{"id":464,"date":"2017-11-10T18:49:38","date_gmt":"2017-11-10T17:49:38","guid":{"rendered":"https:\/\/www.profartspla.info\/wordpress\/protocole\/"},"modified":"2025-02-02T20:13:20","modified_gmt":"2025-02-02T19:13:20","slug":"protocole","status":"publish","type":"glossary","link":"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/","title":{"rendered":"Protocole"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Protocole<\/a> <\/strong>ou <strong>art protocolaire<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9e42b671e5fbb8d9a820704f5e3a6fa7\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/inspiration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Inspir&eacute;<\/a> par les protocoles scientifiques ou de la recherche, n&eacute; avec l&rsquo;art conceptuel, le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">protocole<\/a> artistique est un ensemble de r&egrave;gles que donne(nt) un ou plusieurs artistes pour r&eacute;aliser leur(s) &oelig;uvre(s). <\/strong><\/span><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><span style=\"font-size: 10pt;\">Synonymes : &laquo;&nbsp;mode d&rsquo;emploi&nbsp;&raquo;, &laquo;&nbsp;marche &agrave; suivre&nbsp;&raquo;, &laquo;&nbsp;recette&nbsp;&raquo;, &laquo;&nbsp;feuille de route&nbsp;&raquo;.<\/span><\/p>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\"><strong>Un padlet en&nbsp;document ressource<\/strong><\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<div class=\"padlet-embed\" style=\"border:1px solid rgba(0,0,0,0.1);border-radius:2px;box-sizing:border-box;overflow:hidden;position:relative;width:100%;background:#F4F4F4\"><p style=\"padding:0;margin:0\"><iframe src=\"https:\/\/padlet.com\/embed\/50jn6jvu16f4\" frameborder=\"0\" style=\"width:100%;height:608px;display:block;padding:0;margin:0\"><\/iframe><\/p><div style=\"padding:8px;text-align:right;margin:0;\"><a href=\"https:\/\/padlet.com?ref=embed\" style=\"padding:0;margin:0;border:none;display:block;line-height:1;height:16px\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/resources.padletcdn.com\/assets\/made_with_padlet.png?resize=86%2C16&#038;ssl=1\" width=\"86\" height=\"16\" style=\"padding:0;margin:0;background:none;border:none;display:inline\" alt=\"Fait avec Padlet\"\/><\/a><\/div><\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\"><u><i>Trois stoppages-&eacute;talon<\/i>&nbsp;<\/u>de&nbsp;Marcel Duchamp, en 1913<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\">S&rsquo;&eacute;loignant de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_cc847c3e99355f6254b6b4540c005d5f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/accident\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">accident<\/a> impromptu, Marcel Duchamp &eacute;tablit un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">protocole<\/a> pr&eacute;cis et scientifique&nbsp;:<br>&laquo;&nbsp;<em>Un fil de un m&egrave;tre tendu &agrave; un m&egrave;tre de hauteur, est l&acirc;ch&eacute; au-dessus d&rsquo;un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b339f2d294723940391ede116b2f9f8a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/plan\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">plan<\/a> horizontal. L&rsquo;op&eacute;ration est accomplie trois fois &agrave; chaque fois, les fils sont coll&eacute;s exactement tels qu&rsquo;ils ont touch&eacute; le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9dac60c2d489bf48815d8727149c738e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/support\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">support<\/a>, sans que leurs m&eacute;andres soient modifi&eacute;s. Le tout est soigneusement conserv&eacute; dans un coffret comme de nouveaux &eacute;talons de mesure qui, s&rsquo;ils pervertissent la rectitude traditionnellement de mise, n&rsquo;en restent pas moins de fid&egrave;les unit&eacute;s du m&egrave;tre&nbsp;<\/em>&raquo;.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"wp-block-paragraph\"><strong>Marcel Duchamp<\/strong> <em><strong>3 stoppages &ndash; &eacute;talon<\/strong><\/em>, <span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt; color: initial;\">1913 \/ 1964<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Fil, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a>, cuir, verre, bois, m&eacute;tal,&nbsp;28 x 129 x 23 cm,&nbsp;<\/span>3 fils d&rsquo;un m&egrave;tre coll&eacute;s sur 3 bandes de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a> peinte Bleu de Prusse, coll&eacute;es sur verre, r&egrave;gles &agrave; fixer, le tout dans un coffre en bois<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt; color: initial;\">Inscriptions :&nbsp;S.D.T. sur une plaque de cuivre grav&eacute;e et clou&eacute;e sur le couvercle du coffre en bois : Marcel Duchamp 1964 Ex.\/ Rrose\/ 3 STOPPAGES-ETALON, 1913-14 \/ EDITION GALERIE SCHWARZ, MILAN<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">D&rsquo;apr&egrave;s la premi&egrave;re r&eacute;alisation &agrave; Paris en 1913-1914, cette r&eacute;plique a &eacute;t&eacute; r&eacute;alis&eacute;e sous la direction de Marcel Duchamp en 1964 par la Galerie Schwarz &agrave; Milan, et dat&eacute;e 1913-1914\/1964<\/span><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/duchamp_2etalons.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/duchamp_2etalons.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.centrepompidou.fr\/fr\/ressources\/oeuvre\/crb5LdB\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.centrepompidou.fr\/fr\/ressources\/oeuvre\/crb5LdB<\/a><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Sol LeWitt : protocoles pour r&eacute;aliser ses dessins muraux.<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/wd45.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/wd45.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Wall Drawing n&deg;45<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Des lignes droites de 25 cm de long, ne se touchant pas, uniform&eacute;ment dispers&eacute;es avec le maximum de densit&eacute;, couvrant toute la surface du mur. Crayon &agrave; la mine noire<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_46.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_46.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Wall Drawing n&deg;46<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Lignes verticales non droites, ne se touchant pas, uniform&eacute;ment dispers&eacute;es avec le maximum de densit&eacute; couvrant toute la surface du mur<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/wd133.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/wd133.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Wall Drawing n&deg;133<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Bandes de lignes parall&egrave;les &eacute;galant en longueur un tiers de la hauteur du mur, de coin &agrave; coin, du haut en bas, d&rsquo;un c&ocirc;t&eacute; &agrave; l&rsquo;autre.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_289.JPG?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_289.JPG?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_289_2.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/sol_lewitt_289_2.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">Wall Drawing n&deg;289 + Wall Drawing n&deg;295<\/span><\/p><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Wall Drawing n&deg;289<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\">Une grille de 15 cm couvrant chacun des quatre murs noirs. Des lignes blanches jusqu&rsquo;&agrave; des points sur les grilles.<\/span><span style='font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif;'> <\/span><\/p><ul><li><span style=\"font-size: 10pt;\">Premier mur : 24 lignes partant du centreSecond mur : 12 lignes partant du milieu de chacun des c&ocirc;t&eacute;sTroisi&egrave;me mur : 12 lignes partant de chaque coinQuatri&egrave;me mur : 24 lignes partant du centre, 12 lignes partant du milieu de chacun des c&ocirc;t&eacute;s, 12 lignes partant de chaque coin. Quatri&egrave;me mur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c018e2e8f3135e1d9e56c981eaa4022b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/composite\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">composite<\/a>.<\/span><\/li><\/ul><p><span style=\"font-size: 10pt;\">La longueur des lignes et leur position sont d&eacute;termin&eacute;es par le dessinateur.