Dico : Mus&eacute;e\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Mus&eacute;e&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Mus&eacute;e&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;On distingue le mus&eacute;e et le centre d&amp;#039;art car un mus&eacute;e d&eacute;tient une r&eacute;serve et une collection permanente. En revanche, un centre d&amp;#039;art comme le Centre Pompidou Metz ne dispose pas de r&eacute;serve, ni de collection permanente. Les expositions sont n&eacute;cessairement temporaires et rassemblent des(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Mus&eacute;e<\/a> d &lsquo;art <a class=\"glossaryLink\" title=\"Dico : Contemporain\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Contemporain&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;div style=&amp;quot;height:30px&amp;quot; aria-hidden=&amp;quot;true&amp;quot; class=&amp;quot;wp-block-spacer&amp;quot;&amp;gt;&amp;lt;\/div&amp;gt;D&eacute;signe l&amp;#039;art de son &eacute;poque. Ainsi, l&amp;#039;art contemporain de ses parents n&amp;#039;est pas la m&ecirc;me que le sien, ni plus tard que celui de nos enfants.D&amp;#039;une mani&egrave;re plus globale, l&amp;#039; &laquo;&nbsp;art contemporain&nbsp;&raquo; d&eacute;signe souvent l&amp;#039;ensemble des &oelig;uvres produites depuis 1945 &agrave; nos jours. Dans cette classification,(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/contemporain\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/contemporain\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">contemporain<\/a> de Lyon<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<p class=\"wp-block-paragraph\"><a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Exposition<\/a> <strong>Chefs-d&rsquo;Oeuvres ?<\/strong>, au Centre Pompidou Metz, 2010<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.lumideco.fr\/rea_POMmetz.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.lumideco.fr\/rea_POMmetz.html<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises1.jpg?ssl=1\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"405\" data-id=\"11271\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises1.jpg?resize=540%2C405&#038;ssl=1\" alt=\"\" class=\"wp-image-11271\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises1.jpg?w=540&amp;ssl=1 540w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises1.jpg?resize=80%2C60&amp;ssl=1 80w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises2.webp?ssl=1\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"271\" data-id=\"11269\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises2.webp?resize=493%2C271&#038;ssl=1\" alt=\"\" class=\"wp-image-11269\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises2.webp?w=493&amp;ssl=1 493w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises2.webp?resize=300%2C165&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises2.webp?resize=109%2C60&amp;ssl=1 109w\" sizes=\"auto, (max-width: 493px) 100vw, 493px\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises3.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"404\" data-id=\"11270\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises3.jpeg?resize=540%2C404&#038;ssl=1\" alt=\"\" class=\"wp-image-11270\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises3.jpeg?w=540&amp;ssl=1 540w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises3.jpeg?resize=300%2C224&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/cimaises3.jpeg?resize=80%2C60&amp;ssl=1 80w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\"\/><\/a><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<p class=\"wp-block-paragraph\"><a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Exposition<\/a> <strong>Les Portes du Possible, Art et Science-Fiction<\/strong>, au Centre Pompidou Metz, du 5 novembre 2022 au 10 avril 2023 : <a rel=\"noreferrer noopener\" href=\"https:\/\/www.centrepompidou-metz.fr\/fr\/programmation\/exposition\/les-portes-du-possible\" target=\"_blank\">https:\/\/www.centrepompidou-metz.fr\/fr\/programmation\/<\/a><a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>\/les-portes-du-possible<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458.jpg?resize=384%2C512&#038;ssl=1\" alt=\"\" class=\"wp-image-11264\" style=\"width:384px;height:512px\" width=\"384\" height=\"512\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/12\/IMG_20221216_163458-scaled.jpg?w=1850&amp;ssl=1 