{"id":660,"date":"2018-04-13T10:36:22","date_gmt":"2018-04-13T08:36:22","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/fiches-de-revision-pour-le-bac\/"},"modified":"2023-11-19T19:10:33","modified_gmt":"2023-11-19T18:10:33","slug":"fiches-de-revision-pour-le-bac","status":"publish","type":"post","link":"https:\/\/www.profartspla.site\/wordpress\/2018\/04\/13\/fiches-de-revision-pour-le-bac\/","title":{"rendered":"Fiches de r\u00e9vision pour le bac"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/programmeBAC.JPG?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/programmeBAC.JPG?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n\n\n<p><strong>Pour v&eacute;rifier vos connaissances sur les 3 artistes au programme (V&eacute;ron&egrave;se et le <span style=\"text-decoration: underline;\">Mani&eacute;risme<\/span>, Sophie Taeuber-Arp et le <span style=\"text-decoration: underline;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a> + le n&eacute;o-plasticisme<\/span> ainsi que Bill Viola et l&rsquo;<span style=\"text-decoration: underline;\">art vid&eacute;o<\/span>), compl&eacute;tez de m&eacute;moire ces 3 fiches.<\/strong><\/p>\n\n\n\n<p>Pour le choix des oeuvres, choisissez des oeuvres que vous pourrez mettre en lien avec vos travaux.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.profartspla.site\/images\/lycee\/personnage_dyn.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Fiche pour pr&eacute;senter l&rsquo;artiste<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.profartspla.site\/images\/lycee\/fiche_mouvement_dyn.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Fiche pour parler de son mouvement artistique<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_dyn.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Fiche pour parler d&rsquo;une de ses oeuvres<\/a><\/li>\n<\/ul>\n\n\n\n<p>Liens directs sur ce site pour vous aider &agrave; trouver des informations utiles et v&eacute;rifi&eacute;es, <span style=\"color: #ff0000;\">inutile de chercher ailleurs<\/span> !!<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Cours sur les fresques de V&eacute;ron&egrave;se : <\/strong><a href=\"https:\/\/www.profartspla.site\/wordpress\/2018\/04\/15\/artiste-au-programme-limitatif-du-bac-2018-veronese\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2018\/04\/15\/artiste-au-programme-limitatif-du-bac-2018-veronese\/<\/a><\/li>\n\n\n\n<li><strong>Cours sur les oeuvres de Sophie Taeuber-Arp : <\/strong><a href=\"https:\/\/www.profartspla.site\/wordpress\/2022\/06\/25\/artiste-au-programme-limitatif-du-bac-sophie-taeuber-arp\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2022\/06\/25\/artiste-au-programme-limitatif-du-bac-sophie-taeuber-arp\/<\/a><\/li>\n\n\n\n<li><strong>Cours sur les oeuvres de Bill Viola :&nbsp;<\/strong><a href=\"https:\/\/www.profartspla.site\/wordpress\/2018\/03\/25\/artiste-au-programme-limitatif-du-bac-2019-bill-viola\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2018\/03\/25\/artiste-au-programme-limitatif-du-bac-2019-bill-viola\/<\/a><\/li>\n\n\n\n<li><strong>Synth&egrave;se sur les artistes et quelques &oelig;uvres :<\/strong> <a href=\"https:\/\/www.profartspla.site\/wordpress\/2018\/04\/16\/synthese-sur-les-trois-artistes-au-programme-bac-2018\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2018\/04\/16\/synthese-sur-les-trois-artistes-au-programme-bac-2018\/<\/a><\/li>\n\n\n\n<li><strong>Fiches de r&eacute;vision<\/strong><\/li>\n<\/ul>\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Paolo Caliari, dit V&eacute;ron&egrave;se<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><span style=\"background-color: #ffff00;\"><strong>Questionner les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a> de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a> de l&rsquo;&oelig;uvre&nbsp;: l&rsquo;inscription des &oelig;uvres dans un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectural<\/a> ou naturel (priv&eacute; ou public, institutionnel ou non ; pratiques de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_a3e9d0d4904f74acde723d1763109164\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/in-situ\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">in situ<\/a>) ;<\/strong><\/span><\/p>\n\n\n\n<p><strong>Paolo Caliari, dit V&eacute;ron&egrave;se, Fresques de la Villa Barbaro &agrave; Maser (1560-1561)<\/strong><\/p>\n\n\n\n<p>Au-del&agrave; d&rsquo;un <strong>dialogue entre la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> et l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a><\/strong>, les fresques de la Villa Barbaro t&eacute;moignent de l&rsquo;ambition de V&eacute;ron&egrave;se d&rsquo;instaurer une <strong>relation entre l&rsquo;observateur et l&rsquo;&oelig;uvre<\/strong>. Les s&eacute;quences architecturales (vestibules, escaliers, galeries, passages en enfilade, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a> de r&eacute;ception et de vie, etc.) et le programme iconographique (th&egrave;mes mythologiques et religieux riches d&rsquo;&eacute;vocations <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e4b2498dc13c927d1fbda182f106da90\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">narratives<\/a> et bucoliques) organisent un vaste <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> sc&eacute;nique. Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> est stimul&eacute; pour &ecirc;tre un observateur, mais il est aussi observ&eacute; par les protagonistes des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentations<\/a>. Insertion de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_32115a200381ae17929ebaf3b6ae4e91\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> dans l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a>, jeux sur les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_37e5608ea4c7cb18122ac98b09a87c8a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/point-de-vue\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">points de vue<\/a> et les proportions, surgissements de personnages et ouvertures sur des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">espaces<\/a> fictifs, d&eacute;placements, exp&eacute;rience temporelle des dispositifs <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e4b2498dc13c927d1fbda182f106da90\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">narratifs<\/a>, sont autant de modalit&eacute;s qui visent &agrave; englober le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> dans l&rsquo;&oelig;uvre.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>V&eacute;ron&egrave;se : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_veronese.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_veronese.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Fresques de la Villa Barbaro &agrave; Maser : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_fresques_maser.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_fresques_maser.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Mani&eacute;risme : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_manierisme.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_manierisme.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Sophie Taeuber-Arp<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><span style=\"background-color: #ffff00;\"><strong>Questionner &laquo;&nbsp;la tradition, rupture et renouvellements de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>&nbsp;: la tradition du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4bd30f6e4a396194e920d0108e158791\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cadre\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>cadre<\/a> et du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4bad067c7e3a8312d24e86312ac14da0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/socle\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>socle<\/a>, ses ruptures et renouvellements contemporains<\/strong>&nbsp;&raquo;<\/span><\/p>\n\n\n\n<p><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Artiste<\/a> particuli&egrave;rement inventive, Sophie Taeuber-Arp est pleinement inscrite dans les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e1a3719b760029a2df1db5eeee1711de\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/avant-garde\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">avant-gardes<\/a> du d&eacute;but de XXe si&egrave;cle. Elle devait pourtant rester longtemps dans l&rsquo;ombre des grandes figures masculines de la modernit&eacute; en arts plastiques. Membre de <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a>, pratiquant l&rsquo;art concret bien avant que les principes en soient &eacute;nonc&eacute;s par Th&eacute;o Van Doesburg, elle s&rsquo;est rapidement associ&eacute;e &agrave; des groupes d&rsquo;artistes de tendance <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraite<\/a>&nbsp;: Cercle et Carr&eacute;, Abstraction-Cr&eacute;ation ou Allianz. Son &oelig;uvre tr&egrave;s diverse s&rsquo;exerce dans de nombreux domaines entre lesquels elle entretient de nombreux liens, les nourrissant r&eacute;ciproquement de leurs langages, de leurs esth&eacute;tiques, de leurs avanc&eacute;es&nbsp;: <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculpture<\/a>, danse, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> d&rsquo;int&eacute;rieur, arts d&eacute;coratifs&hellip; Elle devait &eacute;galement fonder et &eacute;diter la revue Plastique\/PLASTIC.<\/p>\n\n\n\n<p>&ndash; Sophie Taeuber-Arp (1889-1943), <em><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e0dd9c4131dfec30776d8325b3aecafb\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/composition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Composition<\/a> &agrave; triangles<\/strong>, rectangles et parties d&rsquo;anneaux<\/em>, 1916, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">tapisserie<\/a> au petit point, laine, 41 x 41 cm. <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> national d&rsquo;art moderne, Centre Georges-Pompidou, Paris. Legs Mme Ruth Tillard-Arp, 2007&nbsp;;<\/p>\n\n\n\n<p>&ndash; Sophie Taeuber-Arp (1889-1943), Jean ou Hans Arp (1886-1966), Th&eacute;o van Doesburg (1883-1931), <strong><em>L&rsquo;Aubette<\/em>,<\/strong> 1926-1928, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_8ef8ff049713a60ac6c8e21de38ccfa6\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">am&eacute;nagement<\/a> et d&eacute;cors d&rsquo;un complexe de loisirs (caf&eacute;, restaurant, brasserie, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6c50a6b5157b6d22be79c6f5647785f7\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/salons\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>salon<\/a> de th&eacute;, cin&eacute;-bal, caveau-dancing, salle des f&ecirc;tes&hellip;) sur quatre niveaux (caveau, rez-de-chauss&eacute;e, entresol et &eacute;tage), Strasbourg. Premier &eacute;tage restitu&eacute; de 1985 &agrave; 2006. Class&eacute;e au titre des Monuments historiques&nbsp;;<\/p>\n\n\n\n<p>&ndash; Sophie Taeuber-Arp (1889-1943), <strong><em>Relief rectangulaire, rectangles d&eacute;coup&eacute;s, rectangles appliqu&eacute;s et cylindres surgissants<\/em><\/strong>, 1936, relief en bois peint, 50 x 68.5 cm, sign&eacute; et dat&eacute; sur le dos&nbsp;: SH Taeuber-Arp 1936. Kunstmuseum, Basel. Don de Marguerite Arp-Hagenbach, 1968.