{"id":441,"date":"2017-11-10T18:49:38","date_gmt":"2017-11-10T17:49:38","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/operations-plastiques\/"},"modified":"2024-06-09T19:45:39","modified_gmt":"2024-06-09T17:45:39","slug":"operations-plastiques","status":"publish","type":"glossary","link":"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/operations-plastiques\/","title":{"rendered":"Op\u00e9rations plastiques"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size\"><strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_42ef406bba1bec6c24e2c93076dd4dd7\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/operations-plastiques\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Op&eacute;rations plastiques<\/a><\/strong><\/p>\n\n\n\n<p>Verbes d&rsquo;action qu&rsquo;il est possible de mettre en oeuvre dans une r&eacute;alisation bi ou tridimensionnelle.<\/p>\n\n\n\n<p>T&eacute;l&eacute;charger cette liste<a href=\"https:\/\/www.profartspla.site\/images\/operationsplastiques_explorer.docx\" target=\"_blank\" rel=\"noreferrer noopener\"> en .docx pour pouvoir la modifier selon les besoins<\/a> ou en pdf <a href=\"https:\/\/www.profartspla.site\/images\/glossaire\/operationsplastiques_explorer.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/images\/glossaire\/operationsplastiques_explorer.pdf<\/a><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/onedrive.live.com\/embed?resid=435CFFAA0495B0C1%21261720&amp;authkey=!AIjOA9CdUb6kAh4&amp;em=2\" width=\"100%\" height=\"600\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>&nbsp;Quelques exemples avec une r&eacute;f&eacute;rence artistique : <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td rowspan=\"2\"><strong>Reproduire&nbsp;<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/warhol_monalisa.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/warhol_monalisa.jpg?w=925&#038;ssl=1\"\/><\/a><\/td><td>\n<p><em>Mona Lisa<\/em> d&rsquo;<strong>Andy Warhol<\/strong>, 1963, acrylique et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_81359fc3279519ddad035a9392543903\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serigraphie\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>s&eacute;rigraphie<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a>, 111.8 x 73.7 cm, MetMuseum,&nbsp;New York <a href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/489409\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.metmuseum.org\/art\/collection\/search\/489409<\/a><\/p>\n<\/td><\/tr><tr><td><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/coloredmonalisa.jpg?resize=198%2C300&#038;ssl=1\" width=\"198\" height=\"300\"\/><\/td><td>\n<p><em>&nbsp;Colored Mona Lisa<\/em>&nbsp;d&rsquo;<strong>Andy Warhol<\/strong>, 1963, acrylique et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_81359fc3279519ddad035a9392543903\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serigraphie\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>s&eacute;rigraphie<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a>, de&nbsp;<span id=\"main_center_0_lblLotDescription\">319.7 x 208.6 cm<\/span>, Christies Gallery, New York&nbsp;<a href=\"http:\/\/www.christies.com\/lotfinder\/ZoomImage.aspx?image=http:\/\/www.christies.com\/lotfinderimages\/D58960\/D5896014&amp;intObjectID=5896014&amp;lid=1\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.christies.com\/lotfinder\/ZoomImage.aspx?image=http:\/\/www.christies.com\/lotfinderimages\/D58960\/D5896014&amp;intObjectID=5896014&amp;lid=1<\/a> et&nbsp; <a href=\"http:\/\/www.christies.com\/zmags?ZmagsPublishID=753819a7\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.christies.com\/zmags?ZmagsPublishID=753819a7<\/a><\/p>\n<p>Reproduire une <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_2969c4889ce5d3a39bf50f3900df8266\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/icone\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>ic&ocirc;ne<\/a> de l&rsquo;art comme la Joconde est hautement r&eacute;v&eacute;lateur : qu&rsquo;est-ce que l&rsquo;art s&rsquo;il perd son originalit&eacute;, son unicit&eacute; ? ou qu&rsquo;est-ce que l&rsquo;art, en 1963, &agrave; l&rsquo;&egrave;re de sa reproductibilit&eacute; m&eacute;canique, photographique et bient&ocirc;t num&eacute;rique ?<\/p>\n<\/td><\/tr><tr><td><strong>&nbsp;Associer<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/leger.