{"id":18286,"date":"2024-05-26T15:44:14","date_gmt":"2024-05-26T13:44:14","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/?p=18286"},"modified":"2024-05-27T11:43:26","modified_gmt":"2024-05-27T09:43:26","slug":"ressources-pour-le-commentaire-critique","status":"publish","type":"post","link":"https:\/\/www.profartspla.site\/wordpress\/2024\/05\/26\/ressources-pour-le-commentaire-critique\/","title":{"rendered":"Ressources pour le commentaire critique"},"content":{"rendered":"<p class=\"has-text-align-center has-medium-font-size\"><strong>Ressources pour le commentaire critique<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Rappel<\/strong> : les documents pour le commentaire critique sont <strong>tout type de document sur l&rsquo;art<\/strong> (article de presse, publication en ligne, panneaux explicatifs d&rsquo;exposition, livret de visite, interview d&rsquo;artiste, lettre d&rsquo;artiste, courrier de commissaire d&rsquo;exposition, de critique d&rsquo;art, dossier de presse, affiche informative, page de catalogue d&rsquo;exposition, notice d&rsquo;oeuvres, &hellip;), traitant de l&rsquo;axe de programme <strong>L&rsquo;art, les sciences et les technologies : dialogue ou hybridation.<\/strong><\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\"><strong>Cette partie de programme n&rsquo;est pas &agrave; limiter &agrave; l&rsquo;&egrave;re contemporaine ou au num&eacute;rique<\/strong>. <\/mark>La fabrication d&rsquo;un outil &agrave; la pr&eacute;histoire pour dessiner ou sculpter est d&eacute;j&agrave; une compl&eacute;mentarit&eacute; entre art, innovations techniques et technologies.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>L<\/strong>&lsquo;<strong>Art et les sciences :<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.beauxarts.com\/tag\/art-et-science\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.beauxarts.com\/tag\/art-et-science\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.beauxarts.com\/grand-format\/art-et-science-en-symbiose\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.beauxarts.com\/grand-format\/art-et-science-en-symbiose\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.mnhn.fr\/fr\/arts-et-sciences-meme-combat\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.mnhn.fr\/fr\/arts-et-sciences-meme-combat<\/a><\/li>\n\n\n\n<li><a href=\"http:\/\/www.openscience.fr\/Arts-et-sciences\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.openscience.fr\/Arts-et-sciences<\/a><\/li>\n<\/ul>\n\n\n\n<p>Dans le savoir humain, on classe 6 sciences :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>les<strong> <\/strong>sciences<\/strong> physiques : <a href=\"https:\/\/daniel-hennequin.univ-lille.fr\/paf\/docs\/2014%20physique%20dans%20l%20art.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/daniel-hennequin.univ-lille.fr\/paf\/docs\/2014%20physique%20dans%20l%20art.pdf<\/a> ; <a href=\"https:\/\/usbeketrica.com\/fr\/article\/la-physique-quantique-a-une-dimension-artistique\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/usbeketrica.com\/fr\/article\/la-physique-quantique-a-une-dimension-artistique<\/a><\/li>\n\n\n\n<li><strong>les<strong> s<\/strong>ciences<\/strong> math&eacute;matiques et statistiques : <a href=\"https:\/\/www.math-art.eu\/Documents\/pdfs\/2014_Conf%C3%A9rence_Lyc%C3%A9e_Lagny_Denise_Demaret-Pranville-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.math-art.eu\/Documents\/pdfs\/2014_Conf%C3%A9rence_Lyc%C3%A9e_Lagny_Denise_Demaret-Pranville-1.pdf<\/a><\/li>\n\n\n\n<li><strong>les<strong> s<\/strong>ciences<\/strong> chimiques (chimie et g&eacute;nie chimique) : <a href=\"https:\/\/www.u-bordeaux.fr\/actualites\/la-chimie-au-service-de-lart\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.u-bordeaux.fr\/actualites\/la-chimie-au-service-de-lart<\/a><\/li>\n\n\n\n<li><strong>les<strong> s<\/strong>ciences<\/strong> g&eacute;ographiques et astronomiques : <a href=\"https:\/\/www.fraclorraine.org\/media\/pdf\/DP_Zones_Sensibles.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.fraclorraine.org\/media\/pdf\/DP_Zones_Sensibles.pdf<\/a> ; <a href=\"https:\/\/www.lecfc.fr\/new\/articles\/205-article-10.