<\/span><\/p> \n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/343.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/343.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/massmoca.org\/event\/walldrawing343abcdef\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/massmoca.org\/event\/walldrawing343abcdef\/<\/a><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Wall Drawing n&deg;343<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\">Sur un mur noir, neuf figures g&eacute;om&eacute;triques (y compris un triangle rectangle, une croix, un X) en carr&eacute;s. Les fonds sont remplis en blanc. D&eacute;cembre 1980 Crayon blanc sur mur noir A, B, C, D, E, F (carr&eacute;, cercle, triangle, rectangle, trap&egrave;ze, parall&eacute;logramme) &nbsp;<\/span><\/p>  <span style=\"font-size: 10pt;\"><a rel=\"noopener noreferrer\" href=\"https:\/\/www.sfmoma.org\/artist\/Sol_LeWitt\" target=\"_blank\">https:\/\/www.sfmoma.org\/artist\/Sol_LeWitt<\/a>\/&nbsp;<\/span>\n<\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h3><span style=\"font-size: 10pt\">Un protocole plusieurs r&eacute;alisations<\/span> <span style=\"font-size: 10pt\"><span style=\"font-size: 10pt\"><em><span style=\"text-decoration: underline\">Wall Drawing n&deg;346<\/span><\/em><\/span><\/span><\/h3><\/summary><div class=\"lightweight-accordion-body\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/cartel346.JPG?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/cartel346.JPG?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_fffae49563170d7b91fb8924f0c73be2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dessin\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Dessin<\/a> mural &agrave; r&eacute;aliser <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_a3e9d0d4904f74acde723d1763109164\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/in-situ\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">in situ<\/a> selon les sp&eacute;cifications du certificat et du diagramme.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><span style=\"text-decoration: underline;\"><em>Wall Drawing #346\/A-F<\/em><\/span> (lettre = figure), encre de Chine sur mur blanc. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R&eacute;alis&eacute; pour la premi&egrave;re fois &agrave; l&rsquo;encre de Chine &agrave; la galerie Yvon Lambert &agrave; Paris en f&eacute;vrier 1981 par Laurent Mazarguil, Guy Mazarguil et Sol LeWitt<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/WD346a.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/WD346a.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center wp-block-paragraph\">en 2013 au Centre Pompidou Metz<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/WD346b.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/WD346b.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center wp-block-paragraph\"> 2017 au carr&eacute; d&rsquo;art &agrave; N&icirc;mes, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><span style=\"font-size: 10pt;\">&laquo;&nbsp;<em><strong>A different way to move &ndash; Minimalismes<\/strong><\/em>&nbsp;&raquo; <\/span><span style=\"font-family: inherit; font-weight: inherit; color: initial; font-size: 10pt;\"><a href=\"https:\/\/www.enrevenantdelexpo.com\/2017\/04\/06\/a-different-way-to-move-minimalismes-new-york-1960-1980-carre-dart-nimes\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.enrevenantdelexpo.com\/2017\/04\/06\/a-different-way-to-move-minimalismes-new-york-1960-1980-carre-dart-nimes\/<\/a><\/span><span style=\"font-size: inherit; font-family: inherit; font-weight: inherit; color: initial;\"> <\/span><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/346c.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/346c.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">OuLiPo : exemple de protocole&nbsp;litt&eacute;raire<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\"><i><b>La Disparition<\/b><\/i><\/span>&nbsp;est un&nbsp;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_efa19facfd9edace2348966049f2a15d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/roman\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">roman<\/a>&nbsp;en&nbsp;<strong>lipogramme<\/strong>&nbsp;fran&ccedil;ais (figure de style qui consiste &agrave; produire un texte d&rsquo;o&ugrave; sont d&eacute;lib&eacute;r&eacute;ment exclues certaines lettres) &eacute;crit par&nbsp;<strong>Georges Perec<\/strong>&nbsp;en 1968 et publi&eacute; en&nbsp;1969. Son originalit&eacute; est que, <strong>sur ses 300 pages (variable selon les &eacute;ditions), il ne comporte pas une seule fois la&nbsp;lettre&nbsp;&laquo;&nbsp;<i>e&nbsp;&raquo;<\/i><\/strong>, pourtant la plus utilis&eacute;e d&rsquo;une mani&egrave;re g&eacute;n&eacute;rale dans la langue fran&ccedil;aise.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Exemple pages 60 et 61 :<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">&laquo;&nbsp;<em>L&agrave; o&ugrave; nous vivions jadis, il n&rsquo;y avait ni autos, ni taxis, ni autobus&nbsp;: nous allions parfois, mon cousin m&rsquo;accompagnait, voir Linda qui habitait dans un canton voisin. Mais, n&rsquo;ayant pas d&rsquo;autos, il nous fallait courir tout au long du parcours&nbsp;; sinon nous arrivions trop tard&nbsp;: Linda avait disparu.<\/em><br><em>Un jour vint pourtant o&ugrave; Linda partit pour toujours. Nous aurions d&ucirc; la bannir &agrave; jamais&nbsp;; mais voil&agrave;, nous l&rsquo;aimions. Nous aimions tant son parfum, son air rayonnant, son blouson, son pantalon brun trop long&nbsp;; nous aimions tout.<\/em><br><em>Mais voil&agrave; tout finit&nbsp;: trois ans plus tard, Linda mourut&nbsp;; nous l&rsquo;avions appris par <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_53c1ed4e6f170e205bb3fe9e09e31c64\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/hasard\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">hasard<\/a>, un soir, au cours d&rsquo;un lunch.<\/em>&nbsp;&raquo;<\/span><\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Les premiers syst&egrave;mes de Fran&ccedil;ois Morellet&nbsp;en 1952<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Les &oelig;uvres de Fran&ccedil;ois Morellet sont ex&eacute;cut&eacute;s d&rsquo;apr&egrave;s un syst&egrave;me&nbsp;: chaque choix est d&eacute;fini par un principe &eacute;tabli par avance. Il veut par l&agrave; donner l&rsquo;impression de contr&ocirc;ler la cr&eacute;ation artistique tout en laissant une part de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_53c1ed4e6f170e205bb3fe9e09e31c64\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/hasard\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">hasard<\/a>, ce qui donne un tableau impr&eacute;visible. Il utilise des formes simples, un petit nombre de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> en <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5288ccb0fa3e979b38a2b1f4479e5ce2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aplat\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">aplats<\/a>, et des compositions &eacute;l&eacute;mentaires (juxtaposition, superposition, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_53c1ed4e6f170e205bb3fe9e09e31c64\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/hasard\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">hasard<\/a>, interf&eacute;rence, fragmentation). Il cr&eacute;e ainsi ses premi&egrave;res &nbsp;&raquo;&nbsp;trames&nbsp;&raquo;, des r&eacute;seaux de lignes parall&egrave;les noires superpos&eacute;es selon un ordre d&eacute;termin&eacute; qui recouvrent toute la surface des tableaux.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Ces syst&egrave;mes rappellent les structures propos&eacute;es par l&rsquo;<strong>Oulipo (Ouvroir de Litt&eacute;rature Potentielle)<\/strong> et d&eacute;crites par<strong> Raymond Queneau<\/strong>&nbsp;:&nbsp;<em>&laquo;&nbsp;Quel est le but de nos travaux&nbsp;? Proposer aux &eacute;crivains de nouvelles &laquo;&nbsp;structures&nbsp;&raquo;, de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b7c8487082afb5b641ff9c4857ae007\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nature\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">nature<\/a> math&eacute;matique, ou bien encore inventer de nouveaux proc&eacute;d&eacute;s artificiels ou m&eacute;caniques, contribuant &agrave; l&rsquo;activit&eacute; litt&eacute;raire&nbsp;&raquo;<\/em>.