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/leger.jpeg?resize=237%2C300&#038;ssl=1\" width=\"237\" height=\"300\"\/><\/a><\/td><td><em>La Joconde aux cl&eacute;s<\/em> de <strong>Fernand L&eacute;ger<\/strong>, 1930, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a> de&nbsp;91 x 72 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> national Fernand L&eacute;ger, Alpes Maritimes, <a href=\"http:\/\/musees-nationaux-alpesmaritimes.fr\/fleger\/objet\/l-la-joconde-aux-cles\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/musees-nationaux-alpesmaritimes.fr\/fleger\/objet\/l-la-joconde-aux-cles<\/a><\/td><\/tr><tr><td><strong>Recouvrir<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/malevitch.png?ssl=1\" target=\"_blank\" rel=\"alternate noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/malevitch.png?resize=236%2C300&#038;ssl=1\" width=\"236\" height=\"300\"\/><\/a><\/td><td>\n<p><i><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e0dd9c4131dfec30776d8325b3aecafb\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/composition\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Composition<\/a> avec la Joconde, &eacute;clipse partielle<\/i> de <strong>Kazimir Malevitch<\/strong>, vers 1914, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_969a45fc19c92426a03267e4917159d1\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collage\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>collage<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a>, crayon, 62.5 x 49.3 cm.<\/p>\n<\/td><\/tr><tr><td><strong>Recouvrir et retourner (horizontalement)<br><\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/johns.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/johns.jpeg?resize=243%2C300&#038;ssl=1\" width=\"243\" height=\"300\"\/><\/a><\/td><td><em>Figure 7<\/em> de la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>s&eacute;rie<\/a> <em>Color Numeral Series de <\/em><strong>Jasper Johns<\/strong>, 1968, lithographie de 96.5 x 78.7 cm publi&eacute;e 1969, MOMA, <a href=\"https:\/\/www.moma.org\/collection\/works\/67104\" target=\"_blank\" rel=\"alternate noopener noreferrer\">https:\/\/www.moma.org\/collection\/works\/67104<\/a><\/td><\/tr><tr><td><strong>Transformer : ajouter (des moustache) <\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/lhooq.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/lhooq.jpeg?resize=244%2C300&#038;ssl=1\" width=\"244\" height=\"300\"\/><\/a><\/td><td>\n<p>&nbsp;<em>L.H.O.O.Q. <\/em>de <strong>Marcel Duchamp<\/strong>, 1919 et r&eacute;plique de 1930, Mine graphite sur h&eacute;liogravure, 61,5 x 49,5 cm, Inscriptions :Titr&eacute; en bas au centre : L.H.O.O.Q. Sign&eacute; et dat&eacute; en bas &agrave; droite : Marcel Duchamp (r&eacute;plique \/ 1930), <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_997c919ed3b3f82d8f6b073b5c8ab1fc\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/ready-made\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Ready-made<\/a> rectifi&eacute; (carte postale).<\/p>\n<p>Centre Pompidou Paris <a href=\"https:\/\/www.centrepompidou.fr\/cpv\/resource\/c5pXdk6\/rqy6qz6\" target=\"_blank\" rel=\"alternate noopener noreferrer\">https:\/\/www.centrepompidou.fr\/cpv\/resource\/c5pXdk6\/rqy6qz6<\/a><\/p>\n<p>Marcel Duchamp entame la marche en 1919 avec <em>L.H.O.O.Q.<\/em>&nbsp;Il s&rsquo;agit d&rsquo;une simple carte postale reprise par l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>artiste<\/a> et sur laquelle on retrouve&nbsp;<em>la Joconde<\/em> affubl&eacute;e d&rsquo;une moustache et d&rsquo;un bouc avec ces fameuses lettres inscrites en-dessous. Celles-ci pouvant se lire &agrave; l&rsquo;anglaise &laquo;&nbsp;look&nbsp;&raquo;, ou &agrave; la fran&ccedil;aise &laquo;&nbsp;elle a chaud au cul&nbsp;&raquo;. Un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_ecbcee574835236e1c25131a0a8cbd72\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/detournement\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>d&eacute;tournement<\/a> l&eacute;ger mais tr&egrave;s provoquant qui vise justement &agrave; d&eacute;sacraliser le mythe. L&rsquo;oeuvre&nbsp;typique de&nbsp;l&rsquo;&eacute;poque <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Dada\" target=\"_blank\" rel=\"noopener noreferrer\">Dada<\/a>,&nbsp;marquera les esprits avec cet humour acerbe et cette&nbsp;volont&eacute; de Duchamp de&nbsp;questionner l&rsquo;art autour du sens originel de l&rsquo;oeuvre. <em>La Joconde<\/em> est-elle devenue un ph&eacute;nom&egrave;ne culturel en perte de sens,&nbsp;qui ne s&rsquo;appr&eacute;cierait plus qu&rsquo;au prisme de sa&nbsp;c&eacute;l&eacute;brit&eacute; et non plus pour la beaut&eacute; de la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e058854322178b584e908ef8a1f996e9\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/demarche\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>d&eacute;marche<\/a> artistique de De Vinci, et savons-nous encore regarder (&laquo;&nbsp;look&nbsp;&raquo;) une oeuvre&nbsp;? Une question qui m&eacute;riterait&nbsp;encore d&rsquo;&ecirc;tre&nbsp;pos&eacute;e aujourd&rsquo;hui.