{"id":285,"date":"2017-11-04T22:59:29","date_gmt":"2017-11-04T21:59:29","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/assemblage\/"},"modified":"2024-12-26T19:56:26","modified_gmt":"2024-12-26T18:56:26","slug":"assemblage","status":"publish","type":"glossary","link":"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/","title":{"rendered":"Assemblage"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size\"><strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Assemblage<\/a><\/strong><\/p>\n\n\n\n<p><strong>L&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>assemblage<\/a> est une technique sculpturale (en 3 dimensions) n&eacute;e au d&eacute;but du XX&egrave;me si&egrave;cle. Elle s&rsquo;oppose &agrave; des techniques classiques comme la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>taille<\/a> directe en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_deab1a71c21890d75a68387d868dc86d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/marbre\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>marbre<\/a> ou le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_a05b0ff1a9fa1714aab23c72de6b07de\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/modelage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>modelage<\/a> en argile, de <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e4463476f63c27266323f746b2d03432\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/matiere\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>mati&egrave;re<\/a> homog&egrave;ne. C&rsquo;est une technique consistant &agrave; fixer diff&eacute;rents &eacute;l&eacute;ments entre eux (objets manufactur&eacute;s, fragments d&rsquo;objets) avec de la colle, des agrafes, de la soudure, de la ficelle, des clous, des vis, des emboitements, des tenons mortaises.<\/strong><\/p>\n\n\n\n<p><strong>Oeuvres en r&eacute;f&eacute;rence<\/strong> : <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pablo Picasso<\/strong><\/li>\n<\/ul>\n\n\n\n<div align=\"center\"><iframe loading=\"lazy\" width=\"360\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/0AL3USsB-Yg\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/guitare.jpeg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/guitare.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><em>Guitare,<\/em> 1914, <span lang=\"fr\">T&ocirc;le, fer et fils m&eacute;talliques, 77.5 x 35 x 19.3 cm, MOMA New York<\/span>, <a href=\"https:\/\/www.moma.org\/collection\/works\/80934\" target=\"_blank\" rel=\"alternate noopener noreferrer\">https:\/\/www.moma.org\/collection\/works\/80934<\/a><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/taureau.jpeg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/taureau.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><em>La T&ecirc;te de Taureau<\/em>, 1942, selle en cuir et guidon en m&eacute;tal, 33,5 x 43,5 x 19 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> National Picasso, Paris<br><br><a href=\"http:\/\/www.museepicassoparis.fr\/en-ligne\/#\/artwork\/160000000000957\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.museepicassoparis.fr<\/a><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/chevre_picasso.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/chevre_picasso.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><p><em>La Ch&egrave;vre, 1950, <\/em>Pl&acirc;tre original : panier d&rsquo;osier, pots en c&eacute;ramique, feuille de palmier, m&eacute;tal, bois et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>carton<\/a>, 120,5 x 72 x 144 cm, <span class=\"_Xbe kno-fv\"><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> National Picasso, Paris<\/span><\/p><br><p><span class=\"_Xbe kno-fv\"><a href=\"\/\/www.museepicassoparis.fr\/en-ligne\/#\/artwork\/160000000000970\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.museepicassoparis.fr<\/a><\/span><\/p> <p>Petit L&eacute;onard, n&deg;196 <\/p><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/guenon.jpeg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/guenon.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><p><em>La Guenon et son petit,<\/em> 1951, 53 cm x 33 cm x 53 cm, Pl&acirc;tre original avec c&eacute;ramique, deux petites autos et m&eacute;tal. <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Assemblage<\/a> coul&eacute; en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8ab7b13f05c0ac208d5a2a714b602e2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/bronze\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>bronze<\/a>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> National Picasso, Paris<\/p> <p><a href=\"http:\/\/www.museepicassoparis.fr\/en-ligne\/#\/artwork\/160000000000977\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.museepicassoparis.fr<\/a><\/p><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/hausmann.jpeg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/hausmann.