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Par la suite, Fran&ccedil;ois Morellet va continuer &agrave; utiliser des syst&egrave;mes bas&eacute;s sur un univers math&eacute;matique.<\/span><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/morellet2.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/morellet2.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/morellet.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/morellet.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong><em><span style=\"text-decoration: underline;\">40 000 carr&eacute;s,<\/span><\/em><\/strong> 1971, 8 <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_81359fc3279519ddad035a9392543903\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serigraphie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">s&eacute;rigraphies<\/a>, 80 x 80 cm Chaque &Eacute;dition : Denise Ren&eacute;, Paris, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Atelier<\/a> de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> et&nbsp;<a rel=\"noopener noreferrer\" href=\"https:\/\/www.moma.org\/collection\/works\/105479\" target=\"_blank\">https:\/\/www.moma.org\/collection\/works\/105479<\/a><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <\/p><p><span style=\"font-size: 10pt;\"><strong><em><span style=\"text-decoration: underline;\">R&eacute;partition <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_eb83ff664585f7a028af2dd2bf6e2613\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aleatoire\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">al&eacute;atoire<\/a> de 40&nbsp;000 carr&eacute;s suivant les chiffres pairs et impairs d&rsquo;un annuaire de t&eacute;l&eacute;phone, 50% bleu, 50% rouge<\/span><\/em><\/strong>, 1963<\/span><br><span style=\"font-size: 10pt;\">Papier mural s&eacute;rigraphi&eacute;, ampoule &eacute;lectrique<\/span>. <span style=\"font-size: 10pt;\">R&eacute;installations, Centre Pompidou, 2011.&nbsp;En 1958, Morellet d&eacute;couvre&nbsp;<strong>les grilles<\/strong>&nbsp;<strong>r&eacute;guli&egrave;res mais accident&eacute;es des&nbsp;<span style=\"text-decoration: underline;\"><em>Duo-collages<\/em><\/span><\/strong>&nbsp;que <strong>Sophie Taeuber-Arp et Hans Arp<\/strong> r&eacute;alisaient en 1918, sectionnant, au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_53c1ed4e6f170e205bb3fe9e09e31c64\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/hasard\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">hasard<\/a>, des rectangles qui viennent rompre l&rsquo;uniformit&eacute; de leurs &laquo;&nbsp;compositions &eacute;l&eacute;mentaires&nbsp;&raquo;.Morellet con&ccedil;oit alors sa premi&egrave;re pi&egrave;ce &laquo;&nbsp;selon les lois du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_53c1ed4e6f170e205bb3fe9e09e31c64\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/hasard\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">hasard<\/a>&nbsp;&raquo;,&nbsp;<span style=\"text-decoration: underline;\"><strong><em>R&eacute;partition <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_eb83ff664585f7a028af2dd2bf6e2613\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aleatoire\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">al&eacute;atoire<\/a> de triangles suivant les chiffres pairs et impairs d&rsquo;un annuaire t&eacute;l&eacute;phonique.<\/em><\/strong><\/span><\/span><br><span style=\"font-size: 10pt;\">En d&eacute;coule la r&eacute;alisation ult&eacute;rieure des&nbsp;<strong><span style=\"text-decoration: underline;\"><em>40&nbsp;000 carr&eacute;s<\/em><\/span><\/strong>, r&eacute;alis&eacute;e pour la IIIe <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3389dade24b8ab5fbfa18c43f55785ee\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/biennale\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Biennale<\/a> de Paris, au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Mus&eacute;e<\/a> d&rsquo;art moderne de la Ville de Paris, en 1963.Si l&rsquo;intention consiste &agrave; vouloir brouiller les rep&egrave;res visuels du visiteur d&egrave;s son entr&eacute;e dans l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, le principe (<strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">protocole<\/a><\/strong>) en est simple&nbsp;:&nbsp;<strong>partir d&rsquo;une grille r&eacute;guli&egrave;re de carr&eacute;s<\/strong>, de cases autrement dit,&nbsp;<strong>et d&rsquo;un choix arbitraire de deux <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a><\/strong>. En demandant &agrave; ses proches de lui dicter les chiffres de l&rsquo;annuaire, l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> coche ses cases<strong>&nbsp;selon que la fin du num&eacute;ro de t&eacute;l&eacute;phone est paire ou impaire<\/strong>&nbsp;; il n&rsquo;y a plus qu&rsquo;&agrave; remplir les cases coch&eacute;es d&rsquo;une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a>, les cases vides de l&rsquo;autre. Le principe &agrave; la fois num&eacute;rique et binaire pr&eacute;figure bien des &oelig;uvres que les artistes des d&eacute;cennies &agrave; venir obtiendront de leurs ordinateurs en agrandissant les pixels.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>R&eacute;partition <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_eb83ff664585f7a028af2dd2bf6e2613\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aleatoire\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">al&eacute;atoire<\/a> de carr&eacute;s<\/strong> <\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">&laquo; <em>En 1960, apr&egrave;s plusieurs ann&eacute;es de travail sur les trames superpos&eacute;es en noir et blanc, j&rsquo;ai eu un grand d&eacute;sir d&rsquo;utiliser la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> [&hellip;] C&rsquo;est pourquoi j&rsquo;avais choisi la solution suivante : sur un tableau de 1 x 1 m, je tra&ccedil;ais 200 lignes horizontales et 200 lignes verticales, formant ainsi 40 000 carr&eacute;s de 5 mm de c&ocirc;t&eacute;. J&rsquo;avais opt&eacute; pour une suite de chiffres, en l&rsquo;occurrence l&rsquo;annuaire du t&eacute;l&eacute;phone, et demandai &agrave; ma femme et &agrave; mes enfants de me les lire. &Agrave; chaque carr&eacute; &eacute;tait attribu&eacute; un chiffre. Si ce chiffre &eacute;tait pair, je faisais une croix, s&rsquo;il &eacute;tait impair, je ne faisais rien. Quand ce travail fut termin&eacute;, j&rsquo;avais &agrave; peu pr&egrave;s 20 000 carr&eacute;s avec une croix et 20 000 carr&eacute;s sans croix. Il ne me restait plus qu&rsquo;&agrave; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peindre<\/a> au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f9070c026db1e48a0f49dcd468ee634f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pinceau\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pinceau<\/a> les carr&eacute;s avec une croix d&rsquo;une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> (bleu) et les carr&eacute;s sans croix de l&rsquo;autre <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> (rouge). Ce travail s&rsquo;&eacute;tendit sur un an environ.<\/em> &raquo;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><a rel=\"noopener noreferrer\" href=\"http:\/\/mba.caen.fr\/sites\/default\/files\/morellet.pdf\" target=\"_blank\">http:\/\/mba.caen.fr\/sites\/default\/files\/morellet.pdf<\/a><\/span><\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\"><span style=\"text-decoration: underline\"><em>Instructions paintings<\/em><\/span> de Yoko Ono en 1961<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.moma.org\/audio\/playlist\/15\/371\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.moma.org\/audio\/playlist\/15\/371<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">En d&eacute;cembre 1960, Yoko Ono loue un loft au 112 Chambers Street &agrave; New York. Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">lieu<\/a> est un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">atelier<\/a> mais aussi un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espace<\/a> sommairement <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_8ef8ff049713a60ac6c8e21de38ccfa6\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">am&eacute;nag&eacute;<\/a> dans lequel <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_abbbe7fa6b145bfec04962acf8a7cb9a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pendant\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pendant<\/a> plus de six mois, avec le compositeur La Monte Young, elle pr&eacute;sente de nombreux events d&rsquo;artistes, musiciens, danseurs et compositeurs. Ces &oelig;uvres m&ecirc;lent musique, art visuel et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3473edad16a665ecf302deee381c4cac\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/performance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">performance<\/a>, et brouillent les distinctions traditionnelles. Ces &laquo; concerts &raquo; accueillent un public nombreux parmi lequel John Cage, Marcel Duchamp, Henry Flynt, Simone Forti, Peggy Guggenheim, Jasper Johns, George Maciunas, Robert Rauschenberg&hellip; <\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Mais, c&rsquo;est en &eacute;t&eacute; 1961 qu&rsquo;elle r&eacute;alise sa premi&egrave;re <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> personnelle &agrave; l&rsquo;AG Gallery de New York &agrave; l&rsquo;invitation de George Maciunas, architecte, designer et co-directeur de la galerie. &Agrave; cette occasion, elle y expose des &oelig;uvres connues sous le nom de &laquo; <strong><em><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a> instructions<\/em><\/strong> &raquo;. <strong>L&rsquo;instruction est un texte, un po&egrave;me, une indication &eacute;crite ou orale, qui existe pr&eacute;alablement &agrave; la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> et qui peut emprunter diverses formes et supports : <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a>, films, performances, events&hellip; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_abbbe7fa6b145bfec04962acf8a7cb9a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pendant\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pendant<\/a> l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, Yoko Ono transmet verbalement ses instructions, ou elle utilise des cartes manuscrites invitant le visiteur &agrave; compl&eacute;ter l&rsquo;&oelig;uvre, rendant le r&eacute;sultat impr&eacute;visible. Elle souhaite que ses instructions soient r&eacute;alis&eacute;es par qui le souhaite. La premi&egrave;re de ses instructions remonte &agrave; 1953. Disparues &agrave; l&rsquo;issue de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, ces &laquo; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a> instructions &raquo; ont &eacute;t&eacute; refaites en 2015.<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> est &eacute;galement tr&egrave;s connue pour ses performances utilisant son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">corps<\/a> comme <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">m&eacute;dium<\/a> (art corporel, body art) : <\/strong>En 1964, alors &acirc;g&eacute;e de 31 ans,&nbsp;elle produit un&nbsp;<em><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_34214fec9a9899e5a036a781fc60b178\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/happening\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">happening<\/a><\/em>&nbsp;au Japon : <em><span style=\"text-decoration: underline;\">Cut Piece<\/span><\/em>, d&eacute;non&ccedil;ant le regard port&eacute; sur les femmes, femmes objet, ici offerte aux d&eacute;sirs des visiteurs.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Dans cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3473edad16a665ecf302deee381c4cac\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/performance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">performance<\/a> de&nbsp;<em>body art<\/em>, Yoko Ono se&nbsp;met en sc&egrave;ne immobile face &agrave; un public. Elle demande &agrave; l&rsquo;assistance de venir un par un, d&eacute;couper un morceau de ses v&ecirc;tements. A ce moment, les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">m&eacute;dias<\/a> et les critiques d&rsquo;art sont &eacute;merveill&eacute;s par l&rsquo;audace de cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3473edad16a665ecf302deee381c4cac\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/performance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">performance<\/a>. Elle ne bouge pas et se laisse totalement faire face aux diff&eacute;rentes personnes qui viennent lui couper ses v&ecirc;tements.&nbsp;A l&rsquo;approche de la fin, les participants coupent des morceaux de tissus de plus en plus gros.<\/span><\/p>\n\n\n\n<div align=\"center\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bU4tCw2u_hg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Son livre &laquo;&nbsp;<a rel=\"noopener noreferrer\" href=\"http:\/\/www.lmda.net\/din\/tit_lmda.php?Id=19247\" target=\"_blank\">Grapefruit<\/a>&nbsp;&raquo; est publi&eacute; en 1964. Il est le recueil de ses Instructions Paintings : <\/strong>&laquo;&nbsp;<i>OEUVRE CHIFFRE 1. Comptez tous les mots du livre\/ plut&ocirc;t que de les lire.&nbsp;OEUVRE RIRE. Riez durant une semaine. OEUVRE CONCERT. Lorsque le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_927b6171b476d01c08e294ba39dbc593\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/rideaux\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">rideau<\/a> se l&egrave;ve, allez vous cacher\/ et attendez que tout le monde soit parti.\/ Montrez-vous et jouez. OEUVRE SANG. Utilisez votre sang pour <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peindre<\/a>.\/ Peignez jusqu&rsquo;&agrave; vous &eacute;vanouir. (a)\/ Peignez jusqu&rsquo;&agrave; ce que mort s&rsquo;en suive. (b). OEUVRE HORLOGE. Avancez les horloges du monde entier de\/ deux secondes sans que personne ne le\/ sache&nbsp;&raquo;.<\/i><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong><a href=\"https:\/\/www.profartspla.site\/images\/lycee\/peintures_instructionsYokoONO.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/images\/lycee\/peintures_instructionsYokoONO.pdf<\/a><\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><em>sources : MAC de Lyon<\/em><\/span><\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\"><span style=\"text-decoration: underline\"><em>Sentences on Conceptual Art<\/em><\/span> de Sol LeWitt en 1968<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Entre 1967 et 1969, il r&eacute;dige ses deux textes fondamentaux,&nbsp;<em>Paragraphs on Conceptual Art<\/em>&nbsp;et&nbsp;<em>Sentences on Conceptual Art<\/em>, dans lesquels il explique que <strong>l&rsquo;&oelig;uvre ne doit &ecirc;tre qu&rsquo;une illustration de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ce42e1755fa3135f5a01873f6de9b2f6\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/idee\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">id&eacute;e<\/a><\/strong>. Pourtant, si la r&eacute;alisation mat&eacute;rielle des mod&egrave;les th&eacute;oriques de Sol LeWitt peut appara&icirc;tre secondaire, il y a toujours la n&eacute;cessit&eacute; d&rsquo;une traduction visuelle. En cela, sa <strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e058854322178b584e908ef8a1f996e9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/demarche\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">d&eacute;marche<\/a> rel&egrave;ve bien d&rsquo;une pratique minimale induisant la confrontation du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> avec l&rsquo;&oelig;uvre mat&eacute;rielle<\/strong>. Reste que <strong>le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_906c1d5c0c2747756575b56588385d79\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/planche-de-projet\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">projet<\/a> se dissocie de sa r&eacute;alisation<\/strong> &ndash; l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, d&rsquo;ailleurs, la confie volontiers &agrave; des ex&eacute;cutants ; l&rsquo;&oelig;uvre se r&eacute;duit parfois &agrave; un simple texte d&eacute;crivant les op&eacute;rations n&eacute;cessaires &agrave; son &eacute;laboration.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"images\/lycee\/SolLeWitt\/CONCEPTotal.gif\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/SolLeWitt\/CONCEPTotal.gif?