{"id":669,"date":"2018-04-16T10:21:18","date_gmt":"2018-04-16T08:21:18","guid":{"rendered":"https:\/\/www.profartspla.site\/wordpress\/synthese-sur-les-trois-artistes-au-programme-bac-2018\/"},"modified":"2023-11-18T15:30:31","modified_gmt":"2023-11-18T14:30:31","slug":"synthese-sur-les-trois-artistes-au-programme-bac-2018","status":"publish","type":"post","link":"https:\/\/www.profartspla.site\/wordpress\/2018\/04\/16\/synthese-sur-les-trois-artistes-au-programme-bac-2018\/","title":{"rendered":"Synth\u00e8se sur les trois artistes au programme BAC 2018"},"content":{"rendered":"<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Tableau synth&eacute;tique en pdf<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"700\" src=\"https:\/\/www.profartspla.site\/images\/lycee\/2018Tfactableau3oeuvres.pdf\"><\/iframe>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Trois artistes, plusieurs oeuvres possibles<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Noms des artistes<\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>PAOLO CALIARI, DIT V&Eacute;RON&Egrave;SE <br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>SOPHIE TAEUBER-ARP <br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>BILL VIOLA <br><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Oeuvres cibl&eacute;es<\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER 1560-&shy;&#8208;1561<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres 1916, 1928 et 1936<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Oeuvres vid&eacute;os de 1977 &agrave; 2012<\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Liens vers les cours<\/span><\/td><td><a href=\"https:\/\/www.profartspla.site\/wordpress\/2018\/04\/15\/artiste-au-programme-limitatif-du-bac-2018-veronese\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2018\/04\/15\/artiste-au-programme-limitatif-du-bac-2018-veronese\/<\/a><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><br><\/span><\/td><td><a href=\"https:\/\/www.profartspla.site\/wordpress\/2022\/06\/25\/artiste-au-programme-limitatif-du-bac-sophie-taeuber-arp\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2022\/06\/25\/artiste-au-programme-limitatif-du-bac-sophie-taeuber-arp\/<\/a><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><br><\/span><\/td><td><a href=\"https:\/\/www.profartspla.site\/wordpress\/2018\/03\/25\/artiste-au-programme-limitatif-du-bac-2019-bill-viola\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.profartspla.site\/wordpress\/2018\/03\/25\/artiste-au-programme-limitatif-du-bac-2019-bill-viola\/<\/a><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><br><\/span><\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>L&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> et ses collaborateurs<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Paolo Caliari, dit V&eacute;ron&egrave;se (1528-1588) est un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peintre<\/a> mani&eacute;riste italien. Il commence par travailler dans l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">atelier<\/a> de son p&egrave;re, architecte et tailleur de pierre. En 1552, il r&eacute;alise la &laquo; Conversation sacr&eacute;e &raquo; pour l&rsquo;&eacute;glise San Francesco della Vigna &agrave; Venise.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il est nomm&eacute; &laquo; <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Peintre<\/a> de la R&eacute;publique &raquo; et participe &agrave; l&rsquo;&eacute;laboration des fresques des salles du conseil des Dix au palais des Doges. En 1562, il r&eacute;alise &laquo; <em>Les Noces de Cana <\/em>&raquo; ainsi que les fresques de la Villa di Maser, r&eacute;alisation d&rsquo;Andrea Palladio. En 1573, il est condamn&eacute; par l&rsquo;Inquisition pour les libert&eacute;s de facture qu&rsquo;il prend notamment dans &laquo; <em>Le Repas chez L&eacute;vi <\/em>&raquo;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il est surpris par les figures peintes qui l&rsquo;interpellent.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les r&ocirc;les sont invers&eacute;s, le regardeur devenant le regard&eacute;, &eacute;tant sous le regard des divinit&eacute;s &eacute;ternelles qui, en haut des murs et sur les plafonds et plus particuli&egrave;rement dans la <em>Sala dell&rsquo;Olimpo<\/em>, sont assis autour du ciel et semblent observer le th&eacute;&acirc;tre tragique des mortels.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> finit ainsi par &ecirc;tre englob&eacute; dans l&rsquo;&oelig;uvre d&rsquo;art elle-&shy; m&ecirc;me : deux <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> se superposent = il observe, mais il est aussi observ&eacute;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le d&eacute;cor pictural marque l&rsquo;apog&eacute;e d&rsquo;un courant illusionniste qui a &eacute;t&eacute; inaugur&eacute; par Andrea Mantegna dans la <em>Chambre des &Eacute;poux <\/em>au palais ducal de Mantoue.<\/span><\/p>\n<\/td><td><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">Sophie Taeuber est une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>peintre<\/a> et sculptrice suisse ayant particip&eacute; aux mouvements&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\"><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a> puis surr&eacute;aliste avec son &eacute;poux Jean Arp. Son &oelig;uvre, marqu&eacute;e par la g&eacute;om&eacute;trie et le&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">rythme, prend vie sous dans des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_ae61229f17079bebc2a6462ceebf51f4\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-de-papier\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>formats<\/a> &agrave; deux dimensions (tableaux, travaux sur tissu<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">), &agrave; trois&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">dimensions (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculpture<\/a>, reliefs) et le spectacle vivant (danse, th&eacute;&acirc;tre).&nbsp;<\/span><\/span><br style=\"background-color: transparent; color: #ffffff; font-family: Arial,Tahoma,Helvetica,FreeSans,sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\"><br><\/span> <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">Sophie Taeuber &eacute;tudie&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">les arts appliqu&eacute;s &agrave; Saint-Gall, Munich et Hambourg et gr&acirc;ce &agrave; son amie Mary Wigman, elle&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">d&eacute;couvre la danse d&rsquo;expression. Elle prendra des cours sous la direction du chor&eacute;graphe&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">Rudolf von Laban. Elle s&rsquo;installe &agrave; Zurich en 1915, ann&eacute;e o&ugrave; elle rencontre Jean Arp et&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">participe avec lui au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a>. Son talent de danseuse lui ouvre les portes du cabaret&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">Voltaire. Cependant elle doit utiliser un pseudonyme et danser masqu&eacute;e, car les danses pleines&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">d&rsquo;inventions, de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_598c425b9f752ea005fe05cd0daf8d8e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/caprices\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">caprices<\/a> et de bizarreries qu&rsquo;elle offre en spectacle, ne sont pas en accord&nbsp;<\/span><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; white-space: normal; orphans: 2; -webkit-text-stroke-width: 0px; background-color: transparent;\">avec l&rsquo;&Eacute;cole des Arts d&eacute;coratifs de Zurich o&ugrave; elle enseigne de 1921 &agrave; 1929.<\/span><\/span>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Sophie Taeuber &ndash; Arp (1889-1943) est tr&egrave;s souvent associ&eacute;e aux oeuvres de Jean Arp, son mari. Par r&eacute;elle complicit&eacute; ou parce qu&rsquo;encore &agrave; son &eacute;poque, le statut de la femme <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> est peu reconnu.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle collabora aussi avec Th&eacute;o Van Doesburg et Jean Arp, pour l&rsquo;Aubette par exemple. La proximit&eacute;, la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_776e3ff4048acbfcef40ffc27f43fe3a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collaboration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">collaboration<\/a> et le travail en duo avec Jean Arp (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraction<\/a> organique, reliefs en bois peint) ont d&rsquo;ailleurs entra&icirc;n&eacute; une influence r&eacute;ciproque.&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">En 1930, Sophie Taeuber-Arp participe &agrave; la naissance du groupe &laquo;&nbsp;Cercle et Carr&eacute;&nbsp;&raquo; cr&eacute;&eacute; par Michel Seuphor et Joaquin Torr&egrave;s-Garcia (1930), &laquo;&nbsp;Abstraction-Cr&eacute;ation&nbsp;&raquo; avec Auguste Herbin et Georges Vantongerloo (jusqu&rsquo;en 1934) puis en 1937, au groupe suisse &laquo;&nbsp;Allianz&nbsp;&raquo; avec Max Bill et L&eacute;o Leuppi ainsi qu&rsquo;&agrave; la cr&eacute;ation de la Revue internationale d&rsquo;art contemporain, &laquo;&nbsp;Plastique&nbsp;&raquo; (ou &laquo;&nbsp;Plastic\/Plastique&nbsp;&raquo;, 1937-1939).&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle continue d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_8ef8ff049713a60ac6c8e21de38ccfa6\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/amenagement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">am&eacute;nager<\/a> des appartements (<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_906c1d5c0c2747756575b56588385d79\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/planche-de-projet\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>projet<\/a> non r&eacute;alis&eacute; de la maison M&uuml;ller-Widmann, B&acirc;le, 1933 ; logement Hilberseimer, 1935, Berlin).&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle entame, en 1936, une <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_ed16c333e45e4dd5a46c68525355bf21\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/serie\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>s&eacute;rie<\/a> de reliefs en bois, partiellement d&eacute;coup&eacute;s et peints &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a>.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle participe, en 1937, &agrave; l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> des &laquo;&nbsp;Constructivistes&nbsp;&raquo; au Kunstmuseum de B&acirc;le, qui lui assure une renomm&eacute;e internationale, et expose avec Jean Arp &agrave; Paris, en mai 1939, &agrave; la Galerie Jeanne Bucher.