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<p><a href=\"https:\/\/www.centrepompidou.fr\/cpv\/resource\/cGzAKG\/rBAMyB5\">https:\/\/www.centrepompidou.fr\/cpv\/resource\/cGzAKG\/rBAMyB5<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Raoul Hausmann<\/strong>, <em>Mechanischer Kopf (Der Geist unserer Zeit (L&rsquo;esprit de notre <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a>), T&ecirc;te m&eacute;canique, <\/em>1919, Marotte de coiffeur en bois et divers objets fix&eacute;s dessus : gobelet t&eacute;lescopique, un &eacute;tui en cuir, tuyau de pipe, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>carton<\/a> blanc portant le chiffre 22, un morceau de m&egrave;tre de couturi&egrave;re, un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_1b8c6693362d2c7eac2cf81c0d1add92\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/subliminale\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>double<\/a> d&eacute;cim&egrave;tre, rouage de montre, un rouleau de caract&egrave;re d&rsquo;imprimerie, 32,5 x 21 x 20 cm, Centre Pompidou Paris<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/merzbau.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/merzbau.jpeg?w=925&#038;ssl=1\" alt=\"\" style=\"aspect-ratio:1;width:840px;height:auto\"\/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Kurt Schwitters<\/strong>, <em>Merzbau <\/em>1933, reconstruction de Peter Bissegger en 1981&ndash;83, 393 x 580 x 460 cm, <a href=\"http:\/\/www.sprengel-museum.de\/malerei__skulptur\/raeume\/index.htm?bild_id=57643384\" target=\"_blank\" rel=\"alternate noopener noreferrer\">Sprengel Museum de Hanovre<\/a>. <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Assemblage<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>monumental<\/a>, devenu environnement prendra <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>forme<\/a> dans sa maison :<strong> le Merzbau<\/strong><\/li>\n<\/ul>\n\n\n\n<p>&Agrave; partir du d&eacute;but des ann&eacute;es vingt, Schwitters commence &agrave; <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8ef8ff049713a60ac6c8e21de38ccfa6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>am&eacute;nager<\/a> dans sa propre maison de Hanovre un environnement dada&iuml;ste. Cette <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>construction<\/a> envahit peu &agrave; peu toute la maison de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>artiste<\/a>. En partant du premier &eacute;tage o&ugrave; est situ&eacute; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>atelier<\/a>, Schwitters annexe le deuxi&egrave;me en per&ccedil;ant le plafond et conduit des prolongements du Merzbau vers le sous-sol. &Agrave; l&rsquo;instar de ses assemblages, le Merzbau est compos&eacute; d&rsquo;&eacute;l&eacute;ments g&eacute;om&eacute;triques, et en m&ecirc;me <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> d&rsquo;objets trouv&eacute;s (morceaux de poup&eacute;es, miroir bris&eacute;, souris vivante&hellip;). Schwitters appelle cette <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>construction<\/a> &nbsp;&raquo; Cath&eacute;drale de la mis&egrave;re &eacute;rotique &nbsp;&raquo; : tout un programme pour l&rsquo;approche des sources de sa cr&eacute;ation artistique. Dans cet environnement ont <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> les soir&eacute;es dada&iuml;stes que Schwitters organise r&eacute;guli&egrave;rement et o&ugrave; il r&eacute;cite ses po&eacute;sies. Il demande parfois &agrave; ses amis dada&iuml;stes (Hausmann) d&rsquo;y contribuer. Le Merzbau devient ainsi une oeuvre <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_776e3ff4048acbfcef40ffc27f43fe3a\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collaboration\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>collective<\/a>. Cette oeuvre en devenir que l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>artiste<\/a> fait &eacute;voluer en permanence est d&eacute;truite au cours des bombardements de 1945. R&eacute;fugi&eacute; en Norv&egrave;ge &agrave; la fin des ann&eacute;es trente, Schwitters essaie de r&eacute;aliser une deuxi&egrave;me <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>construction<\/a> Merz dans la grange de la maison qu&rsquo;il habite dans les environs d&rsquo;Oslo, mais cette <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>construction<\/a>, elle non plus, n&rsquo;a pas surv&eacute;cu. &Agrave; la fin de sa vie, l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>artiste<\/a> r&eacute;alise une troisi&egrave;me <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>construction<\/a> Merz en Angleterre, dont les restes sont conserv&eacute;s aujourd&rsquo;hui au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>mus&eacute;e<\/a> de l&rsquo;universit&eacute; de Newcastle upon Tyne. Schwitters attribue une importance tout &agrave; fait particuli&egrave;re &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_72bf8ef98c579fe9852292b5f45674d4\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/idee\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>id&eacute;e<\/a> du Merzbau, oeuvre qui devait constituer la d&eacute;monstration d&eacute;finitive et totale de l&rsquo;art moderne. Dans la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_61d7737110fa1277d8adb6dc16325009\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/perspective\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>perspective<\/a> de son <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>exposition<\/a> &nbsp;&raquo; Der Hang zum Gesamtkunstwerk &laquo;&nbsp;, Harald Szeemann entreprend en 1980 la reconstruction du Merzbau de Hanovre. L&rsquo;oeuvre r&eacute;alis&eacute;e par Peter Bissegger d&rsquo;apr&egrave;s les directives de Szeemann est aujourd&rsquo;hui conserv&eacute;e au <a href=\"http:\/\/www.sprengel-museum.de\/malerei__skulptur\/raeume\/index.htm?bild_id=57643384\" target=\"_blank\" rel=\"alternate noopener noreferrer\">Sprengel Museum de Hanovre<\/a>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"images\/Tatline.