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\"><span style=\"text-decoration: underline\"><i>Lines in Four Directions in Flowers<\/i>&nbsp;<\/span>de Sol LeWitt en 2012 : protocole v&eacute;g&eacute;tal<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/PMA_SLW.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/PMA_SLW.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.philamuseum.org\/exhibitions\/770.html?page=2\" target=\"_blank\">https:\/\/www.philamuseum.org\/exhibitions\/770.html?page=2<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.sculpturenature.com\/sol-lewitt-monumental\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.sculpturenature.com\/sol-lewitt-monumental\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">L&rsquo;&oelig;uvre install&eacute;e depuis 2012 &agrave; Philadelphie (Etat de Pennsylvanie, Etats-Unis) initialement install&eacute;e pour deux ans,&nbsp;est &agrave; la crois&eacute;e du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_57a0bf0954404044393aa84c3e29ef2f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/jardin\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">jardin<\/a> &agrave; la fran&ccedil;aise et de l&rsquo;art minimaliste.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Con&ccedil;ue par LeWitt en 1981 suite &agrave; une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3ffd064ca023e29b6390b27280eb52a2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/commande\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">commande<\/a> du Fairmount Park Art Association (aujourd&rsquo;hui l&rsquo;Association for Public Art de Philadelphie),&nbsp;<span style=\"text-decoration: underline;\"><em>Lines in Four Directions in Flowers<\/em><\/span>&nbsp;a finalement &eacute;t&eacute; install&eacute;e trente ans plus tard par le Philadelphia Museum of Art (PMA) &agrave; l&rsquo;emplacement initialement pr&eacute;vu par l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, &agrave; c&ocirc;t&eacute; du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_57a0bf0954404044393aa84c3e29ef2f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/jardin\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">jardin<\/a> de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a> du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mus&eacute;e<\/a>.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Si l&rsquo;&oelig;uvre est structur&eacute;e selon un sch&eacute;ma g&eacute;om&eacute;trique tr&egrave;s pr&eacute;cis, caract&eacute;ristique du travail de LeWitt, ce qui &eacute;tonne, c&rsquo;est le mat&eacute;riau choisi pour la mettre en &oelig;uvre&nbsp;: le v&eacute;g&eacute;tal et tout ce qu&rsquo;il implique d&rsquo;inattendu et d&rsquo;incontr&ocirc;lable.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_857af9971a5a9103e702dc9d19f17f85\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/installation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">installation<\/a>, qui investit un p&eacute;rim&egrave;tre de 1600 m2, est en effet compos&eacute;e de quatre parterres carr&eacute;s de dimensions identiques mais de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> et de motifs diff&eacute;rents, rendus visibles par plus de sept mille plantations de fleurs et plantes vivaces. Pour d&eacute;crire son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_906c1d5c0c2747756575b56588385d79\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/planche-de-projet\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">projet<\/a>, LeWitt ne donnera que les instructions suivantes :<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><em>&ldquo;Planter des fleurs de quatre <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> diff&eacute;rentes (blanc, jaune, rouge et bleu) sur quatre parterres rectangulaires de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">taille<\/a> &eacute;gale, selon quatre axes (vertical, horizontal, diagonal droit et diagonal gauche), entour&eacute;s de haies vivaces d&rsquo;environ 60 cm de hauteur. En hiver les rang&eacute;es garderont leur orientation lin&eacute;aire&nbsp;; en &eacute;t&eacute; les fleurs apporteront la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a>. Un botaniste sera charg&eacute; du choix des plantes, de leur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">taille<\/a>,&nbsp;de leur espacement, ainsi que des d&eacute;tails quant &agrave; leur plantation, et leur entretien sera confi&eacute; &agrave; un jardinier.&nbsp;&raquo;<\/em><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">L&rsquo;interpr&eacute;tation et l&rsquo;ex&eacute;cution de ces instructions pour le moins minimales et du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_fffae49563170d7b91fb8924f0c73be2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dessin\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">dessin<\/a> qui les accompagne ont &eacute;t&eacute; ainsi confi&eacute;es &agrave;&nbsp;un bureau de paysagistes am&eacute;ricains.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Afin de rester au plus pr&egrave;s des intentions de LeWitt, les paysagistes, en <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_776e3ff4048acbfcef40ffc27f43fe3a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collaboration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">collaboration<\/a> avec l&rsquo;&eacute;quipe du PMA, ont choisi d&rsquo;utiliser un algorithme informatique leur permettant de s&eacute;lectionner et d&rsquo;ordonner les fleurs &agrave; planter selon leur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a>, leur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">taille<\/a> et leur p&eacute;riode de floraison. Ils expliquent ce choix&nbsp;:<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><em>&ldquo;Pour cette &oelig;uvre, l&rsquo;application des r&egrave;gles strictes d&rsquo;un algorithme nous semblait en accord parfait avec la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_49c308394f98c07816c863837e340db9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/notion\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">notion<\/a> d&rsquo;art conceptuel de LeWitt et particuli&egrave;rement adapt&eacute;e &agrave; la cr&eacute;ation de variantes au sein d&rsquo;une structure rigide.&nbsp;&raquo;<\/em><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">La liste des plantes choisies ainsi qu&rsquo;une reproduction du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_fffae49563170d7b91fb8924f0c73be2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dessin\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">dessin<\/a> de LeWitt pour ce <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_906c1d5c0c2747756575b56588385d79\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/planche-de-projet\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">projet<\/a> et les images de sa r&eacute;alisation sont disponibles sur le site du&nbsp;<a rel=\"noopener noreferrer\" href=\"http:\/\/www.philamuseum.org\/exhibitions\/770.html?page=2\" target=\"_blank\">Philadelphia Museum Art<\/a>.&nbsp;<\/span><\/p>\n\n\n\n<div align=\"center\"><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UDSf-ydl2zg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Les propositions de Lawrence Weiner en 1969<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">C&rsquo;est en 1968 que le travail de Lawrence Weiner conna&icirc;t un tournant d&eacute;cisif&nbsp;: lors d&rsquo;une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> &agrave; la Siegelaub Gallery, il d&eacute;cide de ne montrer que&nbsp;<strong><em>Statements<\/em>&nbsp;[&Eacute;nonc&eacute;s]<\/strong>, un <strong>livre compilant une suite de propositions sculpturales &agrave; r&eacute;aliser mentalement<\/strong>. D&egrave;s lors, toutes les propositions de Lawrence Weiner se fondent sur cette d&eacute;claration d&rsquo;intention de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, publi&eacute;e en 1969&nbsp;: <\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><em><strong>&laquo;&nbsp;L&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> peut r&eacute;aliser la pi&egrave;ce&nbsp;; la pi&egrave;ce peut &ecirc;tre r&eacute;alis&eacute;e (par quelqu&rsquo;un d&rsquo;autre)&nbsp;; la pi&egrave;ce peut ne pas &ecirc;tre r&eacute;alis&eacute;e. Chaque proposition &eacute;tant &eacute;gale et en accord avec l&rsquo;intention de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, le choix d&rsquo;une des conditions de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a> rel&egrave;ve du r&eacute;cepteur &agrave; l&rsquo;occasion de la r&eacute;ception&nbsp;&raquo;.