<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">En 1940, le couple quitte leur maison de Clamart-Meudon (avant la prise de Paris par les troupes allemandes) pour Grasse puis Z&uuml;rich o&ugrave; elle r&eacute;alise des lithographies et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_86c545d265f5db4d26b963d4d86a1cfc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/gravure\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">gravures<\/a> &agrave; plusieurs mains, avec Jean Arp, Sonia Delaunay et Alberto Magnelli.&nbsp;<\/span><\/p>\n<p><span style=\"color: #000000; font-family: verdana,geneva,sans-serif; font-size: 10pt;\">En 1943, elle meurt accidentellement &agrave; Z&uuml;rich, &agrave; l&rsquo;&acirc;ge de 54 ans.<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Bill VIOLA <\/strong>est n&eacute; en janvier 1951 &agrave; New-&shy;York.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Form&eacute; &agrave; la Syracuse Universit&eacute; de New York et &agrave; l&rsquo;Experimental Studios, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">atelier<\/a> men&eacute; par Jack Nelson, l&rsquo;un de ses professeurs va lui permettre de se saisir de la vid&eacute;o, qui ouvre une p&eacute;riode de travail sp&eacute;cifique jusqu&rsquo;en 1979, p&eacute;riode d&eacute;finie sous le signe de la vid&eacute;o <em>structurale<\/em>. Son mentor n&rsquo;est autre que Nam June Paik, qui lui apprend notamment &agrave; &laquo; attaquer la t&eacute;l&eacute;vision &raquo; pour mieux changer la vie.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il est l&rsquo;un des rares artistes contemporains &agrave; &ecirc;tre entr&eacute;s au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> des Offices de Florence.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il dit : <strong>&laquo; <em>Je suis n&eacute; en m&ecirc;me <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> que la vid&eacute;o <\/em>&raquo;. <\/strong>Cette naissance\/<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c62182c4946919a2324e720363a97320\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/renaissance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">renaissance<\/a> se traduit par tout d&rsquo;abord des images mentales qu&rsquo;il inscrit ensuite dans ses nombreux carnets et cahiers.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Son &eacute;pouse <strong>Kira PEROV <\/strong>est sa collaboratrice depuis 1978. Elle est le directeur ex&eacute;cutif de Bill Viola Studio. Elle a travaill&eacute; en &eacute;troite <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_776e3ff4048acbfcef40ffc27f43fe3a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collaboration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">collaboration<\/a> avec Bill Viola, son mari e partenaire depuis 1979, et s&rsquo;occupe de la gestion, d&rsquo;aider &agrave; la production de l&rsquo;ensemble de ses vid&eacute;os et installations, et de photographier le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_03eb3cebdf780c7bab93e53215c40f8c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/processus\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">processus<\/a>. Elle &eacute;dite toutes les publications Bill Viola, le choix des mat&eacute;riaux de son vast archive et la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_776e3ff4048acbfcef40ffc27f43fe3a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/collaboration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">collaboration<\/a> avec les professionnels des mus&eacute;es et des designers. Elle organise et coordonne des expositions de l&rsquo;&oelig;uvre dans le monde entier.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ensemble, ils quittent rapidement New York, pour s&rsquo;installer dans le d&eacute;sert californien, car Bill Viola croit d&eacute;finitivement aux mirages.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>&nbsp;<\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>&laquo; Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysage<\/a> est le lien entre notre moi ext&eacute;rieur et notre moi int&eacute;rieur. &raquo; <\/strong>C&rsquo;est pour cela que l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> des images de Bill Viola est toujours con&ccedil; comme &laquo; interne &raquo;, qui manque d&rsquo;ouverture.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Une &laquo; fen&ecirc;tre ouverte &raquo; vers l&rsquo;alt&eacute;rit&eacute;, conjoint et continu entre le spectateu et l&rsquo;&oelig;uvre. Le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> de l&rsquo;&oelig;uvre est en r&eacute;alit&eacute; le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> sensible du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>&laquo;Le v&eacute;ritable <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> dans lequel l&rsquo;&oelig;uvre existe n&rsquo;est pas la surface de l&rsquo;&eacute;cran ou l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> clos par les murs de la pi&egrave;ce, mais l&rsquo;esprit et le c&oelig;ur de l personne qui l&rsquo;observe&raquo;.<\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le &nbsp;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> &nbsp;du cycle fait l&rsquo;exp&eacute;rience directe de lui-&shy;m&ecirc;me et le v&eacute;ritable th&egrave;me des vid&eacute;os qu&rsquo;il observe est l&rsquo;&eacute;motion.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il se cr&eacute;e ainsi une confusion entre celle du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> se et l&rsquo;&eacute;motion mise e<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">sc&egrave;ne rendant compte de l&rsquo;instantan&eacute;it&eacute; qui caract&eacute;rise la r&eacute;ception du public d&eacute;finie comme <em>r&eacute;active.<\/em><\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Lieux de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>, d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a><\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<br><\/strong><\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<br><\/span><\/strong><\/span><\/p>\n<\/td><\/tr><tr><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Villa Barbaro (Villa di Maser)<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <strong>villa <\/strong>appel&eacute;e <em>villa Volpi (renard) <\/em>est une <em><u>villa veneta<\/u><\/em>, c&rsquo;est-&shy;&#8208;&agrave;-&shy;&#8208; dire une r&eacute;sidence secondaire &agrave; la campagne pour les personnes issues de la noblesse ou de la haute bourgeoisie.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le terme <em><u>villa<\/u> <\/em>est utilis&eacute; pour d&eacute;signer la maison &agrave; la campagne et se distingue de celle de la ville : le <em><u>palais<\/u><\/em>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les Barbaro poss&eacute;daient environ quatre palais &agrave; Venise. La villa a &eacute;t&eacute; con&ccedil;ue par l&rsquo;architecte Andrea Palladio entre<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">1550 et 1560 pour les fr&egrave;res Daniel et Marcantonio Barbaro &agrave; Maser.<\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Espace<\/a> public, devenu, apr&egrave;s restauration, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> mus&eacute;al<\/u><\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;<strong>aubette<\/strong> est situ&eacute;e place Kl&eacute;ber &agrave; Strasbourg, 1928<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a href=\"https:\/\/www.musees.strasbourg.eu\/aubette-1928\">https:\/\/www.musees.strasbourg.eu\/aubette-1928<\/a><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Espace<\/a> mus&eacute;al : <\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9a85da56c8d700c9d3e858fbc6c4f9c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/bas-relief\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Bas-relief<\/a> est expos&eacute; au <a href=\"http:\/\/sammlungonline.kunstmuseumbasel.ch\/eMuseumPlus?service=direct\/1\/ResultDetailView\/result.inline.list.t1.collection_list.%24TspTitleLink.link&amp;sp=13&amp;sp=Sartist&amp;sp=SfilterDefinition&amp;sp=0&amp;sp=1&amp;sp=1&amp;sp=SdetailView&amp;sp=0&amp;sp=Sdetail&amp;sp=0&amp;sp=T&amp;sp=0&amp;sp=SdetailList&amp;sp=0&amp;sp=F&amp;sp=Scollection&amp;sp=l1572\" target=\"_blank\" rel=\"noopener noreferrer\">Mus&eacute;e d&rsquo;art de B&acirc;le<\/a> :<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Relief rectangulaire, rectangles d&eacute;coup&eacute;s, rectangles appliqu&eacute;s et cylindres surgissants<\/strong><strong>,<\/strong> 1936<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> : au Centre Pompidou Paris<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e0dd9c4131dfec30776d8325b3aecafb\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/composition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Composition<\/a> &agrave; triangles, rectangles et parties d&rsquo;anneaux<\/strong>, 1916. Laine, 41 x 41 cm, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> au petit point<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a href=\"https:\/\/www.centrepompidou.fr\/cpv\/resource\/cMjR5B\/rARAkK\">https:\/\/www.centrepompidou.fr\/cpv\/resource\/cMjR5B\/rARAkK<\/a><\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\"><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Espace<\/a> mus&eacute;al d&rsquo;expositions.<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Chaque <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> est con&ccedil;ue par l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> et sa femme et collaboratrice <strong>Kira Perov<\/strong>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_4842251988b73c5bb4cee5ae565c4c1f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/museographie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mus&eacute;ographie<\/a> change en fonction de chaque <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> mais tend &agrave; faire immerger et submerger le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> dans et par les images.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elles sont nombreuses et r&eacute;parties partout dans le monde, la vid&eacute;o par essence se d&eacute;mat&eacute;rialise et n&rsquo;a pas de <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> fixe de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_5f2551e558bab09cf227bd91dadd9c78\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dispositif-de-monstration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monstration<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Une m&ecirc;me &oelig;uvre de Bill Viola peut &ecirc;tre projet&eacute;e &agrave; Paris et &agrave; Tokyo simultan&eacute;ment, et pr&eacute;sent&eacute;es diff&eacute;remment (projet&eacute;es sur le mur ou sur des &eacute;crans, dans une pi&egrave;ce sombre ou pas, avec d&rsquo;autres oeuvres ou pas&hellip;).