{"id":434,"date":"2017-11-10T18:49:38","date_gmt":"2017-11-10T17:49:38","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/nabis\/"},"modified":"2025-01-02T17:44:24","modified_gmt":"2025-01-02T16:44:24","slug":"nabis","status":"publish","type":"glossary","link":"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nabis\/","title":{"rendered":"Nabis"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size\"><strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3728cd29b177f2256df8823fb719ccc3\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nabis\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Nabis<\/a><\/strong><\/p>\n\n\n\n<p>Mot h&eacute;breu signifiant &laquo;&nbsp;Proph&egrave;tes&nbsp;&raquo;<\/p>\n\n\n\n<p>D&rsquo;abord qualifi&eacute;e de <strong>synth&eacute;tisme<\/strong>, la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peinture<\/a> des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3728cd29b177f2256df8823fb719ccc3\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nabis\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Nabis<\/a> est bient&ocirc;t rebaptis&eacute;e &laquo; <strong>n&eacute;o-traditionnisme<\/strong> &raquo; par <strong>Maurice Denis<\/strong> qui publie dans la revue <em>Art et Critique<\/em> des 23 et 30 ao&ucirc;t 1890 &laquo; La d&eacute;finition du n&eacute;o-traditionnisme &raquo;.<\/p>\n\n\n\n<p>L&rsquo;article premier restera c&eacute;l&egrave;bre tant il d&eacute;finit bien la modernit&eacute; de l&rsquo;approche : &laquo; <em>Se rappeler qu&rsquo;un tableau &ndash; avant d&rsquo;&ecirc;tre un cheval de bataille, une femme nue, ou une quelconque anecdote &ndash; est essentiellement une surface plane recouverte de <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleurs<\/a> en un certain ordre assembl&eacute;es<\/em> &raquo;. <span class=\"italiquenoir\"><a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k96931928\/f15.item.r=certain%20ordre%20assembl%C3%A9es\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/gallica.bnf.fr<\/a><\/span><\/p>\n\n\n\n<p>&gt; juxtaposition de plans color&eacute;s aux valeurs tr&egrave;s contrast&eacute;es + affirmation la plan&eacute;it&eacute;.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>tendance mystique (<strong>Denis, S&eacute;rusier<\/strong>), marqu&eacute;e par les primitifs toscans, l&rsquo;art byzantin et <strong>Paul Gauguin<\/strong><\/li>\n\n\n\n<li>tendance moderne (<strong>Bonnard, Vallotton, Vuillard)<\/strong>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9e42b671e5fbb8d9a820704f5e3a6fa7\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/inspiration\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>inspir&eacute;e<\/a> par les estampes japonaises et la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3a81c03419b3410324fd4376f485f343\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/photographie\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>photographie<\/a><\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Fiche sur le site RMN (R&eacute;union des Mus&eacute;es Nationaux) <a href=\"http:\/\/www.grandpalais.fr\/fr\/article\/les-nabis\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.grandpalais.fr\/fr\/article\/les-nabis<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Artistes en r&eacute;f&eacute;rence : <\/strong><\/p>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Paul Serusier<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>Figure embl&eacute;matique de ce regroupement d&rsquo;artistes. Il peint <strong><em>Le Talisman<\/em><\/strong> sur les conseils de Paul Gauguin lors de son s&eacute;jour &agrave; Pont-Aven (&laquo; Comment voyez-vous ces arbres [&hellip;] ? Ils sont jaunes. Eh bien, mettez du jaune ; cette ombre plut&ocirc;t bleue, peignez-la avec de l&rsquo;outremer pur [&hellip;] &raquo;), ce <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>paysage<\/a> du Bois d&rsquo;amour pr&eacute;sente en effet toutes les <strong>caract&eacute;ristiques majeures de la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peinture<\/a> des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3728cd29b177f2256df8823fb719ccc3\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nabis\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Nabis<\/a> : formes synth&eacute;tiques cern&eacute;es d&rsquo;un contour bleu de Prusse ou noir ; plan&eacute;it&eacute; de la surface ; intensit&eacute; des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleurs<\/a><\/strong>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/serusier.png?ssl=1\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/serusier.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><em>Le Talisman<\/em> (ou <em>L&rsquo;Aven au bois d&rsquo;Amour<\/em>), 1888, <strong>Paul S&eacute;rusier,<\/strong> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur bois (dos d&rsquo;une boite de cigare), 27x 21 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> d&rsquo;Orsay, Paris. <a href=\"http:\/\/www.musee-orsay.fr\/fr\/collections\/oeuvres-commentees\/peinture\/commentaire_id\/le-talisman-7071.html?tx_commentaire_pi1%5BpidLi%5D=509&amp;tx_commentaire_pi1%5Bfrom%5D=841&amp;cHash=13907b11fe\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.musee-orsay.fr\/<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Pierre Bonnard<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>Dans un&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a>&nbsp;o&ugrave; ses correspondances avec Henri Matisse s&rsquo;intensifient, Pierre Bonnard pense le traitement de la&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleur<\/a>&nbsp;comme un combat, dans lequel la volont&eacute; de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>artiste<\/a>&nbsp;fait face aux lois propres &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a>&nbsp;pictural :&nbsp; &laquo;&nbsp;<em>Le principal sujet, c&rsquo;est la surface qui a sa&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleur<\/a>, ses lois, par-dessus les objets. On parle toujours de la soumission devant la&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b7c8487082afb5b641ff9c4857ae007\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nature\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>nature<\/a>. Il y a aussi la soumission devant le tableau<\/em>. &raquo;&nbsp;&nbsp;<a href=\"http:\/\/www.grandpalais.fr\/fr\/article\/dans-le-jardin-de-pierre-bonnard\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.grandpalais.fr\/fr\/article\/dans-le-jardin-de-pierre-bonnard<\/a><\/p>\n\n\n\n<p>Le&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a>&nbsp;Pierre Bonnard :&nbsp;<a href=\"https:\/\/www.museebonnard.fr\/le-musee\/collections\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.museebonnard.fr\/le-musee\/collections<\/a><\/p>\n\n\n\n<p>Site du&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a>&nbsp;d&rsquo;Orsay :&nbsp;<a href=\"http:\/\/www.musee-orsay.fr\/fr\/evenements\/expositions\/au-musee-dorsay\/presentation-generale\/article\/pierre-bonnard-41180.html?cHash=e7215f714c\" target=\"_blank\" rel=\"noreferrer noopener\">Pierre Bonnard Peindre&nbsp;l&rsquo;Arcadie<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/bonnard.png?ssl=1\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/bonnard.