<\/p>\n<div class=\"DivNotice2\">&nbsp;<\/div>\n<\/td><\/tr><tr><td><strong>Juxtaposer (poser les uns &agrave; c&ocirc;t&eacute; des autres)<br><\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/rauschenberg.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/rauschenberg.jpg?resize=239%2C300&#038;ssl=1\" width=\"239\" height=\"300\"\/><\/a><\/td><td><em>Sans titre, Mona Lisa<\/em>&nbsp;de <strong>Robert Rauschenberg<\/strong>,&nbsp; <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_969a45fc19c92426a03267e4917159d1\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collage\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Collage<\/a> : <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_86c545d265f5db4d26b963d4d86a1cfc\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/gravure\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>gravures<\/a>, papier imprim&eacute;, tissu, papier, crayon, papier aluminium et colle sur papier, 24,1 x 19,1 cm, Collection de Louisa Stude Sarofim, Fondation Robert Rauschenberg, New York <a href=\"http:\/\/www.rauschenbergfoundation.org\/art\/artwork\/untitled-mona-lisa\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.rauschenbergfoundation.org\/art\/artwork\/untitled-mona-lisa<\/a><\/td><\/tr><tr><td><strong>Raturer<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/haring2.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/haring2.jpeg?resize=300%2C300&#038;ssl=1\" width=\"300\" height=\"300\"\/><\/a><\/td><td><em>Apocalypse<\/em> de <strong>Keith Harinq<\/strong>, 1988,&nbsp;96.5 x 96.5 cm, publi&eacute;e page 6 Editions Silkscreen<a href=\"http:\/\/www.haring.com\/!\/art-work\/7#.WamgOIppxR4\">http:\/\/www.haring.com\/!\/art-work\/7#.WamgOIppxR4<\/a><\/td><\/tr><tr><td>&nbsp;<strong>Masquer, voiler, coudre<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/wiley.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/wiley.jpeg?resize=209%2C300&#038;ssl=1\" width=\"209\" height=\"300\"\/><\/a><\/td><td><em>Mona Lisa Wipe Out (an&eacute;antie) or &ldquo;Three&nbsp;Wishes<\/em>&rdquo; <em>(3 souhaits) <\/em>de <strong>William T. Wiley<\/strong>, 1967, papier, fils, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a> et bande, Yale University Gallery Art,&nbsp;<a href=\"http:\/\/artgallery.yale.edu\/collections\/objects\/97194\">http:\/\/artgallery.yale.edu\/collections\/objects\/97194<\/a>&nbsp;<\/td><\/tr><tr><td><strong>D&eacute;former, grossir<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/fernando-botero-mona-lisa.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/fernando-botero-mona-lisa.jpeg?resize=267%2C300&#038;ssl=1\" width=\"267\" height=\"300\"\/><\/a><\/td><td><em>Mona Lisa &agrave; l&rsquo;&acirc;ge de douze ans<\/em> de <strong>Fernando Botero<\/strong>, 1977, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a> de 183 x 166 cm, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> Botero, Banco de la Republica, Colombie, <a href=\"http:\/\/www.banrepcultural.org\/obras\/fernando-botero\/monalisa\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.banrepcultural.org\/obras\/fernando-botero\/monalisa<\/a><\/td><\/tr><tr><td><strong>Retourner, recadrer, collectionner, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b46b373483e741c8931c5a07a320513f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/organisation\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>agencer<\/a> par <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleur<\/a><br><\/strong><\/td><td>&nbsp;<a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/sperber.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/sperber.jpeg?resize=224%2C300&#038;ssl=1\" width=\"224\" height=\"300\"\/><\/a><\/td><td><i>After The Mona Lisa 2 <\/i>de <strong>Devorah Sperber<\/strong>, 2005, 5184 bobines de fil, cha&icirc;ne &agrave; bille en aluminium et appareils suspendus, sph&egrave;re transparente, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9dac60c2d489bf48815d8727149c738e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/support\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>support<\/a> en acier, 215 x 218 cm, <a href=\"http:\/\/www.devorahsperber.com\/thread_works_index_html_and_2x2s\/mona2.html\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.devorahsperber.com\/thread_works_index_html_and_2x2s\/mona2.html<\/a><\/td><\/tr><tr><td><strong>Collecter, rassembler, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b46b373483e741c8931c5a07a320513f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/organisation\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>agencer<\/a> par <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>couleur<\/a>, trier, coller <\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/perkins.