<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9dac60c2d489bf48815d8727149c738e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/support\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Support<\/a> &ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dd90fd677d05968c8e51e6e2301e4fd0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/materialite\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mat&eacute;rialit&eacute;<\/a><\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Technique de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e18734febb6897014da99c3067836819\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/fresque\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">fresque<\/a><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e18734febb6897014da99c3067836819\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/fresque\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">fresque<\/a> est une technique particuli&egrave;re de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> murale : sur un mur enduit (appel&eacute; &laquo; <em>intonaco &raquo;<\/em>) &agrave; la chaux fra&icirc;che (de l&rsquo;italien &laquo; <em>buon fresco &raquo;<\/em>).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> murale classique est appliqu&eacute;e &laquo; <em>a secco <\/em>&raquo; (sur une ensuit sec).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">A la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c62182c4946919a2324e720363a97320\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/renaissance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Renaissance<\/a>, le proc&eacute;d&eacute; est red&eacute;couvert et permet de r&eacute;duire les d&eacute;penses : une colonne peinte revient moins ch&egrave;re qu&rsquo;une vraie.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Palladio, ne mentionne pas les fresques de V&eacute;ron&egrave;se dans ses textes.<\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Design d&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> int&eacute;rieure &agrave; l&rsquo;Aubette<\/strong> : <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a> murales, en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5288ccb0fa3e979b38a2b1f4479e5ce2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aplat\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>aplat<\/a> et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_1fd80df3930930db24f28ec653a83032\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/vitrail-au-plomb\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>vitraux<\/a><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Relief<\/strong> : relief en bois peint &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a>, 50 x 68.5 cm, sign&eacute; et dat&eacute; sur le dos : SH Taeuber-Arp 1936.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> :<\/strong> petits points en laine sur canevas.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">broderie<\/a> cr&eacute;e ainsi un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> pictural, tout en interrogeant le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b7f15724dc2020890eb9e6d53e0ec016\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peindre-sur-le-motif-ou-le-vif-par-opposition-a-peindre-en-atelier\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>motif<\/a> &agrave; partir des formes <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraites<\/a> et g&eacute;om&eacute;triques. Elle fait <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a>, et est potentiellement r&eacute;versible ou visible avec un recto et un verso.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il utilise principalement la vid&eacute;o Super 8 ou les bandes magn&eacute;tiques, ses vid&eacute;os dites <em>structurale<\/em>s n&rsquo;avaient pas de sujet pr&eacute;cis, la vid&eacute;o &eacute;tant prise comme un moyen de communication, un objet de production esth&eacute;tique. Son int&eacute;r&ecirc;t pour la musique le conduit &agrave; exp&eacute;rimenter et &agrave; associer de la vid&eacute;o au son, en se servant de synth&eacute;tiseurs.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il a d&eacute;couvert les capacit&eacute;s plastiques du son &agrave; Florence dans les &eacute;glises gothiques pleines de r&eacute;verb&eacute;rations. Ses images digitales interrogent le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> et le monde.<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Repr&eacute;sentation<\/a> &ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pr&eacute;sentation<\/a><\/strong><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Afin de donner l&rsquo;illusion de la profondeur, V&eacute;ron&egrave;se introduit des jeux de masquage : personnage, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_d6626373b249dd14195507de282d69e7\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statue\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>statue<\/a>, animal en avant ou en arri&egrave;re d&rsquo;une porte, d&rsquo;une colonne ou d&rsquo;une balustrade&hellip;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ces &eacute;l&eacute;ments traduisent des instants de vie.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La pr&eacute;sence d&rsquo;un monde peint (la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentation<\/a>, fictive) est en parall&egrave;le &agrave; celui des vivants (le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a>), tout en refl&eacute;tant les habitants de la famille Barbaro.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> se retrouve face &agrave; des <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectures<\/a> et des personnages &agrave; <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>taille<\/a> r&eacute;elle. Il entre ainsi dans un monde symbolique par les fausses portes, &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> des faux personnages.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> a &eacute;t&eacute; r&eacute;alis&eacute;e par <strong>Andrea Palladio<\/strong> : <strong>architecte de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c62182c4946919a2324e720363a97320\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/renaissance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Renaissance<\/a> italienne, ancien tailleur de pierre.<\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Sa production architecturale est tr&egrave;s riche et principalement concentr&eacute;e &nbsp;en &nbsp;V&eacute;n&eacute;tie, &nbsp;et &nbsp;vingt-&shy;&#8208;quatre &nbsp;des &nbsp;villas &nbsp;construites dans cette r&eacute;gion, ont &eacute;t&eacute; class&eacute;es au patrimoine mondial de l&rsquo;UNESCO en 1994-1996.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ses villas traduisent l&rsquo;importance qu&rsquo;il accorde &agrave; l&rsquo;union entre la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b7c8487082afb5b641ff9c4857ae007\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nature\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>nature<\/a> et l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a>, mais &eacute;galement &agrave; une nouvelle conception de la beaut&eacute;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Recr&eacute;er un semblant de r&eacute;alit&eacute; r&eacute;v&eacute;lant l&rsquo;artifice, un moment d&rsquo;illusion absolue suscitant surprise, &eacute;merveillement et joie chez le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ce moment est <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">&eacute;ph&eacute;m&egrave;re<\/a> car le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> d&eacute;forme et d&eacute;truit l&rsquo;illusion.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Les <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> de la Villa Maser jouent entre vrais &eacute;l&eacute;ments d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> (entablement continu, frontons, portes et fen&ecirc;tres) et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectures<\/a> peintes, entre vrais objets et objets peints, entre vraies figures (famille Barbaro, serviteurs, chiens et chat, singe, perroquet) et figures peintes, entre vrais <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysages<\/a> environnants et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysages<\/a> peints en continu.<\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Sophie Taeuber-Arp d&eacute;veloppe un langage plastique <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstrait<\/a>. Aucune <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e96786b2b6758d47dd8bf32914df6259\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/figuration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">figuration<\/a> dans ses oeuvres.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentation<\/a> se limite &agrave; des formes g&eacute;om&eacute;triques agenc&eacute;es par <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>forme<\/a>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>taille<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> et direction.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle est dans la lign&eacute;e du <strong>n&eacute;o-plasticisme<\/strong> de <strong>Piet Mondrian<\/strong> (p&egrave;re de l&rsquo;<strong><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraction<\/a> g&eacute;om&eacute;trique<\/strong>) et du groupe <strong>De Stijl<\/strong> (En 1917, &agrave; Leyde (Pays-Bas), Theo van Doesburg et Piet Mondrian et quelques autres cr&eacute;ent la revue <strong>De Stijl<\/strong> (<em>Le Style<\/em> en n&eacute;erlandais) et fondent le groupe du m&ecirc;me nom).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ces formes g&eacute;om&eacute;triques donnent un langage universel &agrave; ses &oelig;uvres.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>L&rsquo;ensemble de son oeuvre joue souvent sur la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentation<\/a> d&rsquo;un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> enti&egrave;rement <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b339f2d294723940391ede116b2f9f8a\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/plan\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>plan<\/a> mais certaines &oelig;uvres en deux dimensions cr&eacute;ent, par le jeu de la superposition, de la transparence ou de l&rsquo;oblique, des effets de profondeur, de volume ou de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_61d7737110fa1277d8adb6dc16325009\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/perspective\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">perspective<\/a>.<\/strong>&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> Sophie Taeuber-Arp cr&eacute;e de plus un <strong>jeu subtil entre <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> et repr&eacute;sent&eacute;,<\/strong> que ce soit dans les marionnettes et leur rapport au d&eacute;cor peint (&laquo;&nbsp;Le Roi-Cerf&nbsp;&raquo;, 1918), dans les <em>T&ecirc;tes <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a><\/em> entre volume et surface peinte (1918-20), dans les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectures<\/a> qu&rsquo;elle am&eacute;nage avec un d&eacute;cor peint qui souligne ou perturbe la perception des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> (ann&eacute;es 1920 et 1930) ou encore dans ses reliefs, en partie d&eacute;coup&eacute;s et rehauss&eacute;s de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleur<\/a> (ann&eacute;es 1930).