1850w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\"\/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Les <strong><a class=\"glossaryLink\" title=\"Dico : Am&eacute;nagement\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Am&eacute;nagement&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Am&eacute;nagement&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 205&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;em&amp;gt;&amp;lt;strong&amp;gt;Am&eacute;nagement de l&amp;#039;espace&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;br\/&amp;gt;&amp;quot;&amp;lt;em&amp;gt;Premier stade de la mise en espace ou mise en exposition, avant la mise en(...)&amp;lt;\/em&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">am&eacute;nagements<\/a> sc&eacute;nographiques<\/strong> de la soci&eacute;t&eacute; <strong>Xilografia<\/strong> <a href=\"https:\/\/www.xilografia.it\/case\/centre-pompidou-metz\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.xilografia.it\/case\/centre-pompidou-metz\/<\/a> joue tr&egrave;s clairement avec les <a class=\"glossaryLink\" title=\"Dico : Cimaise\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Cimaise&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Cimaise&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Ce m&ecirc;me mot d&eacute;signe &amp;lt;strong&amp;gt;deux &eacute;l&eacute;ments diff&eacute;rents&amp;lt;\/strong&amp;gt; li&eacute;es aux dispositifs de pr&eacute;sentation, d&amp;#039;exposition, de monstration des oeuvres.&amp;nbsp;&amp;lt;br\/&amp;gt;- C&amp;#039;est la tige suspendue &agrave; une corni&egrave;re ou corniche le long d&amp;#039;un mur qui permet de &amp;lt;strong&amp;gt;fixer des tableaux&amp;lt;\/strong&amp;gt; &agrave; des hauteurs variables.&amp;lt;br\/&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large is-resized&amp;quot;&amp;gt;&amp;lt;\/figure&amp;gt;&amp;lt;div style=&amp;quot;height:100px&amp;quot; aria-hidden=&amp;quot;true&amp;quot; class=&amp;quot;wp-block-spacer&amp;quot;&amp;gt;&amp;lt;\/div&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large&amp;quot;&amp;gt;&amp;lt;figcaption class=&amp;quot;wp-element-caption&amp;quot;&amp;gt;Salle des peintures espagnoles au(...)&amp;lt;\/figcaption&amp;gt;&amp;lt;\/figure&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">cimaises<\/a> : arrach&eacute;es, perc&eacute;es, coup&eacute;es, elles sont des &eacute;l&eacute;ments de passage du regard, des <a class=\"glossaryLink\" title=\"Dico : Corps\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Corps&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Corps&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Le &amp;lt;strong&amp;gt;corps peut &ecirc;tre celui repr&eacute;sent&eacute; dans l&rsquo;&oelig;uvre&amp;lt;\/strong&amp;gt; : le corps dessin&eacute;, peint, grav&eacute;, photographi&eacute;, sculpt&eacute;, expos&eacute;... ou celui &amp;lt;strong&amp;gt;de l&amp;#039;artiste&amp;lt;\/strong&amp;gt; (&amp;lt;strong&amp;gt;Jackson Pollock&amp;lt;\/strong&amp;gt;) ou encore celui &amp;lt;strong&amp;gt;du spectateur&amp;lt;\/strong&amp;gt;.&amp;lt;br\/&amp;gt;&amp;lt;div style=&amp;quot;height:100px&amp;quot; aria-hidden=&amp;quot;true&amp;quot; class=&amp;quot;wp-block-spacer&amp;quot;&amp;gt;&amp;lt;\/div&amp;gt;&amp;lt;strong&amp;gt;Corps repr&eacute;sent&eacute;&amp;lt;\/strong&amp;gt;, autoportraits, portraits, id&eacute;alis&eacute; avec des canons de beaut&eacute;&amp;lt;br\/&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-file aligncenter&amp;quot;&amp;gt;&amp;lt;object class=&amp;quot;wp-block-file__embed&amp;quot; data=&amp;quot;https:\/\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2023\/12\/kouros_evolution.pdf&amp;quot; type=&amp;quot;application\/pdf&amp;quot; style=&amp;quot;width:100%;height:600px&amp;quot;(...)