{"id":26848,"date":"2025-11-11T11:18:50","date_gmt":"2025-11-11T10:18:50","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/?p=26848"},"modified":"2025-11-13T09:26:25","modified_gmt":"2025-11-13T08:26:25","slug":"%f0%9f%8e%a5-lexposition-comme-experience-cinematographique","status":"publish","type":"post","link":"https:\/\/www.profartspla.site\/wordpress\/2025\/11\/11\/%f0%9f%8e%a5-lexposition-comme-experience-cinematographique\/","title":{"rendered":"\ud83c\udfa5 L&rsquo;Exposition comme Exp\u00e9rience Cin\u00e9matographique"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><strong>Un Dimanche sans fin<\/strong>&nbsp;explore les paradoxes de l&rsquo;existence &agrave; travers <strong>pr&egrave;s de 400 &oelig;uvres du Centre Pompidou dialoguant avec 40 &oelig;uvres de Maurizio Cattelan<\/strong>. Cette <a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> transforme le centre d&rsquo;art en un v&eacute;ritable r&eacute;cit visuel, comparable &agrave; un long m&eacute;trage o&ugrave; chaque salle devient une s&eacute;quence.<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2025\/11\/guide_expo_fr_dimanche_sans_fin_web.pdf\" type=\"application\/pdf\" style=\"width:100%;height:900px\" aria-label=\"Contenu embarqu&eacute; guide_expo_fr_dimanche_sans_fin_web.\"><\/object><a id=\"wp-block-file--media-601c6e30-28f3-4477-a1d4-06cccc0ddc88\" href=\"https:\/\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2025\/11\/guide_expo_fr_dimanche_sans_fin_web.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">guide_expo_fr_dimanche_sans_fin_web<\/a><a href=\"https:\/\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2025\/11\/guide_expo_fr_dimanche_sans_fin_web.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-601c6e30-28f3-4477-a1d4-06cccc0ddc88\">T&eacute;l&eacute;charger<\/a><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/claude.ai\/public\/artifacts\/79c8c39a-7ba0-4357-874b-7aab52898033\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/claude.ai\/public\/artifacts\/79c8c39a-7ba0-4357-874b-7aab52898033<\/a><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/claude.site\/public\/artifacts\/79c8c39a-7ba0-4357-874b-7aab52898033\/embed\" title=\"Claude Artifact\" width=\"100%\" height=\"1200\" frameborder=\"0\" allow=\"clipboard-write\" allowfullscreen><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Un Dimanche sans fin&nbsp;explore les paradoxes de l&rsquo;existence &agrave; travers pr&egrave;s de 400 &oelig;uvres du Centre Pompidou dialoguant avec 40 &oelig;uvres de Maurizio Cattelan. Cette <a class=\"glossaryLink\" title=\"Dico : Exposition\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Exposition&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;strong&amp;gt;Exposition&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;strong&amp;gt;Manuel de mus&eacute;ographie, petit guide &agrave; l&amp;#039;usage des responsables de mus&eacute;e, sous la direction de Marie-Odile de Bary et Jean-Michel Tobelem, &eacute;ditions S&eacute;guier Option Culture, 1998&amp;lt;\/strong&amp;gt;, &amp;lt;strong&amp;gt;page 223&amp;lt;\/strong&amp;gt;&amp;lt;br\/&amp;gt;&amp;lt;div class=&amp;quot;wp-block-group&amp;quot;&amp;gt;&amp;quot;&amp;lt;em&amp;gt;De sa&amp;nbsp;&amp;lt;strong&amp;gt;racine latine&amp;nbsp;expositio, le terme exposition avant d&amp;#039;abord &agrave; la fois au figur&eacute; le sens(...)&amp;lt;\/strong&amp;gt;&amp;lt;\/em&amp;gt;&amp;lt;\/div&amp;gt; &lt;a class=glossaryTooltipMoreLink href=https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/  target=_blank&gt;Term details&lt;\/a&gt;&lt;\/div&gt;\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> transforme le centre d&rsquo;art en un v&eacute;ritable r&eacute;cit visuel, comparable &agrave; un long m&eacute;trage o&ugrave; chaque salle devient une s&eacute;quence. https:\/\/claude.ai\/public\/artifacts\/79c8c39a-7ba0-4357-874b-7aab52898033<\/p>\n","protected":false},"author":1,"featured_media":26849,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1216],"tags":[],"class_list":["post-26848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cav"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2025\/11\/Capture-decran-2025-11-11-a-11.17.16-e1762856324238.png?fit=200%2C190&ssl=1","_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/26848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/comments?post=26848"}],"version-history":[{"count":7,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/26848\/revisions"}],"predecessor-version":[{"id":26858,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/26848\/revisions\/26858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/26849"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=26848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/categories?post=26848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/tags?post=26848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}