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les trente ann&eacute;es de cr&eacute;ation de Sophie Taeuber-Arp ont &eacute;t&eacute; travers&eacute;es par une recherche constante sur les m&ecirc;mes motifs <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraits<\/a>, et cela au travers de tous les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">m&eacute;diums<\/a> utilis&eacute;s : <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_fffae49563170d7b91fb8924f0c73be2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dessin\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>dessin<\/a> (gouache pr&eacute;alable), <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">broderie<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">tapisserie<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a>, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_1fd80df3930930db24f28ec653a83032\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/vitrail-au-plomb\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>vitrail<\/a>, volume (petit objet, bijou, jouet, marionnette, <em>T&ecirc;te <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Dada<\/a><\/em>, meuble, relief), d&eacute;cor mural, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a>, avec la volont&eacute; de rompre la hi&eacute;rarchie des arts, d&rsquo;&oelig;uvrer en collectif et d&rsquo;int&eacute;grer l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraction<\/a> dans la vie quotidienne.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> Si le rectangle et le carr&eacute; pr&eacute;dominent, accompagn&eacute;s du triangle (<em>Compositions verticales-horizontales<\/em>, 1915-1930), la courbe et le cercle apparaissent d&egrave;s les premi&egrave;res ann&eacute;es (1915-1920) pour s&rsquo;imposer dans les derni&egrave;res ann&eacute;es de son oeuvre (ann&eacute;es 1930 et 1940).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> Les figures stylis&eacute;es traversent sa production, avec en tout premier <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> les figures humaines (aspect ethnique) bras lev&eacute;s et jambes &eacute;cart&eacute;es ou en cloche (danseurs), avec une t&ecirc;te g&eacute;om&eacute;trique parfois dessin&eacute;e en <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>forme<\/a> de croix (ann&eacute;es 1910 et 1920).&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> Les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysages<\/a> urbains et naturels sont &eacute;galement une source d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9e42b671e5fbb8d9a820704f5e3a6fa7\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/inspiration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">inspiration<\/a> r&eacute;currente (Sienne, Montmartre, Pomp&eacute;i, Grasse&hellip;) et ses jeux de lignes tardifs (ann&eacute;es 1930 et 1940 et Grasse) ne sont pas sans &eacute;voquer les notations chor&eacute;graphiques de la fin des ann&eacute;es 1910.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> La recherche de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> est d&rsquo;ailleurs exprim&eacute;e dans les titres de certaines s&eacute;ries comme&nbsp;<em>Rythmes libres<\/em> (1915-1920) ou <em><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Mouvement<\/a> de lignes<\/em> et&nbsp;<em>Compositions dynamiques<\/em> (ann&eacute;es 1930 et 1940).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&laquo;&nbsp; Nous ne voulons pas imiter la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b7c8487082afb5b641ff9c4857ae007\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nature\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>nature<\/a>. Nous ne voulons pas reproduire mais produire. Nous voulons produire comme la plante produit son fruit, et non pas reproduire. Nous voulons &ecirc;tre imm&eacute;diats, et non pas m&eacute;diats.&nbsp;&raquo; Jean Arp<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les probl&eacute;matiques fondamentales d&eacute;velopp&eacute;es par l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> ont pour gen&egrave;se un &eacute;v&eacute;nement de son enfance. A l&rsquo;&acirc;ge de six ans, il est tomb&eacute; d&rsquo;une barque et a failli se noyer. <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_abbbe7fa6b145bfec04962acf8a7cb9a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/pendant\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Pendant<\/a> sa perte de connaissance, son sentiment de pl&eacute;nitude totale et les images d&rsquo;une beaut&eacute; extraordinaire qu&rsquo;il a vu sous l&rsquo;eau n&rsquo;ont cess&eacute;es d&rsquo;&ecirc;tre d&eacute;clin&eacute;es dans son &oelig;uvre. Pour lui, l&rsquo;eau est le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> du commencement et de la fin.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il veut traduire des r&eacute;alit&eacute;s universelles, une vision du monde.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bill Viola puise son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9e42b671e5fbb8d9a820704f5e3a6fa7\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/inspiration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">inspiration<\/a> dans les &oelig;uvres majeures de l&rsquo;Histoire de l&rsquo;Art et les textes fondateurs.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> n&rsquo;est plus <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentation<\/a> mais une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>, elle se donne &agrave; voir comme vraie, comme une <em>vera ikona (<\/em><span class=\"st\">Le nom &eacute;voque la l&eacute;gende de Sainte V&eacute;ronique qui recueille l&rsquo;empreinte du visage du Christ, nomm&eacute;e veronicon, vraie <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> (vera ikona), laiss&eacute;e sur le Saint-Suaire lorsqu&rsquo;elle l&rsquo;essuya durant la mont&eacute;e au Calvaire<\/span><em>) <\/em>qui :<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&laquo; <em>ne concerne pas tant la clart&eacute; visuelle ou le d&eacute;tail &ndash; il s&rsquo;agit plut&ocirc;t d&rsquo;une fid&eacute;lit&eacute; &agrave; l&rsquo;exp&eacute;rience, &agrave; l&rsquo;existence. La sensation pleine de ce qui semble vraiment &ecirc;tre l&agrave; remplit totalement <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c1464ec6e5acd8bf470926f73ef411e8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/ton\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>ton<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> : ce que l&rsquo;on per&ccedil;oit comme si l&rsquo;on &eacute;tait en train de respirer &agrave; ce moment-&shy;&#8208;l&agrave;.&nbsp; Ce sont les vraies <\/em><strong><em>&ldquo;images&rdquo;<\/em> <\/strong>&raquo;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La pr&eacute;cision dans la d&eacute;finition du contour des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> film&eacute;s, produit un effet de pr&eacute;sence sur le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> par la conjugaison de l&rsquo;apparence d&rsquo;un objet et son concept.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">En liant le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> &eacute;motionnellement, Bill Viola le projette directement dans l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a>. La mise en avant de l&rsquo;expressivit&eacute; originaire de l&rsquo;homme, va produire un effet &eacute;motionnel persuasif, affirmatif m&ecirc;me, sur le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> La disposition des &eacute;crans donne l&rsquo;impression au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> de donner plus d&rsquo;attention &agrave; <em>l&rsquo;effet histoire <\/em>qu&rsquo;&agrave; l&rsquo;histoire&nbsp; elle-&shy;m&ecirc;me.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Cet <em>effet <\/em>est cr&eacute;&eacute; par la stimulation perceptive exerc&eacute;e sur les individus assistant au d&eacute;roulement de la vid&eacute;o.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Cette simple <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_a1d5d66abcb04cdd3bafe66ee6797934\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mise-en-scene\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mise en sc&egrave;ne<\/a> donne &agrave; voir des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> qui ne se r&eacute;f&egrave;rent pas &agrave; autre chose qu&rsquo;&agrave; eux-&shy;&#8208;m&ecirc;mes.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le th&eacute;&acirc;tre, art de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_946c24a3a0dc45f183ddfb11f9c737a9\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/ecart\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>&eacute;cart<\/a> et de la diff&eacute;rence, est r&eacute;gi par le seuil de la fiction marqu&eacute; par le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4bd30f6e4a396194e920d0108e158791\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/cadre\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>cadre<\/a> de la sc&egrave;ne.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Dans la vid&eacute;o, un tel seuil est supprim&eacute;. Nous avons le &laquo;<em>devenir-&shy;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> du personnage, le devenir-&shy;personnage de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a><\/em>&raquo;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> est plong&eacute; dans le noir, seul, ce qui privil&eacute;gie la rencontre sensible avec l&rsquo;&oelig;uvre.<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>L&rsquo;UTILISATION DU RALENTI :<\/u><\/strong><\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bill Viola fait l&rsquo;exp&eacute;rience du ralenti lors de la retransmission d&rsquo;un match de football.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e92297a882484c98beea1cc2b884f903\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/decomposition-du-mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">d&eacute;composition<\/a> des choses, des &eacute;l&eacute;ments, des &eacute;motions, la possibilit&eacute; de regarder une chose impossible &agrave; voir dans le monde <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Sa <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e4463476f63c27266323f746b2d03432\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/matiere\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mati&egrave;re<\/a> premi&egrave;re est le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La lenteur est tellement pr&eacute;sente que le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> devient presque absent.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Son art permet la cr&eacute;ation de l&rsquo;oxymore : chuter vers le haut (<em>Going Forth by Day<\/em>, &laquo; First Light &raquo;, panneau 5), de jaillir vers le bas (<em>The Reflecting Pool<\/em>).