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><em>Intimit&eacute;,&nbsp;<\/em>1891, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Huile<\/a> sur&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a>&nbsp;de 38 x 36 cm,&nbsp;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a>&nbsp;d&rsquo;Orsay&nbsp;<a href=\"http:\/\/www.musee-orsay.fr\/fr\/collections\/oeuvres-commentees\/peinture\/commentaire_id\/intimite-20683.html?tx_commentaire_pi1%5BpidLi%5D=509&amp;tx_commentaire_pi1%5Bfrom%5D=841&amp;cHash=7f1d87f0bd\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.musee-orsay.fr<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Maurice Denis<\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>D&eacute;claration de <strong>Maurice Denis<\/strong> : &laquo;&nbsp;Se rappeler qu&rsquo;un tableau, avant que d&rsquo;&ecirc;tre un cheval de bataille, une femme nue ou une quelconque anecdote, est essentiellement une surface plane recouverte de <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleurs<\/a> en un certain ordre assembl&eacute;es&nbsp;&raquo;, publi&eacute;e seulement en 1914, dans <span class=\"italiquenoir\">Th&eacute;ories 1890-1910 en ligne sur Gallica <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k96931928\/f15.item.r=certain%20ordre%20assembl%C3%A9es\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/gallica.bnf.fr<\/a> <\/span><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/denis.png?ssl=1\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/denis.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><i>Les Muses, <\/i>1893, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a> de 171,5 x 137,5 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> d&rsquo;Orsay <a href=\"http:\/\/www.musee-orsay.fr\/fr\/collections\/oeuvres-commentees\/peinture\/commentaire_id\/les-muses-222.html?tx_commentaire_pi1%5BpidLi%5D=509&amp;tx_commentaire_pi1%5Bfrom%5D=841&amp;cHash=23b5ed38ef\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.musee-orsay.fr<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Edouard Vuillard<\/span><\/summary><div class=\"lightweight-accordion-body\">\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/vuillard.png?ssl=1\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/vuillard.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><i>Le sommeil, <\/i>1892, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a> de 33 x 64,5 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> d&rsquo;Orsay <a href=\"http:\/\/www.musee-orsay.fr\/fr\/collections\/oeuvres-commentees\/peinture\/commentaire_id\/le-sommeil-21197.html?tx_commentaire_pi1%5BpidLi%5D=509&amp;tx_commentaire_pi1%5Bfrom%5D=841&amp;cHash=a6f92e9c7c\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.musee-orsay.fr<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span>Felix Vallotton<\/span><\/summary><div class=\"lightweight-accordion-body\">\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/vallotton.png?ssl=1\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/vallotton.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><i>Le ballon, <\/i>1899, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>carton<\/a> coll&eacute;e sur bois de 48 x 61 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> d&rsquo;Orsay <a href=\"http:\/\/www.musee-orsay.fr\/fr\/collections\/oeuvres-commentees\/peinture\/commentaire_id\/le-ballon-429.html?tx_commentaire_pi1%5BpidLi%5D=509&amp;tx_commentaire_pi1%5Bfrom%5D=841&amp;cHash=e03940dc5d\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.musee-orsay.fr<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n<p><span class=\"italiquenoir\"><strong>F&eacute;lix Vallotton<\/strong> entretient des <\/span>relations &eacute;troites avec les <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3728cd29b177f2256df8823fb719ccc3\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nabis\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Nabis<\/a> d&egrave;s 1891. D&rsquo;ailleurs, cette vue plongeante est observ&eacute;e dans un parc ou un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_57a0bf0954404044393aa84c3e29ef2f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/jardin\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>jardin<\/a> public, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> souvent repr&eacute;sent&eacute;s par <strong>Pierre Bonnard<\/strong> ou <strong>Edouard Vuillard<\/strong>.<\/p>\n\n<\/div><\/details><\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nabis Mot h\u00e9breu signifiant \u00ab\u00a0Proph\u00e8tes\u00a0\u00bb D\u2019abord qualifi\u00e9e de synth\u00e9tisme, la peinture des Nabis est bient\u00f4t rebaptis\u00e9e \u00ab n\u00e9o-traditionnisme \u00bb par Maurice Denis qui publie dans la revue Art et Critique des 23 et 30 ao\u00fbt 1890 \u00ab La d\u00e9finition du n\u00e9o-traditionnisme \u00bb. L\u2019article premier restera c\u00e9l\u00e8bre tant il d\u00e9finit bien la modernit\u00e9 de l\u2019approche : &hellip; <\/p>\n","protected":false},"author":1,"featured_media":13828,"menu_order":117,"template":"","meta":{"footnotes":""},"class_list":["post-434","glossary","type-glossary","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":4,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/434\/revisions"}],"predecessor-version":[{"id":22661,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/434\/revisions\/22661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/13828"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}