<\/strong><\/em><\/span><br><span style=\"font-size: 10pt;\">Les trois possibilit&eacute;s de r&eacute;alisation de l&rsquo;&oelig;uvre sont ainsi d&eacute;clar&eacute;es &eacute;quivalentes par l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> qui affirme par ailleurs que la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f8dbc9f6eccb3352a10e07ea58f77c2d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/construction-de-limage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">construction<\/a> de l&rsquo;&oelig;uvre d&eacute;pend intrins&egrave;quement de sa r&eacute;ception, donc de son contexte.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">&Agrave; partir des ann&eacute;es 1970, le travail de Lawrence Weiner consiste essentiellement &agrave; produire des <strong>installations murales&nbsp;<\/strong>: des mots peints sur les murs (de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espace<\/a> d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> ou de la ville) qui d&eacute;crivent des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a> potentielles. Les&nbsp;<em>Statements<\/em>&nbsp;de Lawrence Weiner formulent des &eacute;nonc&eacute;s dans un langage neutre, qui va devenir un trait stylistique remarquable de son travail&nbsp;: typographie caract&eacute;ristique (lettrage b&acirc;ton en capitales) dispos&eacute;e en blocs, avec une coupure arbitraire des lignes et une exploration syst&eacute;matique de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a>, de la traduction et des signes de ponctuation (parenth&egrave;se, tiret, barre oblique). L&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> nommera ensuite ses travaux&nbsp;<strong><span style=\"text-decoration: underline;\"><em>Works<\/em><\/span><\/strong>&nbsp;pour affirmer leur statut de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a>.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Lawrence Weiner a &eacute;galement produit plus d&rsquo;une centaine de <strong>livres d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a><\/strong> qui ont pris la place du catalogue pour la majorit&eacute; de ses expositions. Ces livres d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> ont particip&eacute; au renouvellement complet du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_322d897d803ab6086c294b1eb34c3f9d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/genre\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">genre<\/a> qui, jusque-l&agrave;, se cantonnait g&eacute;n&eacute;ralement &agrave; l&rsquo;illustration par un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> d&rsquo;un texte po&eacute;tique. Dans les ann&eacute;es 1960, le livre est envisag&eacute; par la g&eacute;n&eacute;ration conceptuelle comme une &oelig;uvre &agrave; part enti&egrave;re, susceptible d&rsquo;&ecirc;tre diffus&eacute; en grand nombre, allant &agrave; l&rsquo;encontre du caract&egrave;re unique et pr&eacute;cieux de l&rsquo;&oelig;uvre d&rsquo;art.<\/span><br><span style=\"font-size: 10pt;\">Outre ses livres et interventions dans l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espace<\/a> public, Lawrence Weiner a r&eacute;alis&eacute; plusieurs <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_902963888354dd45f17ddba76193abbc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/multiple\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">multiples<\/a>, g&eacute;n&eacute;ralement des objets du quotidien (parapluie, briquet, T-shirt, badge, etc.) qui se font &agrave; leur tour supports de ses &eacute;nonc&eacute;s et en perp&eacute;tuent la diffusion.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mariangoodman.com\/artists\/70-lawrence-weiner\/\">https:\/\/www.mariangoodman.com\/artists\/70-lawrence-weiner\/<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner1.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner1.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner2.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner2.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner3.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/weiner3.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Le protocole de Roman Opalka&nbsp;de&nbsp;<span style=\"text-decoration: underline\"><em>1965\/1 &ndash; &infin;<\/em><\/span><\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><span style=\"font-size: 10pt;\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_efa19facfd9edace2348966049f2a15d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/roman\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Roman<\/a> Opalka<\/strong>,&nbsp;<em>1965\/1 &ndash; &infin;, d&eacute;tails 2075998, 2081397, 2083115, 4368225, 4513817, 4826550, 5135439 et 5341636<\/em>, Autoportraits, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">s&eacute;rie<\/a> photographique noire blanc sur papier, 24 x 30,50 cm. <a href=\"http:\/\/collection.fraclorraine.org\/collection\/show\/761?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Collection du FRAC Lorraine&nbsp;<\/a>: &Eacute;dition limit&eacute;e, 298 exemplaires num&eacute;rot&eacute;s et sign&eacute;s : 50 autoportraits pr&eacute;sent&eacute;s dans un coffret, 24 x 30 cm, 2008<\/span><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/frises\/opalka.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/frises\/opalka.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><span style=\"color: #000000; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3a81c03419b3410324fd4376f485f343\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/photographie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Photographie<\/a> noir et blanc sur papier, 24 x 30,5 cm. &laquo;&nbsp;<em>&hellip; ce que je nomme mon <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_75df9a0ebc744144b2e744e371ee7872\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/autoportrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">autoportrait<\/a>, est compos&eacute; de milliers de jours de travail. Chacun d&rsquo;eux correspond au nombre et au moment pr&eacute;cis o&ugrave; je me suis arr&ecirc;t&eacute; de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peindre<\/a> apr&egrave;s une s&eacute;ance de travail. &nbsp;&raquo; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_efa19facfd9edace2348966049f2a15d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/roman\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Roman<\/a> Opalka<span style=\"font-size: 10pt;\">&nbsp;<\/span><\/em><\/span><\/p>\n\n\n\n<p><span style=\"font-size: 10pt;\"><strong>Site officiel de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> <\/strong>:&nbsp;<a href=\"http:\/\/www.opalka1965.com\/fr\/index_fr.php\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.opalka1965.com\/fr\/index_fr.php<\/a><\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Programme (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">protocole<\/a>) de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e058854322178b584e908ef8a1f996e9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/demarche\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">d&eacute;marche<\/a> : OPALKA 1965\/1-&infin;<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Ma proposition fondamentale, programme de toute ma vie, se traduit dans un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_03eb3cebdf780c7bab93e53215c40f8c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/processus\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">processus<\/a> de travail enregistrant une progression qui est &agrave; la fois un document sur le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">temps<\/a> et sa d&eacute;finition. Une seule date, 1965, celle &agrave; laquelle j&rsquo;ai entrepris mon premier D&eacute;tail.