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il se cr&eacute;e ainsi des infratemps, des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> morts ins&eacute;r&eacute;s dans des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> inertes. Le film dont l&rsquo;unit&eacute; d&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> est le pixel permet d&rsquo;entrer dans le tissu infinit&eacute;simal du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a>. Il est ainsi possible de distendre 45 secondes en 12 minutes.<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>LA MONUMENTALIT&Eacute;<\/u><\/strong><\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bill Viola est l&rsquo;un des premiers &agrave; avoir &laquo; installer &raquo; ses films dans l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il pense chaque <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a>: la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_b2797aa5ea077dd4f29a260f9a64a4da\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/taille-sculpture\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>taille<\/a> de l&rsquo;&eacute;cran, l&rsquo;inclinaison, le mode d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_d5529dff4fa57101fc2faf9d4e10de45\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/accrochage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">accrochage<\/a>, et de ce fait la place du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Celui-&shy;ci a ainsi l&rsquo;impression d&rsquo;&ecirc;tre <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33f15c44847d0b7d6f354ffe8f68ed4a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/immersive\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">immerg&eacute;<\/a>, voire submerg&eacute; par les images.<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>&laquo; SUREXPOSITIONS LUMINEUSES &raquo;<\/u><\/strong><\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les &ecirc;tres qu&rsquo;il montre s&rsquo;exposent. Cette <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> est intensifi&eacute;e par le ralenti.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La question du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> est fondamentale dans ses surexpositions. Mais &eacute;galement celle de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c229695f5270cd46191083d023c542ab\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lumiere\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">lumi&egrave;re<\/a> de la vid&eacute;o projection qui permet de mat&eacute;rialiser l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il permet ainsi de transfigurer des gouttes d&rsquo;eau en suspension qui deviennent des &eacute;toiles gravitant.<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Les significations<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le programme iconographique associe : <strong>la culture antique (sc&egrave;nes mythologiques, dieux olympiens, nymphes et muses, sc&egrave;nes all&eacute;goriques, vocabulaire <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectural<\/a>) et la culture chr&eacute;tienne (sc&egrave;nes religieuses, Sainte Famille) <\/strong>afin d&rsquo;&eacute;voquer la culture, la foi, l&rsquo;amour, la famille et le domaine agricole des fr&egrave;res Barbaro en les associant &agrave; l&rsquo;Harmonie, et aux Vertus.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La palette de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> est claire et lumineuse (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectures<\/a> et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a> blanches en trompe-&shy;&#8208;l&rsquo;&oelig;il, ciels bleut&eacute;s&hellip; )<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> des v&ecirc;tements, et des tentures ; et les dorures des statues et des objets viennent contraster avec l&rsquo;ensemble.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Partout, l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architectural<\/a> est questionn&eacute;, et se poursuit de mani&egrave;re illusoire et fictive dans les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peintures<\/a>. Les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentations<\/a> illusionnistes qui se donnent &agrave; voir par fen&ecirc;tres peintes rivalisent avec les fen&ecirc;tres et les vues r&eacute;elles et cherchent &agrave; d&eacute;montrer la sup&eacute;riorit&eacute; de l&rsquo;art.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il y a une fusion entre plusieurs <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> et plusieurs <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> :<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> (<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a>) et fictif (<em>quadratura<\/em>),<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> profane (habitants, murs peints) et sacr&eacute; (sc&egrave;nes all&eacute;goriques, mythologiques et religieuses du haut des murs et des plafonds) ;<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> pr&eacute;sent (habitants, visiteurs) et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">&eacute;ph&eacute;m&egrave;re<\/a> (figures r&eacute;elles et peintes de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c62182c4946919a2324e720363a97320\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/renaissance\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Renaissance<\/a>, grandeur de Venise et des Barbaro),<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> pass&eacute; (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysages<\/a> peints aux ruines antiques), le rythme des saisons (<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> et peint) et le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> &eacute;ternel (cosmos, dieux).<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Dans la <em>Sala dell&rsquo;Olimpo, <\/em>la famille Barbaro, repr&eacute;sent&eacute;e au sommet des murs, pr&eacute;c&egrave;de le ciel divin et domine le sol des vivants.<\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;Son &oelig;uvre &agrave; travers de nombreux domaines se nourrissant r&eacute;ciproquement (langages, esth&eacute;tiques, avanc&eacute;es respectives : <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculpture<\/a>, danse, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> d&rsquo;int&eacute;rieur, arts d&eacute;coratifs&hellip;) est une passerelle entre les arts. Elle fonde et &eacute;dite aussi la revue Plastique\/PLASTIC.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les formes, lignes, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a>, rythmes, directions&hellip; sont autant de langage universel, primaire, parlant &agrave; tous.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La place du r&ecirc;ve et de la nuit constitue l&rsquo;un des &eacute;picentres de la pratique de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> en cr&eacute;ant un jeu entre visible et invisible o&ugrave; ce dernier est le vainqueur sur le premier.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&laquo; <em>En d&eacute;cembre 1915 j&rsquo;ai rencontr&eacute; &agrave; Zurich Sophie Taeuber qui s&rsquo;&eacute;tait a&#64256;ranchie de l&rsquo;art conventionnel. D&eacute;j&agrave; en 1915 Sophie Taeuber divise la surface de ses <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6ab51599a6b27ab0edaf291caaa10871\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aquarelle\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">aquarelles<\/a> en carr&eacute;s et rectangles qu&rsquo;elle juxtapose de fa&ccedil;on horizontale et perpendiculaire. Elle les construit comme un ouvrage de ma&ccedil;onnerie. &nbsp;Les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6b346ef57ec30890b94d59dbe156825e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/couleur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">couleurs<\/a> sont lumineuses, allant du jaune le plus cru au rouge, ou bleu profond. Dans certaines de ses compositions elle introduit &agrave; di&#64256;&eacute;rents plans des &#64257;gures trapues et massives qui rappellent&nbsp; celles que plus tard elle fa&ccedil;onnera en bois tourn&eacute;.<\/em> &raquo;&nbsp; &nbsp;Jean Arp &ndash; Jours e&#64256;euill&eacute;s<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle a &eacute;t&eacute; professeur &agrave; l&rsquo;&eacute;cole des dentelli&egrave;res &agrave; Saint-Gall et &agrave; la Kunstgewerbeschule (&Eacute;cole des Arts appliqu&eacute;s) de Z&uuml;rich o&ugrave; elle a enseign&eacute; la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e0dd9c4131dfec30776d8325b3aecafb\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/composition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">composition<\/a>, la technique du tissage et de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">broderie<\/a> et a dirig&eacute; la section textile. <\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Elle se lie ainsi d&rsquo;amiti&eacute; avec l&rsquo;architecte Adolf Loos et d&eacute;couvre les recherches de Worringer, historien.&nbsp; Ce m&eacute;tier constituait un revenu permettant aux deux artistes de poursuivre leur pratique. <\/span><\/p>\n<p><strong>Le G<\/strong><span style=\"font-size: 10pt;\"><strong><span style=\"font-family: verdana,geneva,sans-serif;\"><strong>r<\/strong>oupe Abstraction-cr&eacute;ation :<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&laquo; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Abstraction<\/a>, parce que certains artistes sont arriv&eacute;s &agrave; la conception de la non-&#64257;guration par l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraction<\/a> progressive des formes de la <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_6b7c8487082afb5b641ff9c4857ae007\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/nature\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>nature<\/a>. Cr&eacute;ation, parce que d&rsquo;autres artistes ont atteint directement la non-&#64257;guration par une conception d&rsquo;ordre purement g&eacute;om&eacute;trique ou par l&rsquo;emploi exclusif d&rsquo;&eacute;l&eacute;ments commun&eacute;ment appel&eacute;s <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraits<\/a>, tels que cercles, plans, barres, lignes, etc. &raquo; Sophie Taeuber-Arp.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong><span style=\"font-family: verdana,geneva,sans-serif;\">L&rsquo;art concret&nbsp;<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Sophie Taeuber-Arp s&rsquo;inscrit comme l&rsquo;une des pionni&egrave;res de cet art. L&rsquo;une des a&#64259;rmations fondamentales de l&rsquo;art concret est l&rsquo;objectivation d&rsquo;une <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_ce42e1755fa3135f5a01873f6de9b2f6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/idee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>id&eacute;e<\/a> cr&eacute;atrice dans une <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>forme<\/a> rigoureusement d&eacute;termin&eacute;e.