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/Tatline.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Vladimir Tatline<\/strong>, <em>Contre-relief angulaire,<\/em> 1914, T&ocirc;le, cuivre, bois, c&acirc;bles et &eacute;l&eacute;ments de fixation, 71 x 118 cm, <a href=\"http:\/\/en.rusmuseum.ru\/collections\/the-sculpture-of-the-xviii-early-xx-centuries\/\" target=\"_blank\" rel=\"alternate noopener noreferrer\">Mus&eacute;e russe, Saint-P&eacute;tersbourg<\/a><\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"images\/glossaire\/odalisk.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/odalisk.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Robert Rauschenberg<\/strong>, <span class=\"cartel\"><i>Odalisque<\/i>, <i>Freestanding combine (combinaison <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_a40b4a7b0e94531604b986050941f021\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur-autonome\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>autonome<\/a>), <\/i>1955-1958, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Huile<\/a>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6ab51599a6b27ab0edaf291caaa10871\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aquarelle\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>aquarelle<\/a>, crayon, pastel, papier, tissu, photographies, reproductions imprim&eacute;es, journal, m&eacute;tal, verre, oreiller, poteau en bois et lampes sur structure en bois avec coq empaill&eacute;, 210,8 x 64,1 x 63,8 cm, Centre Pompidou Paris <\/span><\/li>\n<\/ul>\n\n\n\n<p><span class=\"cartel\"> Voir <a href=\"http:\/\/mini-site.louvre.fr\/ingres\/1.4.2.1_fr.html\" target=\"_blank\" rel=\"alternate noopener noreferrer\"> <em>La Grande Odalisque<\/em> sur le site du mus&eacute;e du Louvre<\/a><\/span><\/p>\n\n\n\n<p>Appel&eacute;s <em><strong>Combines<\/strong><\/em>, les assemblages de Rauschenberg sont des &oelig;uvres<b> hybrides<\/b>, qui associent &agrave; la pratique de la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peinture<\/a> celle du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_969a45fc19c92426a03267e4917159d1\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>collage<\/a> et de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>assemblage<\/a> d&rsquo;&eacute;l&eacute;ments les plus divers pr&eacute;lev&eacute;s au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> quotidien. Ni <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peinture<\/a> ni <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6e85e8793594dd149cb108972ea5f3e0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>sculpture<\/a> mais les deux &agrave; la fois, les <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>monumentales<\/a> <i>Combines<\/i> de Rauschenberg envahissent l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>spectateur<\/a> et l&rsquo;interpellent comme des v&eacute;ritables r&eacute;bus visuels.<\/p>\n\n\n\n<p><a href=\"http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-Rauschenberg\/ENS-rauschenberg.htm\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-Rauschenberg\/ENS-rauschenberg.htm<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"images\/glossaire\/tinguely.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/tinguely.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Jean Tinguely<\/strong>, <span class=\"NoticeGI15BLACK\"><em>Tricycle<\/em>, <\/span>vers 1960, Fer, m&eacute;taux de r&eacute;cup&eacute;ration, 48 x 85 x 46 cm, Centre Pompidou Paris <a href=\"https:\/\/www.centrepompidou.fr\/cpv\/resource\/cqppjKe\/rzao5r\" target=\"_blank\" rel=\"alternate noopener noreferrer\">https:\/\/www.centrepompidou.fr\/cpv\/resource\/cqppjKe\/rzao5r<\/a><\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"images\/glossaire\/grunfeld.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/grunfeld.jpeg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Thomas Gr&uuml;nfeld<\/strong>, <em>Misfit (<\/em>fox-terrier, renard, biche), 1996, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_8f7ae7dd6d024bbaa08625005727796f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/assemblage\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Assemblage<\/a> d&rsquo;animaux naturalis&eacute;s (taxidermie), 55 x 40 x 40 cm, <a href=\"http:\/\/collection.fraclorraine.org\/collection\/show\/289?lang=fr\" target=\"_blank\" rel=\"alternate noopener noreferrer\">FRAC Lorraine<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Assemblage L&rsquo;assemblage est une technique sculpturale (en 3 dimensions) n\u00e9e au d\u00e9but du XX\u00e8me si\u00e8cle. Elle s&rsquo;oppose \u00e0 des techniques classiques comme la taille directe en marbre ou le modelage en argile, de mati\u00e8re homog\u00e8ne. C&rsquo;est une technique consistant \u00e0 fixer diff\u00e9rents \u00e9l\u00e9ments entre eux (objets manufactur\u00e9s, fragments d&rsquo;objets) avec de la colle, des agrafes, &hellip; <\/p>\n","protected":false},"author":1,"featured_media":13828,"menu_order":296,"template":"","meta":{"footnotes":""},"class_list":["post-285","glossary","type-glossary","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/285\/revisions"}],"predecessor-version":[{"id":22408,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/285\/revisions\/22408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/13828"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}