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Sophie Taeuber-Arp : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_sta.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_sta.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a> : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_sta_tapisserie.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_sta_tapisserie.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>L&rsquo;Aubette : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_aubette.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_aubette.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Relief rectangulaire : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_relief.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_relief.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a> : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_dada.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_dada.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>N&eacute;oplasticisme : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_neoplasticisme.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_neoplasticisme.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Bill Viola<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<p><span style=\"background-color: #ffff00;\"><strong>Interroger le statut de l&rsquo;&oelig;uvre et sa <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a><\/strong> <\/span><\/p>\n\n\n\n<p><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pr&eacute;sentation<\/a> d&rsquo;oeuvres vid&eacute;os <a href=\"https:\/\/www.profartspla.site\/wordpress\/2020\/02\/02\/mode-de-presentation-d-exposition-video-2023\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2020\/02\/02\/mode-de-presentation-d-exposition-video-2023\/<\/a><\/p>\n\n\n\n<p>Mondialement reconnu, Bill Viola est aujourd&rsquo;hui un des artistes majeurs de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_32115a200381ae17929ebaf3b6ae4e91\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> &eacute;lectronique. N&eacute; en 1951, il a grandi &agrave; l&rsquo;&egrave;re des premiers d&eacute;veloppements de l&rsquo;art vid&eacute;o. D&egrave;s ses <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_70c8fc3ff8b34020423e29301290b8a7\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/etude\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">&eacute;tudes<\/a> et ses premiers travaux d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, il privil&eacute;giait ce nouveau <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>m&eacute;dium<\/a> pour en explorer les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_902963888354dd45f17ddba76193abbc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/multiple\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">multiples<\/a> possibilit&eacute;s artistiques&nbsp;: captations de performances, mises en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> des images et des moniteurs vid&eacute;o, exploitation du potentiel plastique, s&eacute;mantique, symbolique des projections sur de grandes surfaces, etc. Au moyen d&rsquo;installations intimistes ou <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monumentales<\/a>, ses cr&eacute;ations interrogent le rapport au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> de l&rsquo;&oelig;uvre et au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_39e5735c547fbd003e8c714b142ff30c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/realisme\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">r&eacute;alisme<\/a> des sensations, des &eacute;motions et des exp&eacute;riences. Sculptant le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a>, bouleversant les perceptions, immergeant le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a>, Bill Viola propose une relation diff&eacute;rente aux images <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_bc72183bbfc82066d6306e6195a2bfff\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/animation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">anim&eacute;es<\/a>. Il en pousse notamment les conventions <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e4b2498dc13c927d1fbda182f106da90\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">narratives<\/a> pour rejoindre parfois l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_72bf8ef98c579fe9852292b5f45674d4\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/idee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>id&eacute;e<\/a> de &laquo; tableaux <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bc72183bbfc82066d6306e6195a2bfff\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/animation\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>anim&eacute;s<\/a> &raquo;. Il associe le visuel, le sonore et l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a>. Il tire parti des appareils et des technologies (cam&eacute;ras, optiques scientifiques, syst&egrave;mes num&eacute;riques&hellip;), des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ae61229f17079bebc2a6462ceebf51f4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-de-papier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">formats<\/a> et des qualit&eacute;s des &eacute;crans (miroirs, moniteurs <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_902963888354dd45f17ddba76193abbc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/multiple\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">multiples<\/a>, r&eacute;troprojecteurs&hellip;). Il joue de divers effets (ralentissements, grossissements, p&eacute;trifications&hellip;). Nombre de ses cr&eacute;ations ouvrent des dialogues entre la modernit&eacute; du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>m&eacute;dium<\/a> digital et un univers d&rsquo;images s&rsquo;inscrivant dans l&rsquo;histoire de l&rsquo;art.