&nbsp;Sa pratique r&eacute;sulte d&rsquo;un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_03eb3cebdf780c7bab93e53215c40f8c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/processus\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">processus<\/a> de transposition des probl&egrave;mes individuels dans les signes objectifs de l&rsquo;art, o&ugrave; les contradictions prennent <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_bd3e84694ad1543301a9f20d5e375742\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/forme\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>forme<\/a> en harmonies perceptibles au regard. &nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"> Les techniques vont de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_6ab51599a6b27ab0edaf291caaa10871\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/aquarelle\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">aquarelle<\/a> &agrave; la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a> &agrave; l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a>.&nbsp;Elle cr&eacute;e ce qu&rsquo;elle nomme des &laquo; Tableaux &agrave; <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Espace<\/a> &raquo; : des r&eacute;alit&eacute;s spatiales constitu&eacute;es d&rsquo;une &eacute;tendue &agrave; deux dimensions.<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>MIROIR DU MONDE<\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">En 1976, Rosalind Krauss affirmait dans <strong><em>Video : The Aesthetics of Narcissism<\/em><\/strong>, que le narcissisme est tellement end&eacute;mique dans l&rsquo;art vid&eacute;o qu&rsquo;elle le consid&eacute;rait comme &laquo;<em>la <\/em>condition du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_322d897d803ab6086c294b1eb34c3f9d\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/genre\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>genre<\/a> dans son ensemble&raquo;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La psych&eacute; humaine est le canal de l&rsquo;art de la vid&eacute;o et le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> en est l&rsquo;instrument, le m&eacute;canisme narcissique s&rsquo;oppose au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> projectif d&rsquo;empathie susmentionn&eacute;.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le mythe ovidien raconte l&rsquo;histoire d&rsquo;un jeune homme se penchant sur une &eacute;tendue d&rsquo;eau et d&eacute;couvrant un beau visage masculin qui n&rsquo;est autre que le reflet de lui-&shy;&#8208;m&ecirc;me, mais cela, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_11c8a064d2f49283b739d96d91b8970f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narcisse\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Narcisse<\/a> l&rsquo;ignore.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bill Viola affirme que &laquo;l&rsquo;une des choses dont il est important de se rendre compte dans l&rsquo;histoire de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_11c8a064d2f49283b739d96d91b8970f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narcisse\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Narcisse<\/a> est que son probl&egrave;me n&rsquo;est pas qu&rsquo;il a vu son propre reflet, est qu&rsquo;il n&rsquo;a pas vu l&rsquo;<em>eau<\/em>. &raquo;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;utilisation du miroir dans &laquo;<em>Slowly Turning <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_9cc069a9ede53de79f1276c6f34670c1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narrative\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Narrative<\/a><\/em>&raquo;, fait appara&icirc;tre le reflet du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> dans l&rsquo;&oelig;uvre.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;utilisation fr&eacute;quente des projections <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monumentales<\/a> donnent &agrave; voir de r&eacute;elles fresques, miroirs du monde.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>SCULPTER LE <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>TEMPS<\/a><\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le rapport au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> est &eacute;galement pr&eacute;pond&eacute;rant :<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&laquo; <em>la conscience de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_cf7e0448e0924114a722f71ea9ae4cad\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temporalite\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">temporalit&eacute;<\/a> et celle de la s&eacute;paration entre sujet et objet sont simultan&eacute;ment submerg&eacute;es. Le r&eacute;sultat de cette submersion est, pour celui qui fait et celui qui regarde la plupart de l&rsquo;art vid&eacute;o, une sorte de chute sans poids &agrave; travers l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> suspendu du narcissisme <\/em>&raquo; R. Krauss, Video : The aesthetics of narcissism.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> devient le sujet-m&ecirc;me de l&rsquo;oeuvre et se r&eacute;fl&eacute;chit lui-&shy;m&ecirc;me de mani&egrave;re tautologique.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&ldquo;<em>Bill n&rsquo;a aucun sens du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a><\/em>&rdquo; Kira Pero<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u><a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>IMAGE<\/a> ACHEIROPO&Iuml;&Egrave;TE<\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> n&rsquo;est plus <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_ef4e318170cfa53d5caf5db18624a2a5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/representation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">repr&eacute;sentation<\/a> mais une <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_085c08dcb4d02183d053f44935fe0a2e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/presentation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">pr&eacute;sentation<\/a>, elle se donne &agrave; voir.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>PO&Eacute;TIQUE DU <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>CORPS<\/a><\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il y a un <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_39e5735c547fbd003e8c714b142ff30c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/realisme\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">r&eacute;alisme<\/a> optique qui caract&eacute;rise &agrave; chaque instant les <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> presque taill&eacute;s dans l&rsquo;&eacute;cran, comme s&rsquo;il s&rsquo;agissait de <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">portraits<\/a> naturalistes.<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>M&eacute;c&egrave;nes, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3ffd064ca023e29b6390b27280eb52a2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/commande\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">commanditaires<\/a> et donateurs<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La famille Barbaro est tr&egrave;s influente &agrave; Venise.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Daniele Barbaro est un noble, cardinal de l&rsquo;Eglise catholique, recteur de l&rsquo;universit&eacute; de Padoue puis ambassadeur en Angleterre et &eacute;crivain. Il a traduit notamment en italien &laquo; <em>Les dix livres d&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> <\/em>&raquo; de Vitruve.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">A la mort de son p&egrave;re, avec son fr&egrave;re Marcantonio, qui est ambassadeur de la s&eacute;r&eacute;nissime aupr&egrave;s de Catherine de M&eacute;dicis puis &agrave; Constantinople, ils d&eacute;cident de confier &agrave; Palladio la r&eacute;alisation de leur villa.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">V&eacute;ron&egrave;se qui a r&eacute;alis&eacute; les fresques a &eacute;galement r&eacute;alis&eacute; de nombreux <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">portraits<\/a> de Daniele.<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&rsquo;un des collectionneurs les plus engag&eacute;s de l&rsquo;art concret &eacute;tait <strong>Marguerite Hagenbach<\/strong>. Elle a &eacute;t&eacute; l&rsquo;une des premi&egrave;res &agrave; acheter des &oelig;uvres de Sophie Taeuber. Elle deviendra la deuxi&egrave;me madame Arp<\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3ffd064ca023e29b6390b27280eb52a2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/commande\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">commanditaires<\/a> sont g&eacute;n&eacute;ralement les commissaires d&rsquo;expositions con&ccedil;ues partout dans le monde.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Par exemple, pour la derni&egrave;re &oelig;uvre de Bill Viola : Martyrs, une vid&eacute;o destin&eacute;e &agrave; la St Paul&rsquo;s Cathedral, qui a &eacute;t&eacute; d&eacute;voil&eacute;e le 21 mai 2014 et diffus&eacute;e par quatre &eacute;crans est la premi&egrave;re des deux &oelig;uvres dispos&eacute;es derri&egrave;re le vast autel de la cath&eacute;drale londonienne. Sa <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3ffd064ca023e29b6390b27280eb52a2\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/commande\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">commande<\/a> avait &eacute;t&eacute; annonc&eacute;e d&egrave;s 2009. D&rsquo;apr&egrave;s the Art Newspaper, elle aurait co&ucirc;t&eacute; 2M$ &agrave; son commanditaire Par ailleurs, c&rsquo;est la premi&egrave;re fois que le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_2816fe342b1307f6d11191984de6cf69\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/medium\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>m&eacute;dium<\/a> vid&eacute;o est expos&eacute; de mani&egrave;r permanente dans une &eacute;glise britannique.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La derni&egrave;re <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_00e1dcd087643be50967bd2050b29be5\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposition\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposition<\/a> en France s&rsquo;est d&eacute;roul&eacute;e de mars &agrave; juillet 2014, et est la plus grande consacr&eacute;e &agrave; l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>. Celle-&shy;&#8208;ci n&rsquo;est pas consid&eacute;r&eacute;e par le couple comme <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_225658318f2b3e831f4c52cc8aef619e\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/retrospective\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">r&eacute;trospective<\/a> mais introspective.