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.lecfc.fr\/new\/articles\/205-article-10.pdf<\/a> ; <a href=\"https:\/\/fondsartcontemporain.paris.fr\/parcours\/les-artistes-brouillent-les-cartes__11151\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/fondsartcontemporain.paris.fr\/parcours\/les-artistes-brouillent-les-cartes__11151<\/a><\/li>\n\n\n\n<li><strong>les<strong> s<\/strong>ciences<\/strong> biologiques (g&eacute;ologiques, g&eacute;omorphologiques, naturelles = SVT) : <a href=\"https:\/\/blog.artsper.com\/fr\/la-minute-arty\/bioart\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/blog.artsper.com\/fr\/la-minute-arty\/bioart\/<\/a>, <a href=\"https:\/\/www.mouvement.net\/arts\/bioart\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.mouvement.net\/arts\/bioart<\/a><\/li>\n\n\n\n<li><strong>les<strong> s<\/strong>ciences<\/strong> sociologiques (= sciences humaines) : <a href=\"https:\/\/oneartyminute.com\/lexique-artistique\/art-sociologique\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/oneartyminute.com\/lexique-artistique\/art-sociologique<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n<\/div><\/details><\/div>\n\n\n<p><\/p>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>L&rsquo;Art et les technologies : <\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">La technologie est l&rsquo;&eacute;tude des techniques, des outils, des machines, etc.<\/mark><\/strong> Le mot technologie vient <strong>du grec  t&eacute;chn&#275; = &laquo;&nbsp;art, comp&eacute;tence, artisanat&nbsp;&raquo; et logos = &laquo;&nbsp;parole, langue, capacit&eacute; de communiquer<\/strong>&laquo;&nbsp;.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.wildcodeschool.com\/fr-fr\/blog\/technologie-service-art-numerique-realite-virtuelle-augmentee\">https:\/\/www.wildcodeschool.com\/fr-fr\/blog\/technologie-service-art-numerique-realite-virtuelle-augmentee<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.beauxarts.com\/grand-format\/les-machines-peuvent-elles-faire-de-lart\/\">https:\/\/www.beauxarts.com\/grand-format\/les-machines-peuvent-elles-faire-de-lart\/<\/a><\/li>\n<\/ul>\n\n\n\n<p>Les domaines d&rsquo;applications o&ugrave; art et technologies se compl&egrave;tent peuvent &ecirc;tre : <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Des applications cr&eacute;atives pour t&eacute;l&eacute;phones mobiles<\/li>\n\n\n\n<li>Des installations vid&eacute;o et sonores<\/li>\n\n\n\n<li>Des multiprojections et du&nbsp;<em>mapping<\/em>&nbsp;vid&eacute;o<\/li>\n\n\n\n<li>Le suivi du rythme en temps r&eacute;el (camera avec capteurs, vid&eacute;osurveillance). Ex : L&rsquo;artiste-hackeur Simon Weckert avec son projet <a href=\"https:\/\/www.simonweckert.com\/googlemapshacks.html\" target=\"_blank\" rel=\"noreferrer noopener\">googlemapshacks<\/a> a dup&eacute; l&rsquo;algorithme de Google Maps (2020). En transportant 99 smartphones dans un chariot tir&eacute; &agrave; vitesse r&eacute;duite en plein centre de Berlin, il a transmis des signaux GPS trompeurs &agrave; Google Maps, qui l&rsquo;a interpr&eacute;t&eacute; comme un grand embouteillage.<\/li>\n\n\n\n<li>L&rsquo;immersion avec Oculus Rift dans un espace virtuel<\/li>\n\n\n\n<li>Des performances en direct film&eacute;es et diffus&eacute;es sur des canaux mondiaux<\/li>\n\n\n\n<li>Des &oelig;uvres Web<\/li>\n\n\n\n<li>Des Intelligences Artificielles (collectes de donn&eacute;es, traitement d&rsquo;images)<\/li>\n<\/ul>\n\n<\/div><\/details><\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Document impossible<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><strong>Exemple de document (dossier de presse) avec l&eacute;gende (source, date, auteur, contexte, &hellip;)<mark style=\"background-color:#fcb900\" class=\"has-inline-color\"> trop complexe<\/mark> (les &eacute;l&eacute;ments en gras poseront des difficult&eacute;s car inconnus pour un &eacute;l&egrave;ve de terminale). <\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\">Document complet : <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"749\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?resize=749%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-18315\" srcset=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?resize=749%2C1024&amp;ssl=1 749w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?resize=220%2C300&amp;ssl=1 220w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?resize=44%2C60&amp;ssl=1 