&amp;lt;\/object&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">corps<\/a>, des transitions, des ruptures, des continuit&eacute;s entre les diff&eacute;rents <a class=\"glossaryLink\" title=\"Dico : Espace\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Espace&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;Espace&amp;lt;br\/&amp;gt;L&rsquo;espace est celui dans lequel l&rsquo;&oelig;uvre s&rsquo;inscrit mat&eacute;riellement. Il est donc essentiel de rencontrer des &oelig;uvres &amp;lt;em&amp;gt;de visu&amp;lt;\/em&amp;gt; afin de prendre conscience de leur existence mat&eacute;rielle au-del&agrave; des reproductions qui sont diffus&eacute;es. En sculpture, on sera particuli&egrave;rement attentif aux relations(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a>, entre les oeuvres, entre les <a class=\"glossaryLink\" title=\"Dico : Statut du spectateur\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Statut du spectateur&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;&amp;nbsp;Statut du spectateur&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Oeuvre, artiste, espace et spectateur sont en constant dialogue. Du&amp;lt;strong&amp;gt; large public&amp;lt;\/strong&amp;gt; au &amp;lt;strong&amp;gt;critique d&amp;#039;art&amp;lt;\/strong&amp;gt; &amp;lt;strong&amp;gt;sp&eacute;cialiste&amp;lt;\/strong&amp;gt;, comment se d&eacute;cline la posture du spectateur ? Simple passant, visiteur occasionnel ou impr&eacute;vu, spectateur, inconditionnel de l&amp;#039;art, ... Le spectateur peut &ecirc;tre(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateurs<\/a>.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"900\" src=\"https:\/\/www.xilografia.it\/case\/centre-pompidou-metz\/\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p><a class=\"glossaryLink\" title=\"Dico : Cimaise\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Cimaise&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Cimaise&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Ce m&ecirc;me mot d&eacute;signe &amp;lt;strong&amp;gt;deux &eacute;l&eacute;ments diff&eacute;rents&amp;lt;\/strong&amp;gt; li&eacute;es aux dispositifs de pr&eacute;sentation, d&amp;#039;exposition, de monstration des oeuvres.&amp;nbsp;&amp;lt;br\/&amp;gt;- C&amp;#039;est la tige suspendue &agrave; une corni&egrave;re ou corniche le long d&amp;#039;un mur qui permet de &amp;lt;strong&amp;gt;fixer des tableaux&amp;lt;\/strong&amp;gt; &agrave; des hauteurs variables.&amp;lt;br\/&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large is-resized&amp;quot;&amp;gt;&amp;lt;\/figure&amp;gt;&amp;lt;div style=&amp;quot;height:100px&amp;quot; aria-hidden=&amp;quot;true&amp;quot; class=&amp;quot;wp-block-spacer&amp;quot;&amp;gt;&amp;lt;\/div&amp;gt;&amp;lt;figure class=&amp;quot;wp-block-image aligncenter size-large&amp;quot;&amp;gt;&amp;lt;figcaption class=&amp;quot;wp-element-caption&amp;quot;&amp;gt;Salle des peintures espagnoles au(...)&amp;lt;\/figcaption&amp;gt;&amp;lt;\/figure&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cimaise\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Cimaise<\/a> Ce m&ecirc;me mot d&eacute;signe deux &eacute;l&eacute;ments diff&eacute;rents li&eacute;es aux dispositifs de <a class=\"glossaryLink\" title=\"Dico : Pr&eacute;sentation\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Pr&eacute;sentation&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Pr&eacute;sentation&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Voir aussi &agrave; repr&eacute;sentation. Ces deux mots ne s&amp;#039;opposent pas, ils se compl&egrave;tent.&amp;lt;br\/&amp;gt;&amp;lt;iframe src=&amp;quot;https:\/\/prezi.com\/p\/embed\/FJ3FGiZD89Tm9Htfus0F\/&amp;quot; id=&amp;quot;iframe_container&amp;quot; frameborder=&amp;quot;0&amp;quot; webkitallowfullscreen=&amp;quot;&amp;quot; mozallowfullscreen=&amp;quot;&amp;quot; allowfullscreen=&amp;quot;&amp;quot; allow=&amp;quot;autoplay; fullscreen&amp;quot; height=&amp;quot;600&amp;quot; width=&amp;quot;100%&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;https:\/\/prezi.com\/p\/edit\/zkuz2-clu-cd\/ ou https:\/\/prezi.com\/view\/Hvbdjc0zPcqWN4SrfHQZ\/&amp;lt;br\/&amp;gt;&amp;lt;iframe id=&amp;quot;iframe_container&amp;quot; webkitallowfullscreen=&amp;quot;&amp;quot; mozallowfullscreen=&amp;quot;&amp;quot; allowfullscreen=&amp;quot;&amp;quot; src=&amp;quot;https:\/\/prezi.com\/embed\/ddukgxg4lyj2\/?bgcolor=ffffff&amp;amp;lock_to_path=0&amp;amp;autoplay=0&amp;amp;autohide_ctrls=0&amp;amp;landing_data=bHVZZmNaNDBIWnNjdEVENDRhZDFNZGNIUE43MHdLNWpsdFJLb2ZHanI5ejdzbjJFckM1SVc1Rm85OXBDY25nV3RRPT0&amp;amp;landing_sign=lVFjFanM2m6NZlwvTVPdgWUC15KdWo4fCYrx1s4mmoU&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;600&amp;quot; frameborder=&amp;quot;0&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;iframe