<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Les oeuvres importantes de ces artistes<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;Les Noces de Cana au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> du Louvre<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a href=\"https:\/\/www.louvre.fr\/oeuvre-notices\/les-noces-de-cana\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.louvre.fr\/oeuvre-notices\/les-noces-de-cana<\/a><\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><i><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Portrait<\/a> de Daniele Barbaro, Rijksmuseum Amsterdam<\/i><\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><i><a href=\"https:\/\/www.rijksmuseum.nl\/en\/search\/objects?q=verone&amp;p=1&amp;ps=12&amp;st=Objects&amp;ii=0#\/SK-A-4011,0\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.rijksmuseum.nl\/en\/search\/objects?q=verone&amp;p=1&amp;ps=12&amp;st=Objects&amp;ii=0#\/SK-A-4011,0<\/a> <br><\/i><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span><\/p>\n<\/td><td>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;Spectacles de danse (arts vivants), costumes&hellip;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Voir le dossier sur l&rsquo;article consacr&eacute; &agrave; l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a> : <a href=\"index.php\/cours-2\/terminale\/option-facultative-arts-plastiques\/640-artiste-au-programme-limitatif-du-bac-2018-sophie-taeuber-arp-4#dossier-realise-par-marie-rousseau-rennes\">http:\/\/www.profartspla.site\/index.php\/cours-2\/terminale\/option-facultative-arts-plastiques\/640-artiste-au-programme-limitatif-du-bac-2018-sophie-taeuber-arp-4#dossier-realise-par-marie-rousseau-rennes<\/a> <br><\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">The Reflecting Pool (1977-&shy;79), The Dreamers (2013) : films vid&eacute;os (Chott El Djerid (A <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Portrait<\/a> in Light and Heat), 1979), installations <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monumentales<\/a> (The Sleep of Reason, 1988), <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33668cfb5e7a7cf8726502ce82851ed1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/portrait\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">portraits<\/a> sur plasma (The Quintet of the Astonished, 2000), pi&egrave;ces sonores (Presence, 1995), <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7e74892c91b125d8593ae844297b803d\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/sculpture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">sculptures<\/a> vid&eacute;os (Heaven and Earth, 1992), &oelig;uvres intimistes (Nine Attempts to Achieve Immortality, 1996) ou superproductions (Going Forth By Day, 2002).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Tous les genres de l&rsquo;&oelig;uvre de Bill Viola sont l&agrave;, et toutes ses grandes s&eacute;ries embl&eacute;matiques, des Buried Secrets du pavillon am&eacute;ricain de Venise en 1995 (The Veiling) aux Angels for a Millennium (Ascension, 2000), des Passions (Catherine&rsquo;s Room, 2001) &agrave; The Tristan Project (Fire Woman et Tristan&rsquo;s Ascension, 2005), des Transfigurations (Three Women, 2008) aux Mirages (The Encounter, 2012).<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Le public (rapport au <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a>)<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&Agrave; l&rsquo;ext&eacute;rieur la Villa et le nymph&eacute;e s&rsquo;affirment comme des th&eacute;&acirc;tres.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&Agrave; l&rsquo;int&eacute;rieur, l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> se construit comme un <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_cb1fb44505cadc57a300d92ad7269545\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/lieu\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>lieu<\/a> <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_716aa3821cb413e3c65a433c7a3c5da1\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/theatralisation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">th&eacute;&acirc;tral<\/a> avec ses colonnes, ses frontons et ses masques.<\/span><\/p>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il est le reflet de la r&eacute;alit&eacute; et cr&eacute;e des &eacute;motions<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il d&eacute;roule dans le <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a> sa <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_e4b2498dc13c927d1fbda182f106da90\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/narration\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">narration<\/a> (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> visitant les lieux et appr&eacute;hendant les sc&egrave;nes et leur message)<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Il s&eacute;pare salle et public (<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espace<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> et visiteurs) des acteurs et d&eacute;cors (<em>quadratura<\/em>), tout en cr&eacute;ant une continuit&eacute; spatiale entre eux (<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_8f5c49a120389544bc00371361b422a7\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/echelle-des-plans\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">&eacute;chelle<\/a>, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_61d7737110fa1277d8adb6dc16325009\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/perspective\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">perspective<\/a>, m&eacute;lange <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3b3152c5036954fb5d1c791cb7b4036e\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/reel\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>r&eacute;el<\/a> et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_420a8045c2e10449412dfc9e547b15c0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/peinture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">peinture<\/a>)<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> est confront&eacute; &agrave; sa propre <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_4957653daf1ae09eef5bf7157c16cff2\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/image\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>image<\/a> ; il entre par une vraie porte et bascule par les fausses portes dans un monde d&rsquo;illusion.<\/span><\/p>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;&laquo;<em>&nbsp;Dans les travaux que Sophie Taeuber m&rsquo;a montr&eacute;s peu apr&egrave;s notre premi&egrave;re rencontre, les mat&eacute;riaux utilis&eacute;s &eacute;taient &eacute;galement la laine, la soie, l&rsquo;&eacute;toffe et le papier.&nbsp; Mais, &agrave; cette &eacute;poque, Sophie avait d&eacute;j&agrave; &eacute;t&eacute; d&eacute;truit la plupart de ces travaux, car elle recherchait de nouvelles solutions dans l&rsquo;art. Sa puret&eacute; spirituelle et son amour de l&rsquo;artisanat la conduisaient d&eacute;j&agrave;, dans ses premi&egrave;res compositions <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_991392f3c93291471a32dc348900b4c9\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/abstraction-s\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">abstraites<\/a>, aux plus grandes simplifications&hellip; (&hellip;) Sophie Taeuber &eacute;tait l&rsquo;un des &ecirc;tres les plus modestes que j&rsquo;aie jamais rencontr&eacute;s. Elle jugeait ses travaux encore plus s&eacute;v&egrave;rement que je ne le faisais pour les miens. Elle ne les montrait pas volontiers et ne voulait ni les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_3e7a215c57423bf8d2aa588675647657\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/exposer\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">exposer<\/a> ni les publier.<\/em>&nbsp;&raquo; Jean Arp<\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Les installations sont con&ccedil;ues comme des <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_742e413c4d2c3d07f6399f477c6baa0f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/espace\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>espaces<\/a> invitant les <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateurs<\/a> s&rsquo;immerger pour ressentir les &eacute;motions. Il se cr&eacute;e ainsi un rapport d <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> &agrave; la perception du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_5e986529611bc40fb8b013de6bd55f6f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/temps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>temps<\/a>, du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> et du pictural.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bill Viola utilise pour cela des objets (miroirs, moniteurs <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_902963888354dd45f17ddba76193abbc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/multiple\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">multiples<\/a> r&eacute;troprojecteurs, &eacute;crans <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_919b9d1ac0fa5b22da85ad4a8d604b5f\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/monumental\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">monumentaux<\/a>, barils,&hellip;) ou l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_2f5511a24a9ca4b86593cee15a17fe06\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/architecture\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">architecture<\/a> elle-&shy;m&ecirc;me (corridor : <em>Passage<\/em>, 1987).<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La place du <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> est pr&eacute;pond&eacute;rante et son <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_33f15c44847d0b7d6f354ffe8f68ed4a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/immersive\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">immersion<\/a> dans ce que Viol appelle lui-m&ecirc;me le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_39e5735c547fbd003e8c714b142ff30c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/realisme\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">r&eacute;alisme<\/a> des sensations, des &eacute;motions, des perceptions et des exp&eacute;riences semble constituer l&rsquo;axe central du travail de l&rsquo;<a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_7ebba5a74e5d2537f3dabdcbb1f8e85c\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/artiste\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">artiste<\/a>.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> pose ainsi un regard introspectif sur lui-&shy;m&ecirc;me : &laquo;&nbsp;qui suis-&shy;je ?&nbsp;&raquo; et les relations &agrave; l&rsquo;inconscient, &laquo;&nbsp;o&ugrave; suis-&shy;je ?&nbsp;&raquo; et la place au &nbsp;monde, &nbsp;a cosmos ; et enfin &laquo;&nbsp;o&ugrave; vais-je ?&nbsp;&raquo; et la question du voyage.