44w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?resize=293%2C400&amp;ssl=1 293w, https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/Capture-decran-2024-05-26-a-16.28.33.png?w=769&amp;ssl=1 769w\" sizes=\"auto, (max-width: 749px) 100vw, 749px\"\/><\/a><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\">Transcription du texte :<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>VOIR \/ LE TEMPS \/ EN COULEURS<br>LES D&Eacute;FIS DE LA PHOTOGRAPHIE<\/strong><br><strong><em>Du 13 juillet au 18 novembre 2024 &ndash; Galerie 2<br>Commissariat : Sam Stourdz&eacute;<\/em><\/strong><br>Du 13 juillet au 18 novembre 2024, la photographie s&rsquo;invite sous toutes ses formes au Centre Pompidou-Metz &agrave; travers l&rsquo;exposition Voir \/ Le temps \/ En couleurs. Sous le commissariat de <strong>Sam Stourdz&eacute;<\/strong>, l&rsquo;un des plus grands sp&eacute;cialistes de la photographie. Aujourd&rsquo;hui &agrave; la t&ecirc;te de la Villa M&eacute;dicis &agrave; Rome, il a notamment dirig&eacute; les <strong>Rencontres d&rsquo;Arles<\/strong> de 2014 &agrave; 2020 et mus&eacute;e de l&rsquo;&Eacute;lys&eacute;e &agrave; Lausanne de 2010 &agrave; 2014. L&rsquo;exposition r&eacute;unit pr&egrave;s de 250 &oelig;uvres et 50 photographes, offrant une travers&eacute;e in&eacute;dite des <strong>grands d&eacute;fis techniques qui ont jalonn&eacute; l&rsquo;histoire de la photographie<\/strong>, une discipline jusqu&rsquo;ici peu explor&eacute;e au Centre Pompidou-Metz. Le parcours donnera &agrave; d&eacute;couvrir des &oelig;uvres exceptionnelles : des planches rares de campagnes de restauration de chefs-d&rsquo;&oelig;uvre de la <strong>Renaissance italienne<\/strong>,<br>des marines peu pr&eacute;sent&eacute;es de <strong>Gustave Le Gray,<\/strong> ou encore des <strong>plaques autochromes<\/strong> de la collection Albert Kahn.<\/p>\n<\/div>\n<\/div>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Document possible <\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p>Panneau explicatif de l&rsquo;artiste <strong>Nayel Zeaiter <\/strong>sous forme d&rsquo;infographie pr&eacute;sentant un autre artiste Nam June Paik, pr&eacute;sent&eacute; &agrave; l&rsquo;exposition <em><strong>L&rsquo;Art d&rsquo;Apprendre, Une &eacute;cole des Cr&eacute;ateurs<\/strong><\/em>, au Centre Pompidou Metz en 2022.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/NamJunepaik_NayelZeaiter.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2024\/05\/NamJunepaik_NayelZeaiter.jpg?w=925&#038;ssl=1\" alt=\"\" class=\"wp-image-18335\" style=\"width:462px;height:auto\"\/><\/a><\/figure>\n<\/div>\n<\/div><\/details><\/div>","protected":false},"excerpt":{"rendered":"<p>Ressources pour le commentaire critique Rappel : les documents pour le commentaire critique sont tout type de document sur l&rsquo;art (article de presse, publication en ligne, panneaux explicatifs d&rsquo;exposition, livret de visite, interview d&rsquo;artiste, lettre d&rsquo;artiste, courrier de commissaire d&rsquo;exposition, de critique d&rsquo;art, dossier de presse, affiche informative, page de catalogue d&rsquo;exposition, notice d&rsquo;oeuvres, &#8230;), &hellip; <\/p>\n","protected":false},"author":1,"featured_media":9643,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[751],"tags":[146,788,981,743,979,596],"class_list":["post-18286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-methodologies-pour-les-epreuves-du-baccalaureat-2023-2024","tag-baccalaureat","tag-commentaire-critique","tag-corpus-doeuvres","tag-note-dintention","tag-partie-1","tag-sujet"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2022\/07\/bac2024-e1693941109761.jpg?fit=200%2C111&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/18286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/comments?post=18286"}],"version-history":[{"count":29,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/18286\/revisions"}],"predecessor-version":[{"id":18340,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/18286\/revisions\/18340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/9643"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=18286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/categories?post=18286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/tags?post=18286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}