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Chaque <strong><em><span style=\"text-decoration: underline;\">D&eacute;tail<\/span><\/em><\/strong>&nbsp;(nom de ses <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toiles<\/a> peintes) appartient &agrave; une totalit&eacute; d&eacute;sign&eacute;e par cette date, qui ouvre le signe de l&rsquo;infini, et par le premier et le dernier nombre port&eacute;s sur la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a>. J&rsquo;inscris la progression num&eacute;rique &eacute;l&eacute;mentaire de 1 &agrave; l&rsquo;infini sur des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toiles<\/a> de m&ecirc;me dimensions, 196 sur 135 centim&egrave;tres (hormis les &laquo;&nbsp;cartes de voyage&nbsp;&raquo;), &agrave; la main, au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f9070c026db1e48a0f49dcd468ee634f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pinceau\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pinceau<\/a> (de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">taille<\/a> toujours identique &laquo;&nbsp;no z&eacute;ro&nbsp;&raquo; afin de veiller &agrave; la dimension graphique et &agrave; la lisibilit&eacute; peinte des nombres), en blanc, <strong>sur un fond recevant depuis 1972 chaque fois environ 1 % de blanc suppl&eacute;mentaire<\/strong>. <strong>Arrivera donc le moment o&ugrave; je peindrai en blanc sur blanc.<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Depuis 2008, je peins en blanc sur fond blanc, c&rsquo;est ce que j&rsquo;appelle le &laquo;&nbsp;blanc m&eacute;rit&eacute;&nbsp;&raquo;. Apr&egrave;s chaque s&eacute;ance de travail dans mon <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">atelier<\/a>, je prends la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3a81c03419b3410324fd4376f485f343\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/photographie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">photographie<\/a> de mon visage devant le <em><span style=\"text-decoration: underline;\">D&eacute;tail<\/span><\/em> en cours. Chaque <em><span style=\"text-decoration: underline;\">D&eacute;tail<\/span> <\/em>s&rsquo;accompagne d&rsquo;un enregistrement sur bande magn&eacute;tique de ma voix pronon&ccedil;ant les nombres (en polonais) <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_abbbe7fa6b145bfec04962acf8a7cb9a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pendant\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pendant<\/a> que je les inscris.<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><strong>Pour que tout soit identique, m&ecirc;me si son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">atelier<\/a> change de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">lieu<\/a>, il garde des traces avec des mesures de son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_4bd30f6e4a396194e920d0108e158791\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cadre\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">cadre<\/a> de travail :<\/strong><\/span><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/atelier_opalka.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/atelier_opalka.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le 6 ao&ucirc;t 2011 (jour de son d&eacute;c&egrave;s), <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_efa19facfd9edace2348966049f2a15d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/roman\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Roman<\/a> Opalka a achev&eacute; son oeuvre : &laquo;&nbsp;le fini d&eacute;fini par le non fini&nbsp;&raquo;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2017\/11\/www.opalka1965.com_images_lastNumber.jpg?w=925&#038;ssl=1\" alt=\"Roman Opalka last number\" class=\"wp-image-2301\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Fondu au blanc   Roman Opalka\" width=\"925\" height=\"694\" src=\"https:\/\/www.youtube.com\/embed\/d74VqgiRbMM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Le protocole d&rsquo;On Kawara en 1966<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\"><strong><em>&laquo;&nbsp;Today&nbsp;&raquo; Series<\/em> <\/strong><\/span>(<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">S&eacute;rie<\/a> &laquo;&nbsp;Aujourd&rsquo;hui&nbsp;&raquo;) d&rsquo;<strong>On Kawara<\/strong><\/span><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/kawara.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/kawara.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\">Liquitex sur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">carton<\/a>, journal de 25,8 x 33,3 x 4,3 cm. Inscriptions : S.R. sur la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a> : ON KAWARA. 2 &eacute;l&eacute;ments : la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> est conserv&eacute;e dans une bo&icirc;te en <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">carton<\/a> dont le fond est recouvert par une coupure du &laquo;&nbsp;New York Times&nbsp;&raquo; dat&eacute; Thursday, August 14, 1975. <\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Les trois &oelig;uvres de cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">s&eacute;rie<\/a> datent des 14, 15 et 16 ao&ucirc;t 1975&nbsp;; elles sont accompagn&eacute;es de coupures du&nbsp;<em>New York Times<\/em>&nbsp;plac&eacute;es au fond d&rsquo;une bo&icirc;te en <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_374627e32e0f970f9aa2876ff3b0ec62\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/carton\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">carton<\/a>, qui permettent d&rsquo;en situer le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">lieu<\/a> de cr&eacute;ation&nbsp;; enfin, elles portent en sous-titre le jour de la semaine o&ugrave; elles ont &eacute;t&eacute; ex&eacute;cut&eacute;es.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/kawara2.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/kawara2.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Issu d&rsquo;une pratique syst&eacute;matique reposant sur le marquage du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">temps<\/a> (le plus souvent quotidien), le travail d&rsquo;On Kawara se d&eacute;cline en s&eacute;ries. La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">s&eacute;rie<\/a> de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a> de dates (qui se r&eacute;f&egrave;rent au jour de cr&eacute;ation de l&rsquo;&oelig;uvre) intitul&eacute;e <strong><em>Today Series<\/em><\/strong>, commenc&eacute;e en 1966 et se poursuivant jusqu&rsquo;&agrave; aujourd&rsquo;hui, est par d&eacute;finition la plus longue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chaque <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a> de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">s&eacute;rie<\/a> est m&eacute;ticuleusement peinte &agrave; la main, les nombreuses couches du fond <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6c36cad66cd7c0843a834e380e6b957e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monochrome\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monochrome<\/a> &eacute;tant recouvertes d&rsquo;aussi nombreuses couches blanches pour l&rsquo;&eacute;criture de la date, si bien que toute trace de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_f9070c026db1e48a0f49dcd468ee634f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pinceau\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pinceau<\/a> est effac&eacute;e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il trace &agrave; la main et &agrave; la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> blanche sur la surface mate parfaitement <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6c36cad66cd7c0843a834e380e6b957e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monochrome\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monochrome<\/a> de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a>, les chiffres et lettres de la date &agrave; laquelle il r&eacute;alise ce tableau, dans la langue du pays o&ugrave; il se trouve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>G&eacute;n&eacute;ralement r&eacute;alis&eacute;e la nuit, en huit heures environ, elle est d&eacute;truite si, pour une raison ou une autre, l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> ne l&rsquo;a pas achev&eacute;e le jour m&ecirc;me.