<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><u>LA MISE EN ABYME<\/u><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysage<\/a> qui entoure le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_0b9e9b9d6b78387e26f655ae77b288bc\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/statut-du-spectateur\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">spectateur<\/a> comme le ferait un environnement es &eacute;galement l&rsquo;extension de son <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a> sensible, le <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_77dc0da9b75f8ab102317ab558a104a4\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/paysage\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">paysage<\/a> se pr&eacute;sentant comme une intensification du <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_c62d36d153f7400e41c28bba1d7b3fe6\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/corps\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>corps<\/a>.<\/span><\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion\"><details><summary class=\"lightweight-accordion-title\"><span><span style=\"font-family: verdana,geneva,sans-serif;font-size: 10pt\"><strong>Autres r&eacute;f&eacute;rences &agrave; mettre en lien<\/strong><\/span><\/span><\/summary><div class=\"lightweight-accordion-body\">\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Fresques de la Villa Barbaro &agrave; MASER de V&eacute;ron&egrave;se<\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>3 oeuvres de Sophie Taeuber-Arp<br><\/strong><\/span><\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><span style=\"text-decoration: underline;\">Oeuvres vid&eacute;os de Bill Viola<\/span><\/strong><\/span><\/td><\/tr><tr><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong><em>Vue<\/em><\/strong><strong><em> de la vo&ucirc;te de la <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_1c5929e6494375eb61c8f6738a3efa1a\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/chapelle-sixtine\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Chapelle Sixtine<\/a><\/em><\/strong><em>,<\/em><em> Michel-&shy;&#8208;Ange, Rome, Cit&eacute; du Vatican<\/em><\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Andrea Pozzo, Triomphe de Saint Ignace de Loyola, 1690<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Giulano Romano, <strong><em>Salle des G&eacute;ants<\/em><\/strong><em>, sc&egrave;ne dite &ldquo;La Chute des G&eacute;ants&rdquo; et d&eacute;tail, 1530 &ndash; apr&egrave;s 1534, <\/em><\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Georges Rousse, intervention aux Halles de Reims, 2008<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Felice Varini<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Pere Borrell del Caso, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_e131f1a12f35c0ea911c56cb20015d25\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/formats-des-toiles\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>toile<\/a>, Madrid (1874)<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">L&eacute;onard de Vinci, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_c65bd9c76c187d6db56c74a41c12d532\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/anamorphose\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">anamorphose<\/a> d&rsquo;un visage d&rsquo;enfant et d&rsquo;un &oelig;il (1485, <em>Codex Atlanticus<\/em>).<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Hans Holbein le Jeune, Les Ambassadeurs, 1533, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_9539e8710c6ddee4000eac9f0c707ff8\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/huile\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>huile<\/a> sur panneaux de ch&ecirc;ne, 207 x 209,5 cm.<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><strong>Bill Viola, <em>Five Angels for the Millennium<\/em>, 2001 <\/strong>1. Departing Angel. 2. Angel of Birth. 3. Angel of Fire. 4. Ascending Angel. 5. Angel of Cr&eacute;ation <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_857af9971a5a9103e702dc9d19f17f85\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/installation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Installation<\/a> vid&eacute;o.<\/span><\/li>\n<\/ul>\n<\/td><td><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">&nbsp;<\/span>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Broderie<\/a> &ndash; <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">tapisserie<\/a> de Bayeux<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> de la Dame &agrave; la Licorne, <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>Mus&eacute;e<\/a> de Cluny<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_97ceeec3adc75e63ad419fa9260a0b7b\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/broderie\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Tapisserie<\/a> des ateliers Lur&ccedil;at &agrave; Nancy<\/span><\/li>\n<\/ul>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Oeuvres textiles sur<span style=\"color: #000017;\"> cette page (<a href=\"index.php\/cours-2\/terminale\/option-facultative-arts-plastiques\/666-sujet-7-oeuvre-textile-2\">sujet 7<\/a>)<\/span><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Autres oeuvres au <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_f50670b0c04e0fa882016c5609c90f50\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/musee\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>mus&eacute;e<\/a> de B&acirc;le : suivre <a href=\"http:\/\/sammlungonline.kunstmuseumbasel.ch\/eMuseumPlus?service=direct\/1\/ResultListView\/result.t2.artist_list.%24TspTitleLink%240.link&amp;sp=10&amp;sp=Sartist&amp;sp=SfilterDefinition&amp;sp=0&amp;sp=1&amp;sp=1&amp;sp=SsimpleList&amp;sp=0&amp;sp=Sdetail&amp;sp=0&amp;sp=F&amp;sp=T&amp;sp=0\" target=\"_blank\" rel=\"noopener noreferrer\">ce lien<\/a><\/span><\/p>\n<p><u><span style=\"color: #000020; font-size: small;\">&nbsp;<\/span><\/u><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_dc9581bf40134150b523bd208e1553af\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/atelier\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Atelier<\/a> de Sophie Taueber et Jean Arp : <a href=\"http:\/\/www.fondationarp.org\/l-atelier-de-jean-et-sophie.html\">http:\/\/www.fondationarp.org\/l-atelier-de-jean-et-sophie.html<\/a><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Mondrian et le n&eacute;o-plasticisme :&nbsp;<\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\"><a href=\"http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-mondrian\/ENS-mondrian.html\">http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-mondrian\/ENS-mondrian.html<\/a><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Oeuvres et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_075271f9760a377663dc35c18b3168d0\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/mouvement\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">mouvement<\/a> <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"cmtt_3bacee1529bfcdb2c286a3178001a57f\"  href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/dada\/\"  target=\"_blank\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex='0' role='link'>DADA<\/a> : <a href=\"http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-dada\/ENS-dada.htm\">http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-dada\/ENS-dada.htm<\/a>&nbsp;<\/span><\/p>\n<\/td><td>\n<ul>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Nam June Paik Electronic Superhighway, Continental U.S., Alaska, Hawaii, 1995<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Vito Acconci, <em>Centers<\/em>, 1971<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Bruce Nauman<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Dan Graham, Present Continuous Past(s), 9174, <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_857af9971a5a9103e702dc9d19f17f85\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/installation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">installation<\/a> vid&eacute;o en circuit ferm&eacute;: cam&eacute;ra noir et blanc, 1 moniteur noir et blanc, 1 ordinateur, 2 miroirs, 1 microprocesseur<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Marina Abramovic, Ulay, <em>Modus Vivendi &ndash; Pieta <\/em><\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">C&eacute;leste Boursier-&shy;&#8208;Mougenot <em>Untitled <\/em>1997-&shy;&#8208;<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Ange Leccia, La Mer, 1991<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Pierre HUYGHE Exodus 1992\/97 Super 8 colour film\/ video transfer\/ silent\/ 1&rsquo;05<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Pierre Huyghe One Million Kingdoms 2001<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Peter Fischli et David Weiss Le cours des choses 1986-&shy;&#8208;1987<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Cyprien Gaillard <em>Cities of Gold and Mirrors, <\/em>2009<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Dominique Gonzalez-&shy;&#8208;Foerster, <em>Parc Central<\/em>, 2006<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Tony Oursler Le Grand Mal, 1981<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Jeffrey Shaw The Legible City, 1988-&shy;&#8208;1991 <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"cmtt_857af9971a5a9103e702dc9d19f17f85\" href=\"https:\/\/www.profartspla.site\/wordpress\/Dictionnaire\/installation\/\" target=\"_blank\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">Installation<\/a> Interactive<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">Dan Flavin (1933-&shy;&#8208;1996), <em>Alternating Pink and Gold<\/em>, 1967, environnement, n&eacute;ons color&eacute;s, chacun d&rsquo;une hauteur de 244 cm, Chicago Museum of Contemporary Art.<\/span><\/li>\n<li><span style=\"font-family: verdana,geneva,sans-serif; font-size: 10pt;\">La Monte Young \/ Marian Zazeela : &laquo;&nbsp;Dream House 78min17sec.&nbsp;&raquo; (SHANDAR, 1973)<\/span><\/li>\n<\/ul>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n<\/div><\/details><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":14998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[47,43,42],"tags":[209,804,151,208,378,805],"class_list":["post-669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cours-2017-2018-option-facultative-arts-plastiques-terminale","category-cours-2018-2019-option-facultative-arts-plastiques-terminale","category-cours-2018-2019-spe-arts-terminale","tag-bill-viola","tag-sophie-taeuber-arp","tag-taeuber","tag-taeuber-arp","tag-veronese","tag-viola"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.profartspla.site\/wordpress\/wp-content\/uploads\/2018\/04\/archives-e1700314132313.jpg?fit=200%2C150&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/comments?post=669"}],"version-history":[{"count":4,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/669\/revisions"}],"predecessor-version":[{"id":15104,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/posts\/669\/revisions\/15104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media\/14998"}],"wp:attachment":[{"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/media?parent=669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/categories?post=669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profartspla.site\/wordpress\/wp-json\/wp\/v2\/tags?post=669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}