<\/p>\n\n\n\n<p>Liste des &oelig;uvres, &agrave; titre de rep&egrave;res, sans pour autant devoir s&rsquo;y limiter&nbsp;:<\/p>\n\n\n\n<p>&ndash; des bandes vid&eacute;o aux &eacute;crans plasma&nbsp;: <a href=\"https:\/\/www.profartspla.site\/attachments\/article\/590\/reflectingpool_billviola_terminale.pdf\" data-type=\"link\" data-id=\"https:\/\/www.profartspla.site\/attachments\/article\/590\/reflectingpool_billviola_terminale.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Reflecting Pool<\/em> , 1977-79<\/a>&nbsp;; <em>Chott El-Djerid<\/em>, 1979&nbsp;; <em>Reverse Television &ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Portraits<\/a> of Viewers,<\/em> 1983-1984&nbsp;; <em>Deserts<\/em>, 1994&nbsp;; <em>Walking on the Edge<\/em> et <em>The Encounter<\/em> , 2012&nbsp;; <em>The Dreamers<\/em>, 2013.<\/p>\n\n\n\n<p>&ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a> vid&eacute;o et installations&nbsp;: <em>Heaven and Earth<\/em> , 1992&nbsp;; <em>The Sleepers, <\/em>1992&nbsp;; <em>The Veiling<\/em>, 1995&nbsp;; <em>The Crossing<\/em> , 1996&nbsp;; <em>Going Forth By Day<\/em>, 2002&nbsp;; <em>The Tristan Project (Fire Woman et Tristan&rsquo;s Ascension)<\/em>, 2005.<\/p>\n\n\n\n<p>&ndash; r&eacute;f&eacute;rences aux grands ma&icirc;tres&nbsp;: <em>The Sleep of Reason<\/em> , 1988&nbsp;; <em>The Greeting<\/em>, 1995 ; <em>The Quintet of the Astonished<\/em> , 2000.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Bill Viola : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_billviola.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/personnage_billviola.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>Des&nbsp;bandes vid&eacute;o aux &eacute;crans plasma&nbsp;: <em>The Reflecting Pool<\/em><\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_reflectingpool.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_reflectingpool.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<p>&nbsp;+ <strong>Rappel : <a href=\"https:\/\/www.profartspla.site\/attachments\/article\/590\/reflectingpool_billviola_terminale.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Analyse d&eacute;taill&eacute;e&nbsp;<\/a><\/strong><\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Sculptures<\/a> vid&eacute;o et installations&nbsp;:&nbsp;<em>The Crossing et The Messenger&nbsp;<\/em><\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_trilogy.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_trilogy.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>R&eacute;f&eacute;rence aux grands ma&icirc;tres :&nbsp;The Greeting<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_greetingBV.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_greetingBV.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_pontormo.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_oeuvre_pontormo.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong>L&rsquo;art vid&eacute;o : fiche de correction<\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_artvideo.jpg?ssl=1\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.profartspla.site\/images\/lycee\/fiche_mouvement_artvideo.jpg?w=925&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n<\/div><\/details><\/div>","protected":false},"excerpt":{"rendered":"<p>Pour v\u00e9rifier vos connaissances sur les 3 artistes au programme (V\u00e9ron\u00e8se et le Mani\u00e9risme, Sophie Taeuber-Arp et le mouvement Dada + le n\u00e9o-plasticisme ainsi que Bill Viola et l&rsquo;art vid\u00e9o), compl\u00e9tez de m\u00e9moire ces 3 fiches. Pour le choix des oeuvres, choisissez des oeuvres que vous pourrez mettre en lien avec vos travaux. Liens directs &hellip; <\/p>\n","protected":false},"author":1,"featured_media":14998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[45,47,50,40,43,42,60,49,52,51],"tags":[811,207,209,822,817,818,823,820,825,821,804,151,208,816,813,378,814,805],"class_list":["post-660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cours-2017-2018-option-facultative-arts-plastiques","category-cours-2017-2018-option-facultative-arts-plastiques-terminale","category-cours-2018-2019-spe-arts","category-cours-2018-2019-option-facultative-arts-plastiques","category-cours-2018-2019-option-facultative-arts-plastiques-terminale","category-cours-2018-2019-spe-arts-terminale","category-cours-2019-2020-spe-arts","category-cours-2019-2020","category-cours-2019-2020-option-facultative-arts-plastiques-terminale","category-cours-2019-2020-spe-arts-terminale","tag-art-video-2","tag-aubette","tag-bill-viola","tag-crossing","tag-fresque","tag-manerisme","tag-messenger","tag-plasticisme","tag-pontormo","tag-reflecting-pool","tag-sophie-taeuber-arp","tag-taeuber","tag-taeuber-arp","tag-tapisserie","tag-veronese-2","tag-veronese","tag-villa-barbaro","tag-viola"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2018\/04\/archives-e1700314132313.jpg?fit=200%2C150&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/comments?post=660"}],"version-history":[{"count":11,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/660\/revisions"}],"predecessor-version":[{"id":15141,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/660\/revisions\/15141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/14998"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/categories?post=660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/tags?post=660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}