src=&amp;quot;https:\/\/onedrive.live.com\/embed?cid=435CFFAA0495B0C1&amp;amp;resid=435CFFAA0495B0C1%2144752&amp;amp;authkey=AI9GjeojCHKIXw8&amp;amp;em=2&amp;quot; width=&amp;quot;100%&amp;quot; height=&amp;quot;900&amp;quot; frameborder=&amp;quot;0&amp;quot; scrolling=&amp;quot;no&amp;quot;&amp;gt;&amp;lt;\/iframe&amp;gt;&amp;lt;strong&amp;gt;Merci &agrave; Fred pour ce prezi : https:\/\/prezi.com\/user\/ouhk3hxwf44x\/ &amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5325px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 3251px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5396px; left: 18px;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;&amp;quot;&amp;gt;Enregistrer&amp;lt;\/span&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;span style=&amp;quot;border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px &amp;#039;Helvetica Neue&amp;#039;,Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 230px; left:(...)&amp;lt;\/span&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>, d&rsquo;<a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, de <a class=\"glossaryLink\" title=\"Dico : Dispositif de monstration\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Dispositif de monstration&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Dispositif de monstration&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Qu&amp;#039;est-ce qu&amp;#039;un&amp;nbsp;dispositif&amp;nbsp;en art ?&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;Ensemble d&rsquo;&eacute;l&eacute;ments (espace architectural, &eacute;l&eacute;ments de design, luminosit&eacute;, mise en sc&egrave;ne, d&eacute;cors, discours, modalit&eacute;s de pr&eacute;sentation, d&amp;#039;accrochage, de monstration, ...) agenc&eacute;s pour une oeuvre en vue de donner &agrave; (la) penser, &agrave; (la)(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dispositif-de-monstration\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dispositif-de-monstration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monstration<\/a> des oeuvres.&nbsp; &ndash; C&rsquo;est la tige suspendue &agrave; une corni&egrave;re ou <a class=\"glossaryLink\" title=\"Dico : Corniche\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Corniche&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&nbsp;&amp;lt;br\/&amp;gt;En architecture classique, la corniche est la partie sup&eacute;rieure de l&amp;#039;entablement formant une saillie sur la frise horizontale d&amp;#039;un &eacute;difice.&amp;lt;br \/&amp;gt;Une corniche poss&egrave;de un larmier, moulure inf&eacute;rieure creus&eacute;e en forme de canal, pour pr&eacute;server les parois des murs des eaux pluviales.&amp;lt;br \/&amp;gt;&amp;lt;br \/&amp;gt;Plus g&eacute;n&eacute;ralement, la(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corniche\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corniche\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">corniche<\/a> le long d&rsquo;un mur qui permet de fixer des tableaux &agrave; des hauteurs variables. &ndash; C&rsquo;est aussi les &laquo;&nbsp;faux&nbsp;&raquo; murs des <a class=\"glossaryLink\" title=\"Dico : Espace\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Espace&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;Espace&amp;lt;br\/&amp;gt;L&rsquo;espace est celui dans lequel l&rsquo;&oelig;uvre s&rsquo;inscrit mat&eacute;riellement. Il est donc essentiel de rencontrer des &oelig;uvres &amp;lt;em&amp;gt;de visu&amp;lt;\/em&amp;gt; afin de prendre conscience de leur existence mat&eacute;rielle au-del&agrave; des reproductions qui sont diffus&eacute;es. En sculpture, on sera particuli&egrave;rement attentif aux relations(...) &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a> d&rsquo;<a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> (mus&eacute;es, galeries), construits au &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"menu_order":46,"template":"","meta":{"footnotes":""},"class_list":["post-1289","glossary","type-glossary","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":11,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/1289\/revisions"}],"predecessor-version":[{"id":13775,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/1289\/revisions\/13775"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}