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/perkins.jpeg?resize=290%2C300&#038;ssl=1\" width=\"290\" height=\"300\"\/><\/a><\/td><td><i>Mona Lisa <\/i>de <strong>Jane Perkins<\/strong>, 2013, r&eacute;cup&eacute;ration et recyclage, 80 x 71cm, <a href=\"http:\/\/www.bluebowerbird.co.uk\/plastic2.htm\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.bluebowerbird.co.uk\/plastic2.htm<\/a><\/td><\/tr><tr><td><strong>Tailler, &eacute;vider, creuser<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/viale.jpeg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/viale.jpeg?resize=200%2C300&#038;ssl=1\" width=\"200\" height=\"300\"\/><\/a><\/td><td>\n<p><strong>Fabio Viale, <\/strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>sculpture<\/a> en polystyr&egrave;ne de la<i><em> Joconde,<\/em><\/i> 2012 <a href=\"http:\/\/www.fabioviale.it\/\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.fabioviale.it\/<\/a><\/p>\n<\/td><\/tr><tr><td><strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_a1d5d66abcb04cdd3bafe66ee6797934\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mise-en-scene\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mettre en sc&egrave;ne<\/a> (en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a>), sc&eacute;nographier<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/tadas.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/glossaire\/tadas.jpg?resize=238%2C300&#038;ssl=1\" width=\"238\" height=\"300\"\/><\/a><\/td><td>\n<p><strong>Tadas Cerniauskas, <\/strong><em><span lang=\"fr\">R&eacute;v&eacute;ler la v&eacute;rit&eacute; &ndash; Mona Lisa<\/span><\/em>, 2013, voulant reproduction fid&egrave;le des traits&nbsp;de <em>Mona Lisa<\/em> et effet de trompe-l&rsquo;oeil par rapport <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>portrait<\/a> d&rsquo;origine.<\/p>\n<p>Studio photo : studio <strong>Tadao Cern <\/strong><a href=\"http:\/\/www.tadaocern.com\/\" target=\"_blank\" rel=\"alternate noopener noreferrer\">http:\/\/www.tadaocern.com\/<\/a><\/p>\n<p>Avec toutes les &eacute;tapes de retouche d&rsquo;images : <a href=\"https:\/\/www.behance.net\/gallery\/7395239\/Revealing-The-Truth-Mona-Lisa\" target=\"_blank\" rel=\"alternate noopener noreferrer\">https:\/\/www.behance.net\/gallery\/7395239\/Revealing-The-Truth-Mona-Lisa<\/a><\/p>\n<\/td><\/tr><tr><td><strong>Cadrer, isoler, zoomer<\/strong><\/td><td><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/Mona-Lisa-Blistex-Pub.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/Mona-Lisa-Blistex-Pub.jpg?resize=212%2C300&#038;ssl=1\" width=\"212\" height=\"300\"\/><\/a><\/td><td>\n<p>La marque de baumes &agrave; l&egrave;vres Blistex retire les quelques ger&ccedil;ures de son sourire.<\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5325px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 3251px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 5396px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 230px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 338px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 1076px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 438px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 230px; left: 163px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 214px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 1476px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 550px; left: 18px;\">Enregistrer<\/span><\/p>\n\n\n\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 4504px; left: 173px;\">Enregistrer<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Op\u00e9rations plastiques Verbes d&rsquo;action qu&rsquo;il est possible de mettre en oeuvre dans une r\u00e9alisation bi ou tridimensionnelle. T\u00e9l\u00e9charger cette liste en .docx pour pouvoir la modifier selon les besoins ou en pdf https:\/\/www.profartspla.site\/images\/glossaire\/operationsplastiques_explorer.pdf \u00a0Quelques exemples avec une r\u00e9f\u00e9rence artistique : Reproduire&nbsp; Mona Lisa d&rsquo;Andy Warhol, 1963, acrylique et s\u00e9rigraphie sur toile, 111.8 x 73.7 cm, &hellip; <\/p>\n","protected":false},"author":1,"featured_media":13828,"menu_order":191,"template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-441","glossary","type-glossary","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":7,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/441\/revisions"}],"predecessor-version":[{"id":18630,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/441\/revisions\/18630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/13828"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}