<\/strong> Comme chez Hanne Darboven et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_efa19facfd9edace2348966049f2a15d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/roman\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Roman<\/a> Opalka, dans ce <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_906c1d5c0c2747756575b56588385d79\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/planche-de-projet\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">projet<\/a> obsessionnel, m&eacute;ticuleux, fastidieux, ce sont les infimes variations de d&eacute;tail et l&rsquo;ampleur visuelle d&eacute;termin&eacute;e par <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5d5a3d31953609faf7920057ef25ee33\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/accum\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">accumulation<\/a> qui le distingue d&rsquo;un simple comptage m&eacute;canique, autodestructeur et imperceptible du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">temps<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.centrepompidou.fr\/cpv\/resource\/cLrG6dK\/rKa8Bpz\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.centrepompidou.fr\/cpv\/resource\/cLrG6dK\/rKa8Bpz<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/i-ac.eu\/fr\/collection\/130_today-ON-KAWARA-2000\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/i-ac.eu\/fr\/collection\/130_today-ON-KAWARA-2000<\/a><\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><h2><span style=\"font-size: 10pt\">Le protocole de Claude Rutault en 1973<\/span><\/h2><\/summary><div class=\"lightweight-accordion-body\">\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">En 1973, il en arrive &agrave; &eacute;tablir un sch&eacute;ma op&eacute;rationnel,&nbsp;<strong><em>une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toile<\/a> tendue sur <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_d834dab3549b63f9fa155754d5cb1158\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/chassis\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">ch&acirc;ssis<\/a> peinte de la m&ecirc;me <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> que le mur sur lequel elle est accroch&eacute;e<\/em><\/strong>, qui donne &agrave; la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_a40b4a7b0e94531604b986050941f021\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur-autonome\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">autonomie<\/a> signal&eacute;e uniquement par son relief,&nbsp;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9a85da56c8d700c9d3e858fbc6c4f9c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/bas-relief\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">bas-relief<\/a> ou presque plat, et ses contours.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">Ce <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_79047712b107f84e99589be416776e0e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/protocole\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">protocole<\/a> prendra la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">forme<\/a> d&rsquo;une suite de &laquo;&nbsp;<strong>d&eacute;finitions\/m&eacute;thodes<\/strong>&laquo;&nbsp;, les fameuses &laquo;&nbsp;<strong>dm&nbsp;&raquo;<\/strong> num&eacute;rot&eacute;es, qui vont explorer le jeu de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> avec l&rsquo;&oelig;uvre et sa prise en charge, celle du galeriste, du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_23703e79e99496be5b3ed249afb12a6a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/commissaire-dexposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">curateur<\/a> (commissaire d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>, veilleur de nouveaux talents sur internet et les r&eacute;seaux sociaux) ou du collectionneur.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-size: 10pt;\">&laquo; Le principe de ce travail de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">toiles<\/a> de la m&ecirc;me <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> que le mur est n&eacute; d&rsquo;une situation particuli&egrave;re qui &eacute;tait de repeindre simplement les pi&egrave;ces d&rsquo;une maison &ndash; j&rsquo;ai fait &ccedil;a un jour comme &ccedil;a tr&egrave;s rapidement, et &ccedil;a a mis un petit <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">temps<\/a> pour se d&eacute;canter un peu, j&rsquo;ai pas tout de suite mesur&eacute; les suites possibles de ce travail &raquo;. Entretien avec Claude Rutault, Centre Pompidou Paris.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"rutault\" width=\"925\" height=\"520\" src=\"https:\/\/www.youtube.com\/embed\/QQ3MdHxpMak?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/rutault2.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/rutault2.png?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\">2018 \/ <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Exposition<\/a> L&rsquo;Aventure de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a>, Centre Pompidou Metz.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\">Au premier <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b339f2d294723940391ede116b2f9f8a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/plan\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">plan<\/a> : <strong>Yves Klein<\/strong>, <em>Pigments purs<\/em>, 1957 <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_857af9971a5a9103e702dc9d19f17f85\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/installation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">installation<\/a> originale 1957 &ndash; recr&eacute;ation 2017 <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_4bd30f6e4a396194e920d0108e158791\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cadre\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Cadre<\/a> en bois, sable et pigments bleus, Paris, Collection particuli&egrave;re.&nbsp; &nbsp;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\">Arri&egrave;re &ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_b339f2d294723940391ede116b2f9f8a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/plan\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">plan<\/a> : <strong>Claude Rutault<\/strong> <em>D&rsquo;o&ugrave; je viens o&ugrave; j&rsquo;en suis o&ugrave; je vais<\/em>, 2015, Centre Pompidou Paris<\/span>.<span style=\"font-size: 10pt;\"><a rel=\"noopener noreferrer\" href=\"https:\/\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2017\/11\/www.centrepompidou-metz.fr_sites_default_files_couleurddv1.pdf\" target=\"_blank\">https:\/\/www.centrepompidou-metz.fr\/sites\/default\/files\/couleurddv1.pdf<\/a><\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/rutault.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/rutault.jpg?w=925&#038;ssl=1\" alt=\"\" style=\"width:315px;height:473px\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Exposition<\/a> &agrave; la&nbsp;galerie Perrotin &agrave; Paris&nbsp;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p><p><span style=\"font-size: 10pt;\"><a rel=\"noopener noreferrer\" href=\"https:\/\/www.perrotin.com\/artists\/Claude_Rutault\/92#news\" target=\"_blank\">https:\/\/www.perrotin.com\/artists\/Claude_Rutault\/92#news<\/a><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Protocole ou art protocolaire Inspir\u00e9 par les protocoles scientifiques ou de la recherche, n\u00e9 avec l&rsquo;art conceptuel, le protocole artistique est un ensemble de r\u00e8gles que donne(nt) un ou plusieurs artistes pour r\u00e9aliser leur(s) \u0153uvre(s). Synonymes : \u00ab&nbsp;mode d\u2019emploi&nbsp;\u00bb, \u00ab&nbsp;marche \u00e0 suivre&nbsp;\u00bb, \u00ab&nbsp;recette&nbsp;\u00bb, \u00ab&nbsp;feuille de route&nbsp;\u00bb.<\/p>\n","protected":false},"author":1,"featured_media":13828,"menu_order":196,"template":"","meta":{"footnotes":""},"class_list":["post-464","glossary","type-glossary","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":22,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/464\/revisions"}],"predecessor-version":[{"id":23